Use Of Dramatic Irony In The Cask Of Amontillado

Edgar Allan Poe’s “The Cask of Amontillado” is a frightening and entertaining short story about the severe consequences that result from persistent mockery and an unforgiving heart. Poe’s excellent use of Gothicism within the story sets the perfect tone for a dark and sinister plot of murder to unfold. “The Cask of Amontillado” simply overflows with various themes and other literary elements that result from Poe’s Gothic style of writing. Of these various themes, one that tends to dominant the story as a whole is the theme of revenge, which Poe supports with his sophisticated use of direct and indirect factors, irony, and symbolism.

Montresor uses his knowledge of Fortunato to lure him into his trap. He tells Fortunato that he bought a cask of Amontillado and that Luchesi, a man who Fortunato is not fond of, is going to taste test the wine for him. This hurts Fortunato’s pride, which is made obvious when he repetitively states that Luchesi cannot tell the difference between Amontillado and Sherry. Fortunato predictably insists on tasting the Amontillado rather than allowing Luchesi to do so in order to prove how useful and important he is. Montresor leads him into the catacombs where he claims the Amontillado is being stored. Montresor lures Fortunato further and further into the catacombs by using reverse psychology. Montresor insists that they must turn around or else Fortunato will become sick from the nitre on the walls, which causes Fortunato to obsess over tasting the wine himself. While walking

Ultimately, it can be argued that the whole short story has the overall theme of dramatic irony, because Montresor knows all along that he is going to kill Fortunato, and Fortunato is completely oblivious towards the whole situation (Poe 1-6). A specific example of dramatic irony, however, could be when the audience finds out that Fortunato is dressed as a jester, which is also known as a fool (Poe 1). This is ironic, because as the audience, we already know that he is going to be tricked into something fatal. Another example of dramatic irony can be seen through the dialogue between Montresor and Fortunato discussing masonry; Fortunato states, “You are not one of the masons”, Montresor replies with “Yes, yes” (Poe 4). The conversation goes on to where Fortunato asks Montresor to show a sign of him being a mason, where Montresor then presents a trowel, a tool for masonry. This is ironic, because little does Fortunato know, that same trowel that Montresor offers, is the same one that will, figuratively and literally, seal Fortunato’s fate in the catacomb wall (Poe

that he will have someone else taste the Amontillado, knowing that by doing this Fortunato will feel compelled to taste the wine himself. “As you are engaged, I am on my way to Luchresi. If anyone has a critical turn I is he. He will tell me…” In addition to being manipulative and vengeful, Montressor also displays condescending traits. Montressor addresses Fortunato in the catacombs by saying, “...your health is precious. You are rich, respected, admired, beloved; you are happy as once I was. You are a man to be missed.”

It is Edgar Allan Poe's intense use of symbolism and irony throughout the Cask of Amontillado that establishes the short story as an indeed interesting candidate worthy of thorough analysis. The skillful use of these devices are utilized by the author to create this horrific and suspenseful masterpiece.

"The Cask of Amontillado" is one of Edgar Allan Poe's greatest stories. In this story Poe introduces two central characters and unfolds a tale of horror and perversion. Montresor, the narrator, and Fortunato, one of Montresor's friends, are doomed to the fate of their actions and will pay the price for their pride and jealousy. One pays the price with his life and the other pays the price with living with regret for the rest of his life. Poe uses mystery, irony, and imagery to create a horrifying, deceptive, and perverse story.

Once Montresor has Fortunato in his home, he begins to express his dark and deceiving humor. I believe this is a necessity and one of the rules that Montresor must follow in order to feel full retribution. Montresor shows us this ironic behavior when he hands Fortunato a bottle of De Grâve to drink. Another humorous point of the story is

After a couple of drinks Montresor warns Fortunato about the danger of consuming this wine because of the high levels of nitre that it has, foreshadowing for the audience, telling us the venom Fortunato is consuming. When Fortunato starts to feel bad Montresor offers him a drink to make him feel better, this is not an act of sympathy, it's just to keep Fortunato alive until his burial ground; and also to keep the audience waiting for the action to come.

     Poe’s Montresor is admirable because he is also incredibly confident. Before he starts on his journey with Fortunato, Montresor confidently asks Fortunato if he would like for him to get another person to taste the wine. Fortunato replies, “Luchresi cannot tell Amontillado from Sherry” (1442), (Luchresi being the other wine connoisseur). Throughout their walk through the catacombs, Montresor repeatedly asks Fortunato if he would like to go back. Fortunado, being conceded about his abilities to tell a good wine from an imitation, thoughtlessly agrees to continue to go deeper into the catacombs with Montresor, even though he is sick and seems to be get worse as they go further and further into the dark, damp catacombs. Montresor even asks if he would like to go back because of his health. Fortunato says it “is a mere nothing” (1443) and they continue. A gesture is made by Fortunato pertaining to him being a mason. He asks if Montresor is a mason and Montresor replies, “Yes, yes, yes, yes” (1444). He then holds up a trowel. Fortunato laughs about it but fails to wonder why Montresor has a trowel under his coat. Montresor hints to Fortunato in these subtle ways and Fortunato continues to be unsuccessful in being alarmed by them. His confidence is so great that Montresor asks Fortunato if he

Throughout analysis of Edger Alan Poe’s short story “The Cask of Amontillado” the readers are able to infer the intentions of the characters through Poe's use of irony. The character Montresor has been insulted by another character, Fortunato. As a result of Fortunato’s insult, Montresor vows to seek revenge on Fortunato by punishing him with impunity during the carnival season. To carry out his plot of revenge, Montresor creates a plan to sneakily rope Fortunato into examining a pipe of Amontillado because Montresor knows Fortunato prides himself on being a wine connoisseur. The Amontillado is supposedly located deep in Montresor's family vault which is where Montresor plans to bury Fortunato alive. Poe implements various examples of verbal irony throughout his story in order for the readers to see Montresor’s devious plan be carried out in a unique way.

The rest of the story takes place in the catacomb. In the basement of the catacomb is a graveyard. The passageway is claustrophobic, dripping with nitre from its proximity to a water source, and always leads downward. Fortunato doesn't know this, but he is descending a stairway to Hell rather than to sample a rare wine. They walk through the graveyard in the middle of the night. Not to forget that they are drunk and are getting more drunk. The room gets smaller and smaller and the cold keeps on increasing. It is gloomy and they only have 2 torches. This is a setting that has all the elements, a perfect gothic story would have. Next lets look at the atmosphere. In the story the purpose of Montresor is very clear and Fortunato is completely unaware of it. This creates an atmosphere of suspense, mystery and horror. It is dark, oppressiveness, and full of strange sounds. Another element that Poe uses in his stories is the Psychology of the people. Montresor's motive for murder is vague. He refers to thousand injuries but never gives a specific reason for doing so. It can be concluded that Montresor is insane but even this is questionable because of intricate details of the plot. In this story the intentions of Montresor hurting Fortunato is very clear. Though this is not directly implied in the story but with every passing minute it becomes even more clear. But what will be Fortunato's punishment is still not clear. And that makes the plot

The story is being told by Montresor, but his name is not revealed until the end. Montresor begins the story by discussing that he has been insulted multiple times by Fortunato and that he seeks revenge on him. He decides to revenge him by using Fortunato’s weakness for good wine against him without risking him to get caught. While in the midst of the carnival season, Montresor approaches, a drunken Fortunato in a jester costume with a cone cap with bells, that he has believed that he came across Amontillado. Fortunato demonstrated shows anxious on conforming if the wine is truly Amontillado. Montresor tells Fortunato that if he is too busy, he will ask a man named Luchesi to taste it. Fortunato apparently considers Luchesi a competitor and

Montresor begins to cater to Fortunato’s weakness, his arrogance. Montresor tells the great Fortunato that he has come across a precious wine, Amontillado,

In “The Cask of Amontillado” by Edgar Allan Poe, Fortunato is secretly planning revenge on a apparent friend. In the beginning Montresor seems friendly with Fortunato, but deep down he feels nothing but hatred for him. Could Montresor have a feeling of repulsion that only Montresor understands? Both of these men are wealthy, yet both have downfalls that will lead to a hopeless ending. Although the two men have differences, they both want the same thing. Edgar Allen Poe has a strong way of reproducing great elements in the story, the theme of deception and revenge is justified.

Montresor is untrustworthy from the very beginning. By montresor vowing revenge early on ,the readers cannot trust his unreliable story. The text states , “The thousand injuries of Fortunato I had born as long I could”(poe 59). The reader cannot trust montresor because montresor wants to kill fortunato.The reader cannot trust someone who has vengeance on others. There are always two sides to a story there side your side and the truth. And in this story we only got one side. James F. Cooney says “In the course of the narrative we learn how montresor used the cutting edge of irony to give a surgeon’s neatness to his work and to secure the greatest possible delight of himself” (Cooney 15 ). Montresor is trying to kill fortunato. He finds delight in the the act of killing fortunato. His murder