Understanding Religion Through Kurt Vonnegut's Cat's Cradle Essay

Cat's Cradle by Kurt Vonnegut was written in 1963. "It is a satirical commentary on modern man and his madness" (back cover). It is a book that counters almost every aspect of our society. As well as satire, Vonnegut also includes apocalyptic elements in this novel.

"All the things I am about to tell you are shameless lies." So begins the Books of Bokonon. Bokononism is an original religion that is introduced in this book, Cats Cradle by Kurt Vonnegut. The book shows the importance of religion, even if that religion is "shameless lies". It also displays how people convince themselves that things are better then they really are. I read this book because of a promise I made to my father. I'm glad I made that promise; I just read a delightfully funny and deep tale about the end of the world.

In Kurt Vonnegut’s eyes, America is being taught that some books and ideas are tantamount to diseases. As a consequence, the humorous, satirical novel Cat’s Cradle has been unjustly challenged in a few areas of the United States. The novel looks at the structures that curb our society, especially in religion and science, and contains an educational value that is paramount in correlation to its suggestive themes. Therefore, despite Cat’s Cradle’s minor suggestive content, including religious satire and mature themes, the book possesses important concepts that should not be overshadowed by these negligible reasons. It is puzzling how the novel received bans for such irrational conclusions.

Throughout centuries, humans have expressed different perspectives toward a single idea. The subject of religion invites challenging discussions from skeptical minds because religion is diversely interpreted based on personal faith. The authoress sets her novel in a fictional town, Cold Sassy, where religion plays a predominant role in people’s lives. Through Will Tweedy’s narration she explores the religious opinions of the town’s most prominent citizen Rucker Blakeslee, Will’s grandpa. Although Blakeslee spent his whole life in a religiously conservative town, he has a radical approach toward religious concepts such as predestination, suicide, funerals, faith, and God’s will, thus forcing him to challenge the traditional views of

Beginning at a young age, people are taught to pursue a pure conscience and a bond of trust between close friends and family, all the while turning a blind eye to sin. Children most often learn from their parents and, as a result, believe that their parents are the quintessence of virtue. This concept is one that sticks with them until they catch an adult out for the first time; consequently, their beliefs begin to falter and the realization of a false perfect entity harms the child more than if the illusion were never created. Likewise, many adults struggle with realizing that society is built upon deceit due to masks of decency and credibility, while others deceive themselves by living in a world of illusions because of the pleasure and protection provided. That said, once the illusion is destroyed, it also destroys him. Similarly, John Steinbeck explores the double-edged sword of deception, wielded by both children and adults, in his novel East of Eden. Just as the masks that society wears, multiple characters throughout the story at first originally incapable of committing a sin as great as deceit due to their innocent introductions. Despite this initial virtuosity, Steinbeck’s East of Eden evinces humanity’s contrasting and inherent dependence upon selfish uses of deception, whether it be for self-empowerment, safety, or otherwise, with paltry consideration about the consequences of truth.

Flannery O’Connor believed in the power of religion to give new purpose to life. She saw the fall of the old world, felt the force and presence of God, and her allegorical fictions often portray characters who discover themselves transforming to the Catholic mind. Though her literature does not preach, she uses subtle, thematic undertones and it is apparent that as her characters struggle through violence and pain, divine grace is thrown at them. In her story “Revelation,” the protagonist, Mrs. Turpin, acts sanctimoniously, but ironically the virtue that gives her eminence is what brings about her downfall. Mrs. Turpin’s veneer of so called good behavior fails to fill the void that would bring her to heaven. Grace hits her with force and

The function of religion plays a significant role in the narrative, especially the dissimilarities between the narrator's religious beliefs and the "Other" religion of her captors. More specifically the Puritan ideology of the

Religio-historical objects are things of crafted pieces of writing that reveal the realities of religious subjects through the perspective visions of their author (C.J Bleeker). Compared to an artist who has a muse, writers also have a “muse” something that influences their writing. Whether it is a personal experience, religious belief, or common morals writers derive the context within their writing from many different aspects of life. One thing most authors derive their ideas from is their religion or just any religion that interest them. Authors like Nathaniel Hawthorne and Flannery O’Connor, writings often include many allegories and symbols to religious faiths.

The idea works and the religion spreads to almost every resident of San Lorenzo. The citizens of San Lorenzo stop their threats and are happy (Schatt 62). The Books of Bokonon are a satire of other religious texts because, as nearly everyone knows, most religions have some sort of holy text. Judaism has the Torah, Christianity has the Bible, Islam has the Koran, Hinduism has the Shrutí, etc. (Wilson). Who knows who wrote these religious scriptures and why? The Books of Bokonon was written for political gain (Schatt 62). Johnson, the author, becomes a crazy, disheveled, cynical, old man while he continues to write (Vonnegut 286-287). Maybe the Torah, Bible, Koran, and Shrutí are just some ancient man's way to influence and control the masses. The Books of Bokonon are just one way in which Vonnegut satirizes religious themes.

Flannery O’Connor’s philosophy of writing was directly related to her life and roots as a Southerner, a Catholic, and a woman. One of the Southern traditions that O’Connor used most in her writing was local customs and manners which make people laughable. “Exaggeration of characteristics and of incidents is one cause of our laughter in O’Connor’s stories” (Grimshaw 89). She would regularly expose the hypocrisy of character’s thoughts by exaggerating their ridiculous actions in moments of distress causing readers to feel both horror and humor at the same time. Also present in most of O’Connor’s work, is her Catholic faith with regards to her vision of grace and the devil. Her view of faith was complete in the sense that it had a beginning, middle, and end, but she wrestled with Protestantism and depicted hypocrisy and intolerance when she found them (Grimshaw

    Cat's Cradle is, "Vonnegut's most highly praised novel. Filled with humor and unforgettable characters, this apocalyptic story tells of Earth's ultimate end, and presents a vision of the future that is both darkly fantastic and funny, as Vonnegut weaves a satirical commentary on modern man and his madness" (Barnes and Noble n.pag).  In Cat's Cradle, Kurt Vonnegut uses satire as a vehicle for threatened self-destruction when he designs the government of San Lorenzo.  In addition, the Bokonists practice of Boko-maru, and if the world is going to end in total self destruction and ruin, then people will die, no matter how good people are and what religion people believe.

Known as a safe read throughout the literary world, Christian fiction is devoid of true human condition such as the grotesque and the sexual. Richard Terrell proposes in his essay Christian Fiction: Piety is not Enough, that Christian fiction cannot rely on being religious anymore to earn the title of “good fiction”. He addresses the issue of Christian fiction limiting itself to a certain range of topics because it is a “religious” work and these limitations result in mediocre writing. Though the credibility is weak throughout Christian Fiction: Piety is not Enough, the elements of logic and emotional appeal are effective in convincing Christian readers that today 's Christian fiction is subpar.

Religion is common around the world on every continent, in every country, in all kinds of different people. Despite their differences, they all provide something that the group of people needs. But is there some truth in what some may call lies? In Cat’s Cradle, by Kurt Vonnegut, religion works for the people of San Lorenzo, giving them comfort in the worst of conditions. While religion may just be made up lies, it is more beneficial than science, which cannot give people what they need.

Religion also plays an important function in allowing the authors to comment on society and faith’s role in it. For example, both authors seem to be suggesting that our religion is only compatible in society as we know it, that is to say that it is not compatible with other situations. In The Children of Men a major disruption to the working of society, mass infertility, has led to a total destruction of the Christian faith. In Brave New World, an unstoppable surge of machinery and technology has led to the disregard of religious moral and the introduction of a new set of hedonist attitudes, both scenarios being deplored by the reader. This could also be seen as the authors’ asserting that a civilized society desperately needs stable religion and morals, given that the utter breakdown in The Children of Men is arguably as shocking as the superficial worship of machinery and pleasure in Brave New World.

In a postmodern world it is worth contemplating in what we can put our faith. Does culture, religion, or God merit our trust? Or is this a world of mechanical and biological evolutionary processes void of any meaning and purpose? The Sunset Limited, “a novel in dramatic form,” by Cormac McCarthy, is a dialogue between two persons who approach each other from opposite worlds to answer these questions. Black, a born-again believer and ex-con, and White, a nihilistic college professor, attempt to determine whether belief in God is viable in this world and if life is worth living. Despite Black’s efforts to convince him otherwise, White remains a Depressed Self who denies God’s existence, affirms his view of the world as deranged, and leaves to complete his suicide.