Use Of Irony In The Cask Of Amontillado

What is revenge? It can boil a human’s brain and may feel like a scorching sandstorm brewing inside someone’s body. Humiliation, covetousness, dishonesty, and exasperation are all common reasons why the intricate mind of a human being may seek revenge. Of course revenge may satisfy individuals, teach victims the lesson of an eye-for-an-eye, and could very well show others that some people may not back down after being struck in the throat. However, two wrongs do not make a right, a person’s reputation may be permanently stained, and negative emotions will swarm the mind. Throughout “The Cask of Amontillado”, Montresor’s menacing mind is brimming with dark and diabolical thoughts of revenge. Edgar Allen Poe creates an interest for the

It's certain that Fortunato has no idea of Montresor's anger, and this makes the story even more tragic and frightening as the story goes on. The seemingly happy jangling of the bells on the top of Fortunato's cap become more and more sad the deeper the two venture into the catacombs. ” Edgar Allan Poe uses irony to develop his theme of a man who seeks salvation through repression. In “The Cask of Amontillado” by Edgar Allan Poe, Montresor is out for revenge. Montresor's only concern appears to be exacting revenge with impunity.

Throughout analysis of Edger Alan Poe’s short story “The Cask of Amontillado” the readers are able to infer the intentions of the characters through Poe's use of irony. The character Montresor has been insulted by another character, Fortunato. As a result of Fortunato’s insult, Montresor vows to seek revenge on Fortunato by punishing him with impunity during the carnival season. To carry out his plot of revenge, Montresor creates a plan to sneakily rope Fortunato into examining a pipe of Amontillado because Montresor knows Fortunato prides himself on being a wine connoisseur. The Amontillado is supposedly located deep in Montresor's family vault which is where Montresor plans to bury Fortunato alive. Poe implements various examples of verbal irony throughout his story in order for the readers to see Montresor’s devious plan be carried out in a unique way.

Two prime examples of dramatic irony occurs when Montresor approaches Fortunato, who is intoxicated during the evening of the carnival. Montresor blissfully capitalizes on his friend’s state. Integrating to the dramatic effect, Poe names the character Fortunato, which designates, one of great fortune. The irony becomes apparent when Fortunato’s unfortunate fate is revealed. Poe’s ingenious utilization of verbal irony is witnessed in a memorable moment in the story, Montresor suggests to his friend that he should head home due to his cough, Fortunato’s responds “I shall not die of a cough.” Montresor’s knowingly replies, true –true.” (Poe 3). In another utilization of verbal irony, Fortunato utilizes the word “Ignoramus” to describe Luchresi; however, it is he who is indeed unaware of what is transpiring around him, and what is going to transpire to him. Montresor has provided Fortunato numerous times with the liberation to go; however, due to his intoxication, Fortunato fails to optically discern the designations Montresor has provided for

In “The Cask of Amontillado,” Edgar Allen Poe skillfully integrates dramatic irony and portrays Fortunato’s ignorance as a way to engage the reader. He utilizes the power of human emotions and compassion to capture the audience’s attention. In the story, Montresor uses reverse psychology to coax Fortunato deeper into the catacombs and towards his own death. An example of dramatic irony occurs when Montresor says, “‘Come, (...) we will go back; your health is precious. You are rich, respected, admired, beloved; you are happy, as I once was. You are a man to be missed. For me it is no matter. We will go back; you will be ill, and I cannot be responsible. Besides, there is Luchresi-’” (Poe 868). Only the reader and Montresor know of his plan to end Fortunato’s life. Through Fortunato’s point of view, it would seem that Montresor is trustworthy and worried about his health. However, Montresor could care less about Fortunato’s well being and is using this mask to hide his true intentions to complete his master scheme. At the end of this quote, Montresor sneakily mentions getting help from Fortunato’s rival Luchresi instead, knowing that Fortunato is extremely egotistic and greedy. Fortunato is the kind of man who thinks he is the finest and most sought after wine connoisseur in the area. He believes that Luchresi should not be trusted in the wine tasting business, especially with something as precious as Amontillado. This undesirable quality leads Fortunato to his death while the reader could do nothing to help. Unlike Fortunato, the reader can see Montresor’s tactics and can’t help but feel a twinge of sympathy for the victim. This emotional attachment intrigues the reader since they want to find out the result of the story and Fortunato’s fate. After taking another drink of Medoc, Fortunato performed a movement that symbolizes the Mason Brotherhood. Montresor did not understand what he meant by this unpredictable action. Fortunato got a little suspicious and said “‘A sign, (...) a sign.’ ‘It is this,’ I answered producing from beneath the fold of my roquelaire, a trowel. ‘You jest,’ he exclaimed, recoiling a few paces. ‘But let us proceed to the Amontillado’” (868). At this point in the story, the audience knows

The short story “The Cask of Amontillado” is set in Italy around the 1800s during the carnival season. The story is based on how a character named Fortunato had done multiple things wrong, but when he insulted his friend which is also the narrator Montresor revenge is sworn. Knowing that revenge has been sworn the story progresses and Montresor and Fortunato have frequent conversations. One example of the irony and humor is when Fortunato is talking to Montresor, “ ‘I drink’ he said, ‘to the buried that repose around us.’ “ Montresor replies back, “ ‘And I to your long life.” At this point in the story they are down in the catacombs on their way to snag the Amontillado and Montresor if supposedly worried about Fortunato’s health. The strange concept though is that he keeps giving him different types of alcohol to Fortunato but it just allows him to become more drunk and less focused. This is proving the point that Montresor made in the second paragraph when he said, “ It must be understood, neither by word nor deed had I given Fortunato cause to doubt my good will. I continued, as was my wont, to smile in his face, and he did not perceive that my smile now was at the thought of his immolation.” This seems to show that he is using the alcohol, which is something that Fortunato is obsessed with as a way to get hurt or kill him. Later in the story, Fortunato and Montresor are having another conversation about Montresor's family, his coat of arms, and the motto of his family. Montresor starts and says, “ ‘The Montresors,’ I replied, ‘ were a great and numerous family.’ “ Fortunato then said, “ ‘ I forget your arms.’ “ Montresor then replied, “ ‘ A huge foot d’or, in a field azure; the foot crushes a serpent rampant whose fangs are imbedded in the heel.’ “ Fortunato then asked, “ ‘And the motto?’ “

In “The Cask of Amontillado” Edgar Allan Poe tells a story of a man named Fortunato, a professional wine taster, who has foolishly brought death upon himself. Fortunato has managed to anger a man with the name Montresor who has hatched a plan of revenge during a great carnival. To help the reader fully understand Poe uses three different kinds of irony verbal, dramatic, and situational. The verbal being their conversation, the dramatical, when he jokes about his health, and the situational when he is dressed as a jester.

In the short story “The Cask of Amontillado,” it deals with how someone can turn a seemingly nice night into a horrible and tragic ending. Montresor lures an inebriated Fortunato to show him a rich wine. But in a twist, Montresor chains him up and suffocates him. It uses an exceptional amount of irony, verbal, situational, and dramatic irony. Edgar Allan Poe, author of “The Cask of Amontillado,” writes using three different variants of irony to create an eerie and suspenseful atmosphere within the plot.

In the Cask of Amontillado, Edgar Allen Poe uses verbal irony to emphasize the evil intentions of Montresor. Poe does this all throughout the story like when Montroso and Fortunato first meet. Montroso says, “‘My dear Fortunato, you are luckily met’” even though it is not lucky they met at the carnival because Montroso plans to kill Fortunato. Another way Poe uses verbal irony is, ‘"And the motto?" "Nemo me impune lacessit." "Good!" he said.”’ The motto Montroso uses means no one attacks me with impunity and in the beginning Montroso says that Fortunato insulted him so Fortunato just clapped to the saying that will be implemented on him by

There are many uses of irony throughout “The Cask of Amontillado.” One example that Poe includes states, “I drink,” he said, “to the buried that repose around us. “And I to your long life.” (passage 3) This statement shows a use of dramatic irony because the reader knows that the narrator, Montresor, has no intention of cheering the life of Fortunato and has a careful plan to murder him. This quote also demonstrates dramatic irony because it shows how Fortunato genuinely believed in the good intentions of Montresor, which would eventually result in his demise. This use of irony helps build up the rising action and suspense of the story leaving the reader wondering when the narrator is going to strike and kill Fortunato. Overall this use of

The Cask of Amontillado is about a man named Montresor who believes this other man named Fortunato insulted him. Montresor’s family motto is “no one insults me with impunity”, he feels justified in taking revenge on Fortunato. In the short story by Edgar Allen Poe, there are many examples of irony to convey Montresor’s crime, while using another layer of irony to undermine his revenge.

Anyone who knows anything about Edgar Allan Poe’s work probably knows that he is a very dark writer. This holds true in his short story, “The Cask of Amontillado.” “The Cask of Amontillado” follows the character Montresor through the Carnival where he meets up with his friend Fortunato, who is a wine connoisseur. Fortunato has recently crossed a line by insulting Montresor and does not quite know what is coming his way that night. Edgar Allan Poe uses the literary element of irony in order to portray the theme of revenge within “The Cask of Amontillado.”

For me it is no matter. We will go back; you will be ill, and I cannot be responsible…” (Poe 5-6) and Fortunato persisted to continue, ultimately his death. Despite being the fortunate one, Fortunato lead himself to his own demise. Montresor’s lust for revenge goes all the way back to his family crest “No one Provokes me with impunity.” This highlights how Montresor feels like he needs to get revenge to keep his family name intact. Furthermore, there are also many ironic parallels made between the story and Catholic rituals. Montresor wears a roquelaire covering both his face and the back of his head. Looking like a hood, sleek, black executioner, Montresor resembles death while in contract Fortunato. In contrast Fortunato is dressed in motley carnival garb like a fool or clown (Clendenning). Coincidentally, after leading Fortunato to his grave by burning him alive as he laid the last brick he finished by shouting “for the love of god” (Poe 10) where Fortunato would lay for 50 years. Ironically despite Montresor enacting his revenge with impunity and never getting caught he is still filled with rage and anger even fifity years after while Fortunato was able to die peacefully (Clendenning).

Ultimately, it can be argued that the whole short story has the overall theme of dramatic irony, because Montresor knows all along that he is going to kill Fortunato, and Fortunato is completely oblivious towards the whole situation (Poe 1-6). A specific example of dramatic irony, however, could be when the audience finds out that Fortunato is dressed as a jester, which is also known as a fool (Poe 1). This is ironic, because as the audience, we already know that he is going to be tricked into something fatal. Another example of dramatic irony can be seen through the dialogue between Montresor and Fortunato discussing masonry; Fortunato states, “You are not one of the masons”, Montresor replies with “Yes, yes” (Poe 4). The conversation goes on to where Fortunato asks Montresor to show a sign of him being a mason, where Montresor then presents a trowel, a tool for masonry. This is ironic, because little does Fortunato know, that same trowel that Montresor offers, is the same one that will, figuratively and literally, seal Fortunato’s fate in the catacomb wall (Poe

Fortunato is interested in sampling this rare wine that Montresor claims to have in such a large quantity. Montresor says, “But I have received a pipe of what passes for Amontillado, and I have my doubts” (Poe 5). Montresor shows uncertainty to Fortunato that his wine is authentic. His goal in this is to entice him into coming back to his vaults. In his article, “The Cask of Amontillado’ by Edgar Allan Poe,” Morsberger explains, “Knowing his victim’s vanity, Montresor baits him by saying that some fools argue that Luchesi’s taste is as fine as Fortunato’s” (1). By suggesting Luchesi is an expert, it basically assures that Fortunato will want to come to the vaults. He prides himself on being knowledgeable about wine and will not allow someone else to take his position. While in the catacombs, Montresor speaks about his family motto, Nemo me impune lacessit. This phrase translates to, “No one provokes me with impunity.” Montresor is willing to go to great lengths to defend his family motto, as it explains no one is exempt from punishment. Many people exploit others using what they love, because their passion for it is blinding. Fortunato being so invested in the thought of tasting the wine causes everything else to go unnoticed. Despite already manipulating Fortunato, drawing him to the vaults through curiosity is not Montresor’s last way of