Use Of The Gothic In Barbara Lawson's The Chosen Vessel

Southern Gothic frequently depended on the conviction that day by day life and the refined surface of the social request were delicate and fanciful, camouflaging aggravating substances or curved minds. Faulkner, with his thick and multilayered composition, generally remains outside this gathering of experts. In any case, "A Rose for Emily" uncovers the impact that Southern Gothic had on his written work: this specific story has an ill humored and denying climate; a disintegrating old manor; along with rot, festering, and grotesquerie. Faulkner's work utilizes the shocking components to highlight an individual's battle against an abusive society that is experiencing fast change. Another part of the Southern Gothic style is appointment and change. Faulkner has appropriated the

Gwen Harwood’s poetry is very powerful for its ability to question the social conventions of its time, positioning the reader to see things in new ways. During the 1960’s, a wave of feminism swept across Australian society, challenging the dominant patriarchal ideologies of the time. Gwen Harwood’s poems ‘Burning Sappho’ and ‘Suburban Sonnet’ are two texts that challenge the dominant image of the happy, gentle, but ultimately subservient housewife. Instead, ‘Burning Sappho’ is powerful in constructing the mother as violent to reject the restraints placed on her by society, whilst Suburban Sonnet addresses the mental impact of the female gender’s confinement to the maternal and domestic sphere. Harwood employs a range of language and

Does deviating from one’s gender norms inevitably doom one down a spiral of moral corruption? Tim O'Brien, author of “Sweetheart of the Song Tra Bong” and Ernest Hemingway, author of “The Short Happy Life of Francis Macomber”, certainly seem to hold this view, as evident by the fates of the major female characters in their respective works. The deviance of the major female characters in both works appears to corrupt not only themselves, but also pollute their partners, causing them to suffer injury or harm as a result. The degree of injury ranges from negligible, like Fossie’s demotion and broken heart, to fatal, like the bullet that rips through Macomber’s skull. It begs the question, are these stories meant to serve as cautionary tales for their female readers, or possibly for their husbands, so they may recognize gender deviance and stop it in its tracks before their wives transform into Margot Macomber or Mary Anne Bell? This essay will analyze what such characters say about pervading views of women, both in society and in literature.

Male brutality is also shown in Baynton’s story, Squeaker’s Mate but it isn’t as dark and horrific compared to The Chosen Vessel. In Squeaker’s Mate, a woman who 's name is revealed at the end of the story, Mary (who is Squeaker’s mate) ends up breaking her back from to an accident which ends up leaving her paralysed. Squeaker,

Throughout history, Australian has always been perceived as a land of men. This is due to the colonization of Australian during the eighteen and nineteen century, where men are seen inferior to women. They also are domesticated within the house duties that the society has influence because of their gender. Although, Henry Lawson “the drover wife” and The Chosen Vessel” by Barbara Baynton challenges the Australian society through Australian literature by placing women in harsh environments. The drover wife is short stories about women who face the new obsolesce while living within the harsh environments. The Chosen Vessel has a similar aspect of the drover wife but the lead female experience the harness of the environment, which lead to her death. Both women display their own straights and heroics while facing their fears, through their selfless action. They are both portrayed of women of the bush but their fate had stored different outcome for both women. This essay will examine both the drover wife and the chosen vessel both contain a simple plot, but it expands on many issues of gender expectation and domesticated within the household role of the expectation of women. It will also examine the religious aspect of the historical narrative that has been seen within both bush stories.

By spending just a night with a femme fatale type woman, men can suffer extreme harm or even death. The sheer power a Siren has over sailors passing her island can make a reader feel sympathetic for these relatively powerless sailors. This power that women can have over men is illustrated in a strong manner with this allusion, and leads to a reader feeling sorry for these men. Furthermore, Tim Buckley, showing the indecision that could strike a man when confronted by a threatening woman, writes “I am puzzled as the newborn child/ I am troubled at the tide:/ Should I stand amid the breakers?/ Should I lie with death my bride?” (Buckley). The mental argument that a man has of whether or not to go the the woman who is calling him or to stay where he is can be likened to the decision the sailors had to make upon hearing the Siren. The allusion to the victims of the Sirens debating whether or not to jump off their ship and swim to the Sirens is similar to the situations that men in Buckley’s era would have to deal with when faced with the questions of whether to become intimate with a threatening women or

Written towards the end of her career in 1966, Jean Rhys’ Wide Sargasso Sea features the creole woman, hybridity, loss of identity, and madness. She reimagines history and uses literary tradition to suit her voice and what she wants to articulate. Rhys writes, or elaborates on the history of Charlotte Brontë’s Bertha or “the madwoman in the attic” in the 19th century novel Jane Eyre, and gives her the voice she was denied with Brontë. Instead of the “animalistic” fiery woman who was negatively portrayed because of her “madness,” Rhys allows the reader to understand the history that caused the wounds Bertha bore. As Burns says, “Rhys’s novel consistently undermines stereotypes by illustrating their constructed, sociological basis” (22). Rhys sets up explanations for the actions of her characters and challenges readers’ notions of the ideologies about blacks, creoles, and life in the tropics. Rhys shows that Antoinette is not to be thought of as a monster as she is portrayed in Jane Eyre but rather—a woman who had dreams, fears, desires, and hopes of finding her identity and place in her world. The transformation of the identity of the mad Creole Bertha Rochester to Antoinette Cosway, illustrates how Rhys fills the void that Brontë left by affording Bertha her side of the story. When Rhys decided to write the history of Bertha she uncovered the colonist ideology that is seen in Jane Eyre. In Jane Eyre Bertha is considered “other” and in keeping with colonialism the

‘Duffy’s collection The World’s Wife is nothing but feminist propaganda’. Consider this view in the light of your readings of Delilah and Anne Hathaway.

Writing for her life, Julie records the gruesome details of her painful reality. Elizabeth Wein’s historical fiction novel, Code Name Verity, narrates the first-hand experiences of a secret agent and a pilot. The use of female characters proves that wit and intelligence overthrow physical constraints where men maintain power. Wein characterizes the females by making them fit in with the men and introducing them to unexpected despair.

Women of the 1920’s compared to women today are seen as very passive and were usually domestic wives whose main responsibility was to take care of the house and children. But throughout this decade, women were starting to slowly modernize and become more independent. In The Sun Also Rises by Ernest Hemingway, Lady Brett Ashley is somewhat portrayed as “the admirable new woman” of the 1920’s-the woman who openly flaunts accepted conventions of the passive, dependent female role in society and emerges as a positive, inspiring, and risk-taking figure in Paris, Pamplona, and Madrid among the male expatriate artists. In the novel, we see Brett as a modern and somewhat inspiring woman through characterization and the analysis of specific moments

William Faulkner was said to be one of the best Southern Gothic writers and the Southern Gothicism was brought about by Edgar Allen Poe in 1839. His novels and short stories such as Absalom! Absalom! (1936), The Sound and the Fury (1929), and “A Rose for Emily” (1930) were of the Southern Gothic genre. This paper will discuss what Southern Gothic is and its characteristics, along with William Faulkner and how Faulkner’s work conforms to the Southern Gothic genre.

One of the most interesting aspects of the book is how the narrative itself is thought of as unsuitable for women. The narration takes place on a small sailing boat, waiting for the ebb of the Thames to bring it out to

Jane Eyre was written in a time where the Bildungsroman was a common form of literature. The importance was that the mid-nineteenth century was, "the age in which women were, for the first time, ranked equally with men as writers within a major genre" (Sussman 1). In many of these novels, the themes were the same; the protagonist dealt with the same issues, "search for autonomy and selfhood in opposition to the social constraints placed upon the female, including the demand for marriage" (Sussman). Jane Eyre fits this mould perfectly. Throughout the novel, the reader follows Jane Eyre on a journey of development from adolescence to maturity to show that a desire for freedom and change motivates people to search for their own identity.

In 1966, Jean Rhys published her novel ‘Wide Sargasso Sea’. The story depicts the life of Antoinette Cosway, her marriage to a mysterious Englishman, and her eventual descent into madness. The story is a prequel to ‘Jane Ayre’ by Charlotte Brontë, and gives the woman in the attic a voice. This essay looks at the use of narrative in ‘Wide Sargasso Sea’, and evaluates how this informs the interpreted meaning of the text.

One could look through the enticing piece of literature that is Jane Eyre through a variety of lenses, two significant lenses being mythological and autobiographical. Charlotte Bronte creates an imaginative plot line that encaptures her readers and contributes to the essence of her work as a whole. Bronte combines the lenses of mythology and autobiography not only to appeal to her readers but to balance out the fairy-tale like events with realistic and real-life issues.