Universal Themes Of Contentment And Conpectation In Great Expectations By Charles Dickens

Pip expresses that he "...loved Joe perhaps for no better reason than because the dear fellow let me love him" implying that Pip may have a problem expressing the way he feels about those in his life (Dickens 41). This lack of expression remains present in Pip’s character throughout the novel, especially with frustration for the way he feels about Estella. Pip earning his expectations put a strain on the already limited relationship that he had with Joe, once Pip began to realize that Joe’s occupation was meager and unfit for someone with Pip’s means.

Dickens emphasizes this with Magwitch's brutal behavior, his threats of death if Pip does not do his bidding, but, as is a recurring theme in the novel, we need only the proof of his appearance to pass judgment upon him. Pip in contrast is defenseless, for in the inverted position Magwitch holds him, Pip can be likened to a new-born; Pip is innocent, naked, and ignorant of the world. It is from this point Pip begins the long journey toward the "identity of things" (24; ch.1).

No novel is complete without a good ending. Although the introductory and middle portions are important as well, the conclusion is what the reader tends to remember most. When Charles Dickens wrote Great Expectations, he crafted a work that is truly excellent the whole way through. From the moment Pip is introduced until he and Estella walk out of the garden in the final chapter, this book exhibits an uncanny ability to keep the reader wanting more. There is, however, some debate regarding the final portion of the novel. The ending that Dickens originally wrote for Great Expectations is noticeably different than the one that was subsequently published. It seems

As Pip a poor young orphaned boy grows up, he needed someone to care, love, and listen to him, and Joe Gargery was that person for Pip. In the novel, The Great Expectation, Joe Gargery, Pip’s brother-in-law who whole heartedly takes Pip in and raised him as his own, became a father to Pip. As the novel progresses, Joe eventually became more than a father; he was Pip’s confidant, his conscience, and Dickens uses Joe to bring a moral side to the novel.

- Joe Gargery is one of the loyal characters in the book. Pip, although he has made many mistakes, he was fortunate enough to have an abundance of devoted friends to stick with him. Joe has proved himself to be one of those friends in countless ways. As an example, he convinced Mrs. Joe to take Pip in, payed off his debts, visited him when he was sick, and even left in the middle of the night so Pip won’t feel ashamed of him. Pip felt ashamed after he stole the food for the convict. He knew Joe, out of everyone, had the right to know what he did. However, Pip stuck with the wrong thing to do and didn’t tell

Joe’s personality is the opposite of his wife’s, including the presence of a moral code which is in turn passed on to Pip. When Joe learned Pip had told everyone lies about what he saw at Miss Havisham’s home, instead of yelling at him he told him that he’d never get to be a gentleman by “going crooked” and simply advised him to never do so again. Pip was also influenced by listening to Joe talk about the good in people, including how he was married to Mrs. Joe because he saw the good in Pip as a baby, and this makes Pip “look up to Joe in his heart.” Even though Joe was Pip’s brother-in-law he was more like a father figure/friend who taught Pip almost all of his admirable

Young Pip’s only relief from his harsh upbringing comes from Joe Gargery, his brother and friend. Before Pip even speaks to Joe, he describes his brother-in-law as “a mild, good-natured, sweet-tempered, easygoing, foolish, dear fellow” (11). Joe is aware of Pip’s torment and subtly consoles him. For example, as Mr. Wopsle and company verbally

Joe armed with wrath and “Tickler” (Dickens 7). Joe wishes that Pip would not have to bear the brunt of “Tickler”; he wishes that he could “‘take it all’” himself (Dickens 51). Joe takes a kindly, brotherly interest in Pip; he and Pip share a “good-natured companionship” (Dickens 9). When Pip refrains from eating his bread and butter, which he intends to save for the convict, Joe believes that Pip has lost his appetite. Joe becomes “uncomfortable” and does not “enjoy” his food (Dickens 9). Joe often encourages and motivates Pip. When Pip presents Joe with his first specimen of writing, Joe declares that Pip is a “‘scholar’” (Dickens 73). When Pip complains about his commonness, Joe says that Pip is “‘oncommon’”. He wisely observes that “‘you must be a common scholar afore you can be a oncommon one’” (Dickens 73). Joe’s kindness and generosity also extends beyond his family. When the convict confesses that he stole some food from the blacksmith, Joe says that he is “‘welcome to it’”; he would not want even a convict to be “‘starved to death’” (Dickens 40).

The entire story is told through the eyes of an adult Pip, even though Pip is a small child during parts of it. In his early years, Pip was strongly influenced by his guardians, Joe Gargery and his wife, Mrs. Joe. Joe instills a sense of honesty, industry, and friendliness in Pip, while Mrs. Joe does a great deal to contribute to his desires and ambitions through her constant emphasis on pomp and property. Pip is generally good-natured and thoughtful, and very imaginative. His false values, which are bolstered by his love of Estella, decrease the amount of respect that he has for Joe. His alienation from Joe and Joe's values builds through the second part of the novel, as Pip becomes selfish, greedy, and foolish. During the period when his expectations are intact, his only morally positive act was to secretly help Herbert Pocket into a good position. Upon discovering that Magwitch is his benefactor, a new phase begins in Pip's moral evolution. At first, Pip no longer feels the same human compassion for Magwitch that he did the first time he saw him out on the marshes. Gradually, Pip changes his perception of Magwitch, unlearning what he has learned. Pip becomes concerned with the man, and not the expectations that he could provide. When Jaggers presents the thought that there may be a way for Pip to get his hands on Magwitch's property, the idea sounds hollow and utterly empty to Pip. Pip learns about Estella's parentage through

Great Expectations’ main character, Phillip Pirrip- generally known as Pip- had a rough upbringing as a child. His sister, Mrs. Joe had “brought him up by hand”, after their parents and five brothers had all been laid to rest many years ago. Another character, Herbert Pocket experienced a bizarre childhood, though in a different manner. Charles Dickens’ Great Expectations develops through the novel following Pip, a young “common boy” who grew up in the countryside. As he matured so did his love for a girl of higher class, Estella. However, being a common boy, Pip was not good enough for his Estella, thus once he was given an opportunity to become a gentleman in London he seized it without much hesitation. Charles Dickens’ had his own

4). Even though he aids the convict, the reader's sympathy for Pip soon increases, as his robbery of his own home weighs greatly on his conscience. For example, when Mrs. Joe leaves the Sunday dinner to retrieve the "savoury pork pie," which Magwitch had enjoyed heartily, Pip is tortured by the thought of his actions, while his mind screams, "Must they! Let them not hope to taste it!" (p. 27). He seems to sincerely regret his actions and the fact that he "had been too cowardly to avoid doing what I knew to be wrong" (p. 40). Approximately one year after his encounter with the convict, Pip is still shown to be an innocent, caring boy. One night, when Pip and Joe are alone at the forge, Joe explains his various reasons for enduring Mrs. Joe's constant abuse. After their conversation, Pip realizes that he cares deeply for Joe and appreciates everything that the blacksmith does for him. Also, he develops "a new admiration of Joe from that night" and "a new sensation of feeling conscious that I was looking up to Joe in my heart" (p. 48). Unfortunately, as Pip develops unrealistic hopes and expectations for his life, these positive characteristics are replaced by undesirable ones.

There are salient junctures in Pip’s upbringing that make him who the person he was; this is a tale that in which Pip was soliciting for awareness of himself, as well he realized that his life had major elements of obscurity; due to the fact, he was presented clearly, two radical different lifestyle choices; one, involving a life as a blacksmith and the other; involving the path as life as am affluent prosperous gentleman. Dickens carefully wrote in the periods of Pip’s life and how those set of circumstances; affected by choice, as well affected Pip’s later choices he had made. The temptation of class and wealth perverted the actions of Pip and other people around him; Pip is therefore contemplating on how he was saved by reminiscence of the stages of his life. In the first stage; Pip encounters Magwitch; by accident, this affects the outcome of later events of his life; Pip is than introduced to Miss Havishism and Estella, he fell in love with Estella, and was dramatically persuaded by the promises he made to himself, from his encounters with Miss Havhishism and Estella. Dramatically; Pip than learned the truth about his wealth and that Magwitch was Estella 's father; this collapsed Pip’s vision of reality and forced him to alter his exceptions concerning the truth; Pip than had to save himself from his own selfishness, as well as his malice actions, to the ones who were faithful to him; finally, at the end Pip is a full grown adult and had gain

The theme of family is shown mainly through Pip’s relationship with his brother-in-law, Joe Gargery. In the beginning of the novel, Pip makes it obvious that he dislikes his sister, and takes more of a liking to her husband Joe because Pip is able to sympathize with him (Dickens 40). Joe becomes his confidant, a fact that becomes apparent when Pip comes home to face a harsh interrogation by Mrs. Joe and Uncle Pumblechook after his first visit to Miss Havisham’s. Pip lies to the both of them about his experience, but feels guilty about doing the same to Joe and confesses his wrongdoing. Joe shows understanding towards Pip, and instead of sternly rebuking him for lying, he simply but seriously Pip about the dangers of lying, saying “if you can’t get to be oncommon (uncommon) through going straight, you’ll never get to do it through going crooked” (Dickens 100). While Pip’s relationship with Joe is being tested by his desire to gain a higher social standing, Pip shows significant guilt over his mistreatment of Joe ( Dickens 296), proving that deep down, Pip never loses his deep love for Joe. It can be safely assumed that the point that Dickens wants to make through Pip and Joe’s relationship is that family is not necessarily determined by biological connections, but by who a person is closest to and feels most comfortable sharing their life with through the best and worst times.

Ralph Waldo Emerson once said, “For everything you have missed, you have gained something else, and for everything you gain, you lose something else.” In his novel, Great Expectations, Charles Dickens exemplifies Ralph’s belief and conveys that when a person has gone wrong in life, a trauma or pain can help him or her return to a better path. All through the novel, characters such as Pip, Miss Havisham, and Magwitch illustrate this theme through the decisions they made in life and where those decisions took them.

Charles Dickens wrote this story in the Victorian times. Hence we seem to think what ‘does he mean’ by “Great Expectations”. By us the readers, knowing and understanding what it means, we can get a rough idea of what the story is like. By Great Expectations we mean having high expectations for life, class and dreams for a better life.