Use of Allusions in Andrew Marvell's To His Coy Mistress Essay

‘To His Coy Mistress’ was written by Andrew Marvell (1621-1678). The poem is a metaphysical poem, which was mostly used in the seventeenth century and was classed as a highly intellectual type of poetry and mainly expressed the complexities of love and life; just as this poem is. In brief the poem is about seizing every opportunity in life and not caring about the past or future. In other words ‘seize the day’. The poem also explores the nature of seduction.

He uses poetic devices including alliteration and metaphor when he talks about her shine he is talking about the woman’s beauty. In the beginning he notices her beauty and then it forms into a relationship. Toward the end it saddens when he expresses aging as a dark process, but it lightens again as he says he accepts it as a beautiful process. This means that even though she has aged he still loves her and believes she is still beautiful. This poem starts with the author noticing the woman's beauty and the forming a relationship, getting married, and finally even through age stating her beauty. This poem is very comparable to “Love is More Thicker Than Forget” as both of their meanings can relate to love as a force that can last through anything even old age and

'To His Coy Mistress' is a lyric of seduction. It is about a young man

Persuade the Mistress In the poem “To His Coy Mistress”, the speaker uses allusion, metaphor and hyperbole to embellish the theme. The speaker employs allusion when he talks about the flood, “I would love you ten years before the flood”. The speakers adds that “Love should grow vaster than empires”. He utilize a metaphor to show his love for the Mistress.

In this poem, the way the author wants the reader to “seize the day” is to get married. The first paragraph uses symbolism to compare aging to a flower that is wilting. Flowers are also commonly used as symbolism for virginity, which furthers the author’s theme of getting married and subsequently losing one’s virginity. While the theme can be about love, and virginity, and marriage, the general idea of the passage is seizing the day, which can be interpreted differently by every person. The idea is to find happiness and joy and live in the moment and whether or not that is found through love or not is up to the

We must focus on expression carpe diem. The speaker uses references to the Bible "Love you ten years before the flood" (8) to show her that if Noah would have waited for the flood all of God's creation would have died. Noah did not hesitate when making his decision or worry about what his future consequences could be. Noah trusted God; therefore, he ended up living a prosperous life with no regrets. If I live the rest of my life second guessing myself and doing the same thing every day; I will never understand the true meaning of carpe diem. The speaker uses carpe diem and death to influence her into his pants. He exclaims that "then worms shall try That long- persevered virginity" (27-28) if she does not have sex with him now before she dies. The only thing going inside her will be worms. This grotesque image is repulsing. I do not see myself running into arms of a man who thought of these horrific images. I would regret having sex with him more than I would regret not having sex with him. If the speaker promised me a marriage in the future. I would be willing to go against my moral values. However, the speaker shows no promise of commitment, honest love, or a

The themes represented in both of these poems include: sex, romance, and guilt. Sex is significantly present in both poems. In “His Coy Mistress” Marvell wrote in line 43, “And tear our pleasures with rough strife”. This is referring to the pleasures that come from sex, the narrator is offering the mistress pleasure in exchange for her virginity. As he compares marriage to the unification of their blood in the flea, the narrator of “The Flea” suggests, the “loss of maidenhead,” in line 6. Fundamentally, he is asking for sex. Romance is also notable, by luring the women of both poems in the way each narrator believes is romantic. In “His Coy Mistress” the narrator is much more conventional with the way he romanticizes the love interest. He alludes to her physical attributes, and is very visual when it comes to describing the way he wants her. In comparison we have “The Flea” with its interesting form of romance. He uses a metaphor-a flea uniting their blood, translating to their marriage- to lure his love interest. Even while using a not-so-flattering form of romance, he still lusts for her and is trying to lure her. Lastly we have the theme of guilt, represented in both poems. In “The Coy Mistress” guilt is seen in his implication to time. He uses time as a means to guilt his significant other into interacting with him sexually. As noted in line 1 “Had we but world enough, and time,” he is using lack of time as a form of making his love interest feel pressured. In “The Flea” he

In this poem the speaker is being exiled by her own husband. The man she once loved for some unknown reason was kicking her to the curb. “I had few loved ones in this land or faithful friends. For this my heart grieves: that I should find the man well matched to me…” (The Wife’s Lament, pg. 30, lines 16-19). Here the wife who is being exiled wishes that she had more people that loved her. It is important that she has people that she loves and that love her in order for her to keep herself from the fate ahead. Without love she has no one and no support. Love does not have to come from the opposite sex, but it can be found in friends that are close to us. If we do not have love we feel as though we are outcasts to the world around us. Love is what ties us into those who mean the most to us. Love is one of the most important feelings we can portray to one

Conversely, the rest of the poem, “ If ought she missed in her new day, of amplitude, or awe –or first prospective – or the gold in using wear away, It lay unmentioned – as the sea develop pearl, and weed, but to himself – be known the fathoms they abide—“ the dictionary refers to “amplitude” as an extreme or phenomenon and the word “awe” as wonder, and as it refers to “prospective” as something expected to come about, like being a future mother. The words helped understand the woman’s losses and gains of marriage. Nevertheless, normal progress of a typical wife seen after a length of time.

“To His Coy Mistress” is one-way argumentative conversation featuring one horny young man trying to convince his reluctant mistress to give up her virginity to him before she gets old. He uses the argument that she needs to have sex now because her youth and beauty will fade as she ages. He thinks they should seize the moment because life is short and she would not want to die a virgin, and he will not want her when she gets old. The beginning of this poem tells the main argument, “Had we but world enough, and

In “To His Coy Mistress,” the first stanza shows the poet great allution capacity. “Indian Ganges’ side,” “rubies,” “Humber,” “the Flood,” “conversion of Jews,” “vegetable love,” are all points that poet refers to outside the poem itself. Using extensive allusions, the author easily shows his admiration to the woman. If the time is not a limit, he will love her forever, from time of “the Flood” to “the conversion of Jews.” Marvell, the poet of “To His Coy Mistress” also utilizes mixture of hyperbole and understatement.

A Man Cursed by Time To His Coy Mistress is written in three stanzas and uses iambic tetrameter and an aabbcc rhyme scheme. The speaker, who is anonymous, is talking to a mistress, who is also anonymous. The speaker basically talks about his fear of mortality and how them having sex with each other can help slow down time throughout the entire poem. To His Coy Mistress in itself means a woman that’s shy and has sex.

In this poem, Marvell is writing from the perspective of a man urging his lover to make love to him while they are still young. He uses an AA, BB, CC, and so on rhythmic pattern throughout this poem. In the first stanza, “vegetable love” (11) is used in a metaphorical manner to demonstrate slow and steadily growing love. In line two, “This coyness, lady, were no crime” (2) we see that the woman could be modest, if only they had more time. In the second stanza, the speaker says time is running out.

The narrator in “To His Coy Mistress” wants his mistress to commit to him sexually. Both narrators have add something religious to their poems. The tone in “Porphyria’s Lover” is mellow throughout the poem even during the murder. The speaker in “To His Coy Mistress" has a convincing tone throughout the

Before any declarations of desire are made, Andrew Marvell establishes himself and the speaker of his poem, To his Coy Mistress, as two separate figures by the use of the pronoun “his” in the title. This detachment suggests that a critique will follow. A close reading of the poem reveals, perhaps not by accident, many shortcomings of the unnamed speaker.