Use of Birds in Keats' Ode to a Nightingale and Shelley's To a Sky-Lark

Nevertheless, in the poem ‘Nesting time’, Stewart interprets a personal experience in first person of the appearance of a bird that lands upon his daughter and forgets the thought of the harsh world. Stewart’s descriptive language repeatedly explains the poem as if seen in his viewpoint, beginning with an interjection, ‘oh’ communicating of his incredulity of an ‘absurd’ bird. Symbolizing the bird with strong coloured imagery its ‘mossy green, sunlit’, described to be bright and joyful, with sweetness shown with the type of bird, ‘honey-eater’, Douglas Stewart takes the time to describe its admiration juxtaposed to the dangerous world surrounding it. While visualizing the birds actions, ‘pick-pick-pick’ of alliteration and repetition of its

Grief is one emotion that everyone is familiar with. One of the reasons why people grieve is because it is a reaction to the loss of a loved one, a family member, or a close friend, however, everyone deals with grief differently. When a person is grieving he/she goes through five stages: Denial, anger, bargaining, depression, and acceptance. It can take very long for someone to reach acceptance. Sometimes, people don’t go through all five of the stages. There is one man who practically wrote the definition of grief, Edgar Allan Poe. Edgar Allan Poe wrote a substantial amount of poems, and a majority of them have to do with the death of a young woman and their loved ones left behind. What makes Edgar Allan Poe’s writing so significant is that the men grieving usually fall into madness. “The Raven” is dark, depressing, and sends off an eerie vibe. Poe wrote a poem of this nature because, like most writers, he wrote what he was feeling.

In his poem “The Great Scarf of Birds”, John Updike uses a flock of birds to show that man can be uplifted by observing nature. Updike’s conclusion is lead up to with the beauty of autumn and what a binding spell it has on the two men playing golf. In Updike’s conclusion and throughout the poem, he uses metaphors, similes, and diction to show how nature mesmerizes humans.

The poet orders his listener to behold a “solitary Highland lass” reaping and singing by herself in a field. He says that anyone passing by should either stop here, or “gently pass” so as not to disturb her. As she “cuts and binds the grain” she “sings a melancholy strain,” and the valley overflows with the beautiful, sad sound. The speaker says that the sound is more welcome than any chant of the nightingale to weary travelers in the desert, and that the cuckoo-bird in spring never sang with a voice so thrilling. Impatient, the poet asks, “Will no one tell me what she sings?” He speculates that her song might be about “old, unhappy, far-off things, / And battles long ago,” or that it might be humbler, a simple song about “matter of today.” Whatever she sings about, he says, he listened “motionless and still,” and as he traveled up the

Birds are a common sight in most places people tend to be. These winged creatures are seen in bustling places like the pigeons that are in urban and suburban areas, the woodpeckers in rural regions, the crows on farms, and even in cages within buildings. In fact, these elegant creatures are so common a sight in society that they are often overlooked and underappreciated. This is similar to how women were and sometimes still are treated within society; they are given little appreciation when they are present and doing as they are told, but when they do not do as they are told they become a problem. This parallel that can be drawn between women and birds is used throughout Kate Chopin’s novel, The Awakening, in which its main character Edna Pontellier is often likened to and symbolized by a bird. Throughout the novel, the bird acts as a theme and symbol of both Edna and women in general.

Thus, through the initial impression of the man of the bird’s brave and challenging movements by the utilisation of poetic techniques, the reader is able to visualise the bird’s characteristic it inherits and gain a deeper understanding of nature and the impression of humanity distinctively.

The first quote I am talking about is going to be "Back into my chamber turning,all my soul within me burning." With this he is talking about heading back into his room feeling sad because he was hoping Lenore would be the one at the door and when it was not her he felt sad even though he knew she was dead. The next quote I am going to talk about is "Not the least obeisance made he..." With this quote he is saying that the bird is a unwanted guest and that the bird does not care that he is unwanted. With these quotes he is adding layers to the poem as well as explain more about how he feels inside as well as about the

Birds are shown throughout our culture as symbols. Simply by their appearance, they can spark feelings of love, freedom, or wonder in the hearts of people. Birds are creatures that have attributes similar to the beings on earth that are so fascinated with them. Humans are full of constant bewilderment and curiosity, so it is no epiphany that they are entranced by such graceful creatures of the sky. People tend to use birds as symbolism, given the stark similarities between the creatures in the sky and humans. Each can fly with the desire to soar above in the sky and see all that is hidden down below. Both humans and birds can sing songs of revelation to their neighboring friends. Additionally, birds and humans can find themselves being restrained by something. Although such a comparison seems bizarre, Anthony Doerr captured the essence of birds and its connections entirely in his novel, All the Light We Cannot See. Almost every character that is spoken of has an aspect of freedom and flight deep in their story. Doerr’s novel follows the life of two teenagers as they travel through life during the disaster of World War Two. Many characters in the novel exhibit actions and situations in which a bird might find itself in. Werner finds himself fighting restraints, as a bird would to its cage. Marie-Laure is a young birds stretching her wings for the first time. The surrounding friends and characters also face the issues of the war, similar to which a bird struggles with the

“But a caged bird stands on a grave of dreams... His wings are clipped and his feet are tied/so he opens his throat to sing…” (M.A 26-29). This quote describes the birds emotions as it loses its dreams, it doesn't lose its hope so it repeatedly sings hoping it will reach a bird for assistance. It also portrays a very positive them as the reader figures out that its perseverance pays off. “...and his tune is heard/on the distant hill…”(M.A 19-20). This is validating the fact that the bird’s prayers have successfully been retrieved and help is nearer than it has been thought.

In literature, it is generally agreed that 'The Nightingale invites the beholder to explore something beyond the merely human '. Both Keats and Finch imitate this concept in 'Ode to a Nightingale ' and 'To the Nightingale ' by using poetic form and language to show the qualities of a bird that inspires them to look beyond the physical and in Finch 's case, challenge the confines of human restriction whilst asserting poetry as a human necessity.

At the bird’s appearance and apparent vocal articulation, he is at first impressed, then saddened. He compares this evening visitor as only another friend which will soon depart, just as “other friends have flown before” (58). But the raven again echoes quite aptly his one-word vocabulary, thus leading the man on to think more deeply about the possibilities that exist at this juncture. Somewhere deep inside him, he has realized that it doesn’t matter what question he poses, the bird will respond the same.

The first line of stanza four “Or rather-- He passed Us—“ (l. 13) demonstrates that the speaker is uncertain about her existence in the world. Now she feels that her life symbolized by the sun is passing by. She becomes chilled by the “dews” (l. 14). Lines three and four in this stanza illustrate the reason for her coldness. The speaker is attired in a light “Gown” (l. 15) and cape or “Tippet” made of “Tulle” (l. 16), which is a kind of thin, transparent, open meterial. When people die,

The mood of “Caged Bird” changes drastically from stanza to stanza. Angelou’s specific diction choices help to reflect the change from being positive to negative with some elements of hope involved. The parts of the poem involving the free bird provide the reader with a feeling of self government.In contrast, the mood associated with the caged bird is confinment. Despite the negative mood tied to the caged bird there are still elements of hope woven into these stanzas.

Unlike the era before this, regionalism, this poem does not focus on a restricted area or culture. It is simply giving a description of a bird, which also could be looked at metaphorically, but nothing more. The modernism era did not particularly focus on a main subject. It mostly just focused on the interior dialogue and its unique characteristics.

“Fade far away, dissolve, and quite forget What thou among the leaves hast never known, The weariness, the fever, and the fret.” (Keats) In “Ode to A Nightingale,” John Keats is the narrator who is in a state of drowsiness and numbness when he sees a nightingale and then goes on to explain his encounter with the bird. Although the surface level meaning of the poem is a man expressing his thought to and about a bird, there is a deeper meaning that can be seen when you investigate the literary devices used. Keats uses imagery, tone, and symbolism to display the theme of pain and inner conflict between life and death.