Unicorn Tapestry Research Papers

Reading the lady and the unicorn by Chevalier, I became aware of a series of six tapestries at Musee Cluny woven in the 15th century (Chevalier 249). These tapestries are remarkable in both content and quality. The series of six tapestries appear mysterious to all who view them, myself included. The first five “suggestion of the five sense” (Chevalier 37), sight, sound, taste, smell and finally touch. These five tapestries culminate quintessentially into a sixth tapestry a Mon Seul Deair, which provides a metaphorical mystery as to its sensitive meaning of purity (Chevalier 249).

<strong>*</strong>*(Was second paragraph) While it is possible that the tapestries were not created with the purpose of being one set, they have always been displayed as if they were created as a set because of the story that they tell together. They could have derived from several sets of tapestries. They tell the story of the hunt, capture and murder of the unicorn, a mythological creature sought for its single horn which was thought to bring good luck and provide protection from poisoning.

A blue cloth is flowing in the wind behind him, sort of draping off of his back like a cape. Behind him are a man and a woman farther in the background. The man is standing in the water while the woman is sitting on what looks like a porpoise. On both sides of the center three women are two men with wreaths on on top of their heads, and they are blowing into what looks like horns. On the right side of the painting are three more figures. One is a woman sitting on top of a rock with a white cloth underneath her bottom. Her back is facing towards the viewer and she seems to be looking towards the man on the other shell. She holds a green cloth on the top of her head with her right arm while resting on her left arm for support.There is also a tipped vase in front of the rock that is spilling water into the ocean. To her right is a muscular man holding a woman on his back. Behind the two is an orange yellow cloth flowing in the wind. In the front of venus is an cherub angel laying on an orange yellow cloth with it's arms around the head of a sea creature. Above the pink cloth that Venus is holding up are six more cherub angels. Some are dropping flowers down on the congregation and some have their little bow and arrows out. There is a lot of clouds in the sky behind them. On the clouds to the left is a chariot being carried by doves with another angel in it. The women figures and the angels are pale

First looking at this I was blown away how detailed the piece is. My initial reaction was that it was a nice photo, then I realized it was a painting. What I found to be the most impressive part of the piece was the illusion of the velvet fabric-like texture of the horse.

The Unicorns’ legend first started in the 4th century BCE. The first written account of the unicorn was in the western literature that came from the greek doctor Ctesias in the 4th century BCE when the legendary of a unicorn started. The unicorn was described in the ancient greeks in account of natural history by many writers. In medieval times , since the unicorn was a big thing, many people sold narwhals tusks to replicate the unicorns horn. Natural history writers were convinced of the reality of unicorns that they located it in India.

Laura's Resemblance to the Glass Unicorn The Glass Menagerie by Tennessee Williams had several different symbols. Throughout the whole play, one symbol that stands out above the rest is the glass unicorn that Laura has a part of her glass menagerie collection. Tennessee Williams does a brilliant job in using the glass unicorn as a symbol representing Laura herself.

were to be incarnated and turn into a mythical creature I would want that mythical creature to be a unicorn. I would want to be reincarnated by a unicorn they are very pretty and they are really interesting. A unicorn looks like a horse or goat with a single horn in the middle of its head. The world unicorn means ‘one horn’ because of their horn. Unicorn myths are most popular in Europe and Asia. The myths say that their blood and their horn have powers. Sometimes they say that their horn can heal wounds, illnesses, and neutralize poison. In some pictures unicorns have a lion’s tail or a goat’s feet. A lot of people say that unicorns are the purest white, with long horns, hooves, and graceful bodies. Originally, people

“Let's go, or the ship will leave without us!”Jimmy the pineapple yelled to the unicorns.

The Bayeux tapestry is one of the most famous embroidery of that period from around 1077. It was not a tapestry as its name but it is embroidery. The Bayeux Tapestry describes the Battle of Hastings in 1066 and it is embroidery with worsted wool thread, stem stitch and double couching on unbleached linen (folklorecompany, 2014; Leslie,

First, the lecturer argues contrary to the passage that the clothing in the original painting was inconsistent. While the reading claims that the painting was not by Rembrandt because the fur collar worn by the woman does not match to her simple bonnet, experts discovered that the fur collar was added approximately 100 years later. The motivation of the forgery was likely to increase the value of the painting by making it look like an aristocratic portrait.

For my research paper since I saw “scientific discovery” you may find this funny but I have choose to write a research paper about Unicorns. What better topic to learn the truth about. This topic has always sparked my imagination and I see it as everyone needs a “thing” To bring back the kid in them. I love unicorns.

The first tapestry, Beyond, is an underground viewpoint. Made of wool and silk, the ends of the tapestry are a duller red color, while the rest of the work is a collection of greys, browns, and blacks, as well as small, brown, blue, white,

Description Starting at the lower left corner of the painting, there is a stack of glass plates that are a yellow-green color. They’re on top a table with a dark green, wrinkled cloth. To the lower right of the stacked plates is a silver, reflective glass bowl filled with raspberries. Above the bowl is a blue, glass vase with two short red flowers and one pink flower to the right. Above the red flowers are two purple flowers and above those are many tall light pink flowers.

To measure up to The Renaissance era, more or less seven hundred years ago; the way of life today is much more progressive and sensible rather than swayed by somewhat inflexible ideas. In the culture of today, society is actually not so far detached from Renaissance thoughts and magical control, as it is believed to be. The widely proposed definition of magic is the act of deception and illusion with the use of spells and abracadabra’s. However magic is greater than that, magic is power that appears to influence the course of events by using mysterious or supernatural forces. “While science is based on the conception of natural forces, magic springs from the idea of a certain mystic, impersonal power, which is believed

Understanding the context of why the artist chose to tell this story through panorama could be down to convenience. It is possible that the tapestry was created because there simply wasn’t enough room in a regular image space however the possibility that the choice has a more artistic meaning is present and will later inspire similar ideas. Observing the meaning and ideologies behind the tapestry is difficult due to the sheer size of it. Although we can gather a general vibe from different areas. The artist has used very dull colours throughout the picture, although they would have been dimmed down over time the mood they create has a very dark and medieval tone. Interestingly the faces on the soldiers are extremely lacking in detail, and not so much so that you could blame it on poor artistic talent but it almost seems intentional because there is no way the artist would have been able to recall the looks of each and every soldier on the battlefield however this may have been an artistic point to show the insignificance of the soldiers as their lives were wasted fighting when all that mattered was whether William or Harold II were to die. This is an interesting point that sums up the tapestry as a whole, it displays a 70meter long wall which metaphorically relates to the length of the battle known to have