Ursula Le Guin's The Dispossessed: Anarchist Socialist Utopia

The novel of Anthem, written by Ayn Rand, contributes to controversial subjects in society that are still relevant today. Some issues addressed by Rand in her novel include: equality, social hierarchy, individuality, and government. Throughout the duration of reading Anthem the issues in which Rand makes relevant are not obvious, but more so discussed through conflicts and situations that the main character, Equality 7-2521, encounters. Although many of the altercations that present social issues are provided by either other characters singlehandedly or by a group of the characters in alliance, some of the main issues that arise in this novel are presented within the main character himself.

Within the pages of Ayn Rand’s novel, Anthem, a government which resembles a dictatorship is exhibited. Both the leaders and the society itself seek to control mans body and mind as they follow ideals similar to that of a communist party. The leaders and society in Anthem seek to control mans mind using tactics such as collectivism and suppression of the past to accomplish a tyrannical end.

  The books Brave New World by Aldus Huxley and Anthem by Ayn Rand are both valuable twentieth-century contributions to literature. Both books explore the presence of natural law in man and propose a warning for what could happen when man's sense of right and wrong is taken from him. In this essay, I hope to show how these seemingly unrelated novels both expound upon a single, very profound, idea.

The short story, “The Ones Who Walk Away from Omelas”, written by Ursula Le Guin, is about a so-called perfect society where the sacrifice of a child is what provides harmony, equality, and prosperity to the citizens of this city. As a reader, one is invited to create and visualize their own utopia, so that one is emerged with the reality of a moral dilemma: the happiness of many for the unhappiness of one. The symbol represented in the story reflects current and past society issues such as military sacrifice, slavery, and injustice.

Alienation, starvation, neglect and abuse are all words that invoke unfavorable connotations and are treatments that no person would ever want to be subjected to. Living in those conditions is something that most people choose not to think about let alone witness with their own eyes. By not seeing it, they find it easier to pretend it doesn’t exist. In the short story “The Ones Who Walk Away from Omelas,” Ursula Le Guin writes about a city that from the outside looks like the perfect utopian society – a rich culture that is full of laughter, joy and peace, devoid of any violence, poverty or social inequities. Beneath the surface though hides a very dark secret that bares the true nature of Omelas. The citizens of this ostensibly flawless

When Equality 7-2521 begins the novel by saying, “It is a sin to write this.” he has a different moral assessment of writing than at the end of the novel. Throughout Anthem, Equality’s actions affect how he views his society and the people around him. By the end of the story, Equality begins to realize that the government and society that he lives in might not be so perfect, and it might not be a sin to write. Equality’s eventual moral assessments of his sins are correct and are supported by; his growth throughout the story, the themes of independence developed in the novel and Ayn Rand’s concepts concerning communism. These are the three ideas that will be developed and explained in this paper.

Anthem by Ayn Rand is a dystopian novel written in the 1930’s. The novel displays a society that confines the human mind and body. The rights humans are restricted to what the government believes is fit. The characters are ruled by collectivism and communist. Communism is the belief that the government should own everything. Collectivism is the belief of a superior group that controls society. Rand reveals the nature of the main character’s society and the values of the main character, Equality 7-2521 by writing this excerpt of the novel in the character’s perspective in an assertive tone and beginning with the rights and wrongs of their society.

A dystopian society is one with restricted freedom, whose values are worshipped by citizens who live in fear of surveillance or punishment. In 1984 by George Orwell, the protagonist lives in a futuristic world, controlled by big brother and the inner party over aspects of human life. In Harrison Bergeron by Kurt Vonnegut Jr, the fear of egalitarian policies, and the dangers of equality take over. In The Purge by James DeMonaco, the citizens relief to self-regulate violence and to protect themselves and their family from the protagonist. All dystopian literature shares similar characteristics, winston which is the protagonist in 1984, he lives in a society where the government takes over and tries to brainwash the citizens making them believe they live in a illusion of a perfect world. Winston is depicted and physically ill, but strong enough not to give in. “Who controls the past controls the future, who controls the present controls the past.” (Orwell 12). George Bergeron is the protagonist in Harrison Bergeron, the government makes him wear a radio, which broadcasts noise over these radios to interrupt the thoughts of smart people like George. ‘’Screams and barking cries of consternation came from the television set’’ (Vonnegut 2). Sergeant was the protagonist in the purge, he risked his life by saving others life for a night of horror. The Purge, Harrison Bergeron, and 1984 were all based off government, society where there is limiting and controlling the population. ‘’We

A crucial question people often find themselves asking is whether to live for themselves or to live for others and to what extent. Ayn Rand's novella, Anthem, explores a dystopian society that takes the theme of living for others to a whole new level. The sternness of this culture creates an emotionless and a bland society set on fulfilling collectivist principles. Anthem's society manipulates language to enforce collectivist doctrine by excluding words which cultivate a personal identity and merging religious and government views.

It is astounding how two pieces of literature can be similar but different at the same time, just by how the authors choose to use different literary devices. Two novels, Brave New World by Aldous Huxley and The Road by Cormac McCarthy, portray these differentiated attributes because of the way the two authors vary in these literary techniques. Brave New World portrays a futuristic society in which people are artificially made and their jobs are pre-selected before they are created. All of the emotions and desires of man have been inhibited in these beings to create a so-called “utopian society” in which everyone lives and works harmoniously. The

Ayn Rand’s Anthem challenges the prevailing wisdom that selflessness and sacrifice are morally superior to selfishness and self-interest. In the 1937 novel, Rand depicts a future in which individual identity is erased and all action is collective in nature. The word ‘I’ has been eradicated and all people use the plural ‘We’ to refer to themselves, as it is the concept of self that a society based on selflessness must destroy. In Anthem, the banishment of individualism leads to severe dystopian consequences that are explored through their impact on the protagonist, Equality 7-2521, on the end of innovation in society, and as the basis for the collapse of society itself into a totalitarian dictatorship.

In “The Ones Who Walk Away From Omelas” by Ursula Le Guin, the informally-speaking narrator depicts a cookie-cutter utopia with perpetually happy citizens that sing and dance in the music-filled streets during the Festival of Summer. However, under one of the beautiful public buildings lays a child, no older than ten years-old, who lays in its own excrement. Although the citizens know the emancipated child is there, they refuse to act upon the child’s suffering, for their happiness depends entirely on the child’s abominable misery. Through ethos, the narrator illustrates this utopian society with a casual tone and frequently asks the audience for their input. Le Guin’s fairy-tale introduction of the story establishes her credibility through her extensive knowledge and understanding of the people of Omelas. Le Guin utilizes logos through the narrator’s second person point of view which incites the audience to draw their own conclusions about the city of Omelas and question their own justifications of the child’s existence. The concept of the happiness of many relying on the necessary suffering of one forces the reader to question their own morals and their justifications for the child’s physical and mental condition. Through ethos, logos, and pathos, Le Guin presents the contrast and divide between the citizens of Omelas and the child in the cellar in order to challenge the reader’s capacity for moral self-conception.

Several conflicting frames of mind have played defining roles in shaping humanity throughout the twentieth century. Philosophical optimism of a bright future held by humanity in general was taken advantage of by the promise of a better life through sacrifice of individuality to the state. In the books Brave New World, 1984, and Fahrenheit 451 clear opposition to these subtle entrapments was voiced in similarly convincing ways. They first all established, to varying degrees of balance, the atmosphere and seductiveness of the “utopia” and the fear of the consequences of acting in the non-prescribed way through character development. A single character is alienated because of their inability to conform – often in protest to the forced

Colson Whitehead’s Zone One fleshes out the death of capitalism and birth of communism, exhibiting both forms of economic and societal systems in a dark, nihilistic light.

What is one to make of the city of Omelas? It is a fantastical place so transcendental that the author herself struggles to properly detail its majesty. Omelas has everything— it is beautiful, technologically advanced, and bears no need for organized religion. The atmosphere is rich with music, festivities, and orgies. And even with all this excessive indulgence, the people manage to remain elite: expert craftsman in every art, scholars of the highest caliber, gentle mothers and fathers, and all-around good people. However, all this prosperity comes with a price. The success and happiness of Omelas stems from the immense