Bond analyzes the language spoken throughout Their Eyes Were Watching God as appropriate and crucial to understanding Afro- American literature. Hurston’s skill in dialect writing emphasizes the cultural tradition within the south. Not only does Hurston demonstrate black oral tradition, but she also utilizes southern dialect to critique a male dominated society. Hurston uses literary references, such as the pear tree to scrutinize her awakening self-love. These illustrations that occur in notable occasions of the novel are signified by the citizens of Eatonville. Lige Moss sheds light on Tony Taylor’s rhetorical inadequacy, just as Janie demonstrates her oration skills to expose the male tradition of signifying. Her expressive rhetoric angers Joe because “It is he who had aspired to being a “‘big voice,”’ a status dependent on the submissive silence of his wife” (46). Women are expected to keep their mouths shut, so when Janie breaks this cultural boundary she is looked down upon. Bond further analyzes this signifying game by giving examples of women being used as objects rather than speakers. Janie’s marriage to Joe initially represents the lack of voice women have until Janie uses figurative language to displace his power figure. Through the utilization of rhetoric, Janie “is able to free herself from the hierarchical sexual difference prescribed within the roles of her marriage” (49). Janie’s demise of Joe represents a huge step towards competitive figurative speech.
Speech and silence have a critical role in the background of the novel written by Zora Neale Hurston, Their Eyes Were Watching God. This novel takes a journey through the life of an African American woman named Janie Mae Crawford as she strives to discover her place in the world. There are many examples of the ways speech is used as the story follows Janie’s life. The first of these can be found near the beginning of the novel when Janie is only a teenager.
In the novel “Their Eyes Were Watching God”, the author Zora Neale Hurston used a certain dialect and language to help bring to life the social status’ and personalities of each of her characters. The dialect helps compare and contrast each of the characters that Janie, the main character, interacts with. The dialect shown throughout the novel will help the reader understand the level of education and upbringing of the characters as well as bringing the story to life. In “Their Eyes Were Watching God”, Hurston makes it very apparent that Janie, Pheoby, and Tea Cake are all African Americans from the deep south.
Zora Neale Hurston is considered one of the most unsurpassed writers of twentieth-century African-American literature. Published in 1937, Zora Neale Hurston’s Their Eyes Were Watching God depicts the life of Janie Crawford, an African-American woman, who is in search of true love and ultimately her true self. In the novel, Janie shows us that love comes in all shapes and forms, and love is different with each person you choose to love. In the opening of the novel, Hurston uses a metaphor to say that, while men can never reach for their dreams, women can direct their wills and chase their dreams. Hurston uses this metaphor to make a distinction of men and women gender roles, and Janie went against the norms that were expected of her.
Feminism and gender equality is one of the most important issues of society today, and the debate dates back much farther than Zora Neale Hurston’s novel, Their Eyes Were Watching God. To analyze Janie’s existence as a feminist or anti-feminist character requires a potential critic to look at her relationships and her reactions to those relationships throughout the novel. Trudier Harris claims that Janie is “questing after a kind of worship.” This statement is accurate only up until a certain point in her life, until Janie’s “quest” becomes her seeking equality with her partner. In Their Eyes Were Watching God, Janie’s main goal pertaining to her romantic relationships undergoes multiple changes from her original goal of a type of worship to a goal to maintain an equal relationship with her husband.
In Claire Crabtree’s journal article, “The Confluence of Folklore, Feminism and Black Self-Determination in Zora Neal Hurston’s ‘Their Eyes Were Watching God’”, it addresses the large role that folklore plays regarding Janie’s growth as a character. Moreover, it states how the influence of Folklore culture shaped Janie’s experiences as a Black woman in the South. Initially, Crabtree described the integration of folk material and how it developed Janie’s journey of identity. Folklore culture affected Janie’s perception in relationships, career aspirations, and her limited role as a woman. Nevertheless, Crabtree explains how folklore is merged to the themes of feminism and Black self-determination. Moreover, she discusses how the style of narration and the novel’s unique storytelling frame amplifies the authentic aspect of the text. She
Taking place in the 1920’s, Harlem Renaissance was a period of time where cultural, social, and artistic expansion took place in the American society. Hurston’s uniqueness led her to write about the problems of individuals, particularly white ones and black ones. In her own words, she stated, “Many Negroes criticise my book, because I did not make it a lecture on the race problem. I have ceased to think in terms of race; I think only in terms of individuals. I am interested in you now, not as a Negro man but as a man” (“Although her reputation”). In addition, Hurston portrayed the lives of black people as constantly miserable, downtrodden and deprived. For instance, in Hurston’s novel, Their Eyes Were Watching God, the main character, Janie Crawford, finds her second husband, Joe Starks, only to mislead her life. Janie figures out that she once again lacks the love she had longed for. Joe considered Janie to be his possession. He expected Janie to be a well-behaved wife, who would not speak up for herself or disobey him. He additionally expected her to follow every order he had for her, such as forbidding her to interact and play checkers with people (“The most prevalent”). During this time, men were showing off their masculinity by ordering their wives around and ruling over them. However, Janie refused to accept herself to be oppressed, rather “outspoken and headstrong” (Zora Neale Hurston’s). Hurston is trying to portray that women should have the courage to speak up for
In Zora Neale Hurston’s romantic novel Their Eyes Were Watching God, the heroine Janie, a beautiful mixed white and black woman, is on a journey to find someone who will make her feel love to find her own identity and freedom, away from her spouses. Janie’s marriages and quest for love impede her individual search for freedom, but in doing this she has discovered what exactly she wants for herself. Janie’s search for her identity and freedom is very much evident. Being abused and controlled during her marriages has made it clear how she wants to be treated and how she wants to live her life; as an individual who does not have to listen to anyone. The story opens with Janie’s return to town. Janie tells Phoebe Watson the story of her
Author Zora Neale Hurston weaves many powerful symbols into her acclaimed novel, Their Eyes Were Watching God. Hurston’s use of symbols enhances the reader’s understanding of the trials and tribulations along the road of self discovery for the story’s main character, Janie. Of the many symbols used throughout the novel, one in particular - Janie’s hair - is subtle yet striking as it gives us insight into Janie’s perceived social status, oppression, self identity, and her eventual independence through her self identity as a woman despite the social norms of the time period.
Zora Neale Hurston had an intriguing life, from surviving a hurricane in the Bahamas to having an affair with a man twenty years her junior. She used these experiences to write a bildungsroman novel, Their Eyes Were Watching God, about the colorful life of Janie Mae Crawford. Though the book is guised as a quest for love, the dialogues between the characters demonstrate that it is actually about Janie’s journey to learn how to not adhere to societal expectation.
Zora Neale Hurston was an influential African-American novelist who emerged during the Harlem Renaissance. (Tow 1) During the Harlem Renaissance Hurston’s novel "Their Eyes Were Watching God, was written in southern dialect so that the African American audience can relate, mainly because Hurston could only write about what she knew. “In the case of Hurston, dialect, as a regional vernacular, can and does contain subject, experience emotion and revelation.” (Jones 4) when Hurston's novel first was released many people didn't not accept the writing for what it really was. “When Their Eyes Were Watching God first appeared in 1937, it was well-received by white critics as an intimate portrait of southern blacks, but African-American reviewers rejected the novel. (Telgen, Hile 1) In this modern day the novel is well accepted and has been called "a classic of black literature, one of the best novels of the period" (Howard 7) In "Their Eyes Were Watching God", Janie takes on a journey in search of her own identity where each of her three husbands plays an important role in her discovery of who she is.
Zora Neale Hurston’s Their Eyes Were Watching God tells the story of Janie’s journey towards spiritual enlightenment and her development of individuality, largely through Janie’s relationships with others. Hurston uses the themes of power, control, abuse, and respect, in Janie’s relationships with Nanny, Killicks, Starks, and Tea Cake, to effectively illustrate how relationships impact identity and self-growth.
Throughout a fair part of Zora Neal Hurston’s novel, Their Eyes Were Watching God, Janie’s low class create problems when it comes to men. She lives with men she does not love because they give her the financial stability she cannot have yet on her own. Janie marries Logan Killicks at a young age even though she does not want to
“Their eyes were watching god” a novel that looked how societies view on women, written by Zora Neale Hurston, portrays a society where “nigger women” are considered a “mule”. Throughout the novel, the protagonist, Janie Crawford, strives to find her own voice but struggle to find it because of the expectation in the African American community. Each one of her husbands play a big role in her life long search for independence and her own voice.
As a whole, most of the female characters are shown to be cruel and obsessed with gossip. This particular example is demonstrated early in the novel when Janie is first coming back to Eatonville and the women “chewed up the back parts of their minds and swallowed with relish. They made burning statements with questions, and killing tools out of laughs” (Hurston 2). This scene exposes the bitter truth that women are quick to turn against each other every opportunity they get. It clearly establishes the jealously and spite that fuel women to treat each other so awfully. There is an unmistakable disconnection between the novel’s protagonists and the other women for not only the hatred they feel towards janie, but also their lack of independence and simplicity. The women in this novel, including Janie, are not valued in society but Janie appears to the one of the few to try and overcome barrier. Mary Helen Washington, in her contribution to Zora Neale Hurston's Their Eyes were Watching God, supports the notion that these female characters are denied the right to participate in society. On multiple occasions the women are confined and silence not only by their husbands, but also by the world they are subjected to. She writes about how the women in the novel were never able to talk, or at least be listened too. Janie was included in these women, but is soon able to find her voice. While most of the female characters depicted in the novel are judgmental and one-sided, they also act as components to add to Janie’s struggle for
In Hurston’s Their Eyes Were Watching God, Janie has this harsh reminder throughout her entire life. Each major figure in Janie’s life is representative of a racial and gender discrimination caricature, so when Janie breaks society’s norm in any way she is seen as the problem rather than the victim.