Urmson Art

For language to have “an art” it must bring the reader something which is not expressly written in words, it must contain symbols which transports the reader to a different level of realization. The words must be able to bring the read to the place. They have to experience the emotional ties of the environment, the smells and excitement, the fear and the horror. This experience is given both directly and indirectly by the author but either way the reader still envisions, sees the action taken place and in so becomes attached to it. The art is allowing the reader to experience what the author experienced. In Ellen Collett's "The Art of the Police Report”, Martinez uses the diction and placement of the words to make the reader, as they are reading,

The essay written by Michael Bunn, entitled “How to Read Like a Writer” conferred the main outlook that someone as a writer needs to examine, and keep in mind while reading any kind of written manuscripts far beyond the typical reading set of mind.

The assigned reading of “Good Readers and Good Writers” by Vladimir Nabokov probes the subject that is the necessary attributes an individual must have in order for them to be successful readers and writers of literature. A list of ten rules is then stated in the essay and sets them as the baseline commandments that an individual must follow in order to be some kind of a devoted “good reader”. While the criteria sets the standard for a “good reader” it aligns with that of a good analyzer and can be applied to that sense. For example one of the first pieces of advice states “If one begins with a readymade generalization, one begins at the wrong end and travels away from the book before one has started to understand it” (Nabokov 1). If a

-As readers we come across many details in literature that hole significance, however the common reader usually misses the deeper

Conversely, some writers have a rare style of writing that the reader may find it difficult to understand the premise of the writer (Kim,166). For example, Cha starts the book on an unpromising note that can repel a reader especially when they find it uninteresting. For example, the use of foreign languages in a single setting can only attract multilingual people since they can comprehend the information that the author wants to pass. In this context, the author uses French language in a form of writing that can be understood as dictation (Cha, 1). In some instances, she mentions groans and bared noises that can be equated to a character speaking. Evidently, the author spells out Inverted commas and full stops and provides translation to English subsequently. At some point, there is direct translation or mistranslation in distinct paragraphs, and this is of assistance to the reader as they can recollect the information to grasp the

In chapter five, “When in Doubt, It’s from Shakespeare” talks about the reappearance of different well known figures in literature. Foster follows this by giving an idea that literature is made based on other literary stories. He states that one of the reasons why story borrowing occurs is because there is only one story and it’s the human experience. Book critics usually refer to the literary works and texts as ‘intertextually’. According to the author, intertextuality is sometimes used to challenge a reader. If the person reading the story can point out the similarities or repetitiveness in the text then the meaning will easily be revealed to them. In conclusion, being able to identify different meaning of literary text and analyze it gives

“the main purpose of Verbatim theatre has always been to challenge audiences into a confrontation with real events and concrete facts, an to prevent their escapism into theatrical fantasy.”

Literature is such a beautiful thing because it does not give us an answer to it's questions. There are so many iffy spots that leave us to develop our own thoughts and feelings toward the piece of work. This is an interesting factor because at many times it affects us in a different way and can develop us as an individual. When reading a piece of literature, one person can interpret it in different ways than another person reading the same piece of work. I remember analyzing poems with my English class in the previous years and when we were asked to interpret it, we all had different answers. Sometimes what I got out of the poem didn’t even go close to the direction that my classmate

In “To Read like a Writer” Mike Bunns introduces how writing is “a series of choices” with an account of his past as an employee at a theatre. As he was trying to concentrate on his reading, he had an epiphany that literary works are all “a series of choices”(Bunns 72). He then transitions to his main claim of how reading like a writer allows for the reader to determine whether or not to adopt the same style as the piece that the text may have. He breaks this down into subsections that readers need to observe before they tackle the writing, such as context, genre, and publication. Additionally, he points out the necessity to makes notes while reading the

Over the past month, we have been studying the concept of reading and writing in different communities. To assess this, we have read two different texts. Richard Rodriguez’s the achievement of desire”, from his autobiography “Hunger of Memory”; and Lucille McCarthy’s “A Stranger in Strange Lands: A College Student Writing across the Curriculum” from “Research in the Teaching of English”. Both answer key questions regarding what it takes to become a great reader and writer, however, from the reading that I have done, each one only answers one part of the question. Rodriguez’s main focus is in the aspect of reading, whereas McCarthy mainly focuses on the writing portion. Both do a decent job of analyzing and putting forth a view of how they believe a person can best perform in these environments. This then allows us to use their concepts and create our own version, based on their points of view. But why should we care? Most people at this level of academia will have developed a system of writing that works for them, and will have a difficult time breaking from it if they’re process doesn’t meet the criteria that Rodriguez, and McCarthy put forth. The reason it’s so important is because of implications these ideas have. Both authors put forth concepts that are indirectly related to one another and that are highly beneficial to all who will apply them. They will force you to conform to new environments in order to succeed, this in turn will make you more

According to Iser, any literary text which is a product of the Writer’s intentional acts part-ly controls the response of a reader; however, this includes an abundance of gaps. In order to comprehend more clearly, the reader must take action in active participation in attempting to cre-atively fill these gaps with the given information of the test put before him; Thereby allowing the Reader and the text to undergo a transactional process.

Before the 20th Century, literature was pretty straightforward; the narrators were reliable, the timelines were linear, and the perspective was clear, but then somebody got the idea to mix it up. This is how we got books such as The Great Gatsby and one of our class texts, Orlando. For some, this was a startling and uncomfortable transition from what used to be considered the, “normal” format which was very up front in terms of structure and voice. Others found it to be more exciting and, while it was still weird and unsettling for those people, it forced people to think more about what the books were trying to communicate, instead of just being handed the message; they had to work for it. This has become one of the leading reasons that societies are encouraged to read; if you read a book that forces you to think, your mind becomes stronger and this promotes an increase in intelligence and creativity.

Literature can be expressive. It can be expressed in many different ways. Some use writing, some use pictures and print, or even dramatic and musical works of art. In this essay I will be using the Reader-Response Approach to analyze a piece of literature. I have chosen the short play I’m Going! A Comedy in One Act, by dramatist Tristan Bernard. I will include why the literary work captured my interest, how it made me feel, and how it has formed or change my connection with literature.

"Literary people have long been studying and teaching plays as if they were meant to be read rather than performed."

) To create a relevant piece of book design the designer has to be familiar or furthermore be an appreciator of literature; both in general on of the one he is working on. The presentation of the written words must be subtle, not to patronise or overshadow the content.