Understanding The House Made of Dawn by Scott Momaday Essay

“Home is where the heart is.” In The House on Mango Street, Sandra Cisneros develops this famous statement to depict what a “home” really represents. What is a home? Is it a house with four walls and a roof, the neighborhood of kids while growing up, or a unique Cleaver household where everything is perfect and no problems arise? According to Cisneros, we all have our own home with which we identify; however, we cannot always go back to the environment we once considered our dwelling place. The home, which is characterized by who we are, and determined by how we view ourselves, is what makes every individual unique. A home is a personality, a depiction of who we are inside and

As a young girl, Esperanza is a young girl who looks at life from experience of living in poverty, where many do not question their experience. She is a shy, but very bright girl. She dreams of the perfect home, with beautiful flowers and a room for everyone. When she moves to the house of Mango Street, reality is so different than the dream. In this story, hope (Esperanza) sustains tragedy. The house she dreamed of was another on. It was one of her own. One where she did not have to share a bedroom with everyone. That included her mother, father and two siblings. The run down tiny house has "bricks crumbling in places". The one she dreamed of had a great big yard, trees and 'grass growing without a fence'. She did not want to abandon

“I want to be like the waves on the sea, like the clouds in the wind, but I’m me. One day I’ll jump out of my skin. I’ll shake the sky like a hundred violins” (60). In the story “The House on Mango Street”, the author Sandra Cisneros uses sentences full of imagery, metaphors, and word games, to show how self definition is a result of the people and places surrounding you. This is represented throughout the book when Esperanza wants to change her name, living in a male dominated society, and when she wishes for a new home.

Sandra Cisneros is a latina born in Chicago in 1954. She is the only daughter out of seven of her siblings. She worked as a teacher and counselor to high-school dropouts, as an artist-in-the-schools where she taught creative writing at every level except first grade and pre-school, a college recruiter, an arts administrator, and as a visiting writer at a number of universities including the University of California, Berkeley, and the University of Michigan. When she began writing books it was soon translated into many languages such as Spanish, French, Dutch, Italian and many more. She is very proud of her family. Her grandfather even played piano for the mexican president. She is know mostly for her famous book, ‘The House on Mango Street’. The book was based off her neighborhood that she grew up In Chicago. In 1995,

Often in literature, authors create plot by writing about characters maturing throughout the story. One work that explores childhood to adulthood is The House on Mango Street by Sandra Cisneros. In this novella, Esperanza Cordero is a young girl who lives in a poverty stricken area in Chicago. During the story, Esperanza grows up from being an adolescent to a young adult. In the novella, the theme is that losing innocence brings about maturity. Cisneros expresses Esperanza growing up by juxtaposing vignettes. Tone is also used to enhance the change in Esperanza’s thoughts while maturing. Both the juxtaposition of vignettes and tone support the theme that the loss of innocence and the gaining of

“Beneath My House” by Louise Erdrich, is a literary essay with an expressive approach. Erdrich narrates the day she rescues a kitten from beneath her house, despite the fact that she does not even like cats. Her maternal instincts take over when she hears the kitten cry, which causes her to do whatever it takes to rescue the kitten. Then, the author analyzes the event and she expresses her emotional response. Through the use of description and narration, Erdrich allows for the audience to imagine the rescue of the kitten “beneath her house.” The overall theme is the act of being born.

"My Grandparents, My Parents and Me." My Grandparents My Parents, Mis Abuelos Mis Padres, Frida Kahlo, C0160. N.p., n.d. Web. 29 May

The Russian Revolution and the purges of Leninist and Stalinist Russia have spawned a literary output that is as diverse as it is voluminous. Darkness at Noon, a novel detailing the infamous Moscow Show Trials, conducted during the reign of Joseph Stalin is Arthur Koestler’s commentary upon the event that was yet another attempt by Stalin to silence his critics. In the novel, Koestler expounds upon Marxism, and the reason why a movement that had as its aim the “regeneration of mankind, should issue in its enslavement” and how, in spite of its drawbacks, it still held an appeal for intellectuals. It is for this reason that Koestler may have attempted “not to solve but to expose” the shortcomings of this political system and by doing so

“That Evening Sun” by William Faulkner is a good example of a great emotional turmoil transferred directly to the readers through the words of a narrator who does not seem to grasp the severity of the turmoil. It is a story of an African American laundress who lives in the fear of her common-law husband Jesus who suspects her of carrying a white man's child in her womb and seems hell bent on killing her.

The poem, "The Night House" by Billy Collins, is very symbolic and meaningful, and most people can relate to because everyone has something they are not content with in life. Collins is a great, straightforward writer that people can depict with in his poems because he is practical and uses simple things or everyday experiences in an easy way. This poem in particular is very symbolic and effortless to analyze because it is the everyday life--- going to work, coming home, and then going to sleep--- the cycle then repeats over and over. He talks about "the body works" at the beginning (which sets the tone for the rest of the poem), which symbolizes that our hearts and minds are not always into what we are doing. He talks and illustrates figurative parts of the body: the heart, mind, conscience, and soul. When he talks about the woman sleeping, all these figurative body parts are restless and come out at night to do what they really want to do.

In “On the Pulse of Morning”, Angelou uses visual imagery and symbolism to argue that people must learn from the past to eliminate racial injustice in society today. The vivid descriptions found in the poem evoke feelings of injustice through the emotionally painful pictures that they paint. Americans as a whole are described in the poem to have “crouched too long in / The bruising darkness, [...] / Face down in ignorance” (“On the Pulse of Morning” 15-18). The speaker of the poem insinuates that “humans have been hiding, [...] afraid of what they might learn” from history (“On the Pulse of Morning”, 1998, 3: 276). The bestial visual of a person “crouching” takes away the humanity of the subjects, and the description of “bruising darkness” calls to mind the dark times of slavery over a hundred years prior. The image evokes a feeling that Americans have made terrible mistakes in the past that have not yet been corrected. They have committed terrible, animalistic acts in the blackened cover of history. These people refuse to look up and accept what has been done. The shadows of slavery and the pain caused by it are still ubiquitous in modern society, and if humans do not stop hiding from the truth, they cannot right the wrongs that have been committed. In order for the ignorance to end, people must accept the continuing prevalence of injustice. Not only does Angelou use detailed descriptions, but her use of symbolism allows the reader to see the injustice in society through

“The effective war film is often the one in which the action begins after the war, when there is nothing but ruins and desolation everywhere…”

Throughout House Made of Dawn Momaday forces the reader to see a clear distinction between how white people and Native Americans use language. Momaday calls it the written word, the white people’s word, and the spoken word, the Native American word. The white people’s spoken word is so rigidly focused on the fundamental meaning of each word that is lacks the imagery of the Native American word. It is like listening to a contract being read aloud.

"Never shall I forget that night, the first night in the camp, which has turned my life into one long night, seven times cursed and seven times sealed. Never shall I forget that smoke. Never shall I forget the little wreaths of smoke beneath a silent blue sky. Never shall I forget those flames which consumed my faith forever. Never shall I forget that nocturnal silence which deprived me, for all eternity, of the desire to live. Never shall I forget those moments which murdered my God and my soul and turned my dreams to dust. Never shall I forget these things, even if I am condemned to live as long as God Himself. Never." (9)

On the other hand, Mrs. Ramsay acts the role of the perfect wife with her warmth, kindness and praise in contrast to Mr. Ramsay that is presented as oppressive. As Naremore suggests, “The narrator is interested not in a report of the scene's action, but in its rhythm, in the light healing pulse of Mrs. Ramsay's sympathy contrasted to Mr. Ramsay's harsh, repeated demands for more” (pg.132 of “To the Lighthouse” by Virginia Woolf, 1969).