Use of Irony in A Streetcar Named Desire and Hamlet Essay

Blanche’s financial decline, illuminating her vulnerability, links to Aristotle’s theory that the tragic heroine must fall, allowing the audience to relate to her. Her insecurities – “I won’t be looked at in this merciless glare!” stereotypically reflects the insecurities women feel about their appearance and age. The uses of imperatives and exclamatory sentences suggests Blanche’s obsession over her appearance, a flaw leading her to dismiss her true identity. Her inability to avoid drink and her compulsive lies, demonstrated in her frequent references to Shep Huntleigh’s letters, makes her a more authentic woman than Stella, who is described by Williams as the “gentle, mild and contented one”. Blanche’s loss of identity, dominated by her homosexual husband’s suicide, exacerbates her solitude – “The boy-the boy died. (She sinks back down) I’m afraid I’m – going to be sick!” The fragmented, repetitive speech Blanche uses illustrates her guilt and pain, whilst the physical act of “sinking” highlights the extent of her regret, giving a sense of foreboding for her downfall. Her guilt is also exacerbated by the implied physical act at the end which shocks the contemporary audience, who would not sympathise with homosexuals, evoking pity and reinforcing that “Streetcar” is a tragedy for Blanche.

"Desire, unrefined, leads to death”. To what extent Tennessee Williams's plays lend support to such a proposition? Speaking to a reporter in 1963 Tennessee Williams said," Death is my best theme, don't you think? The pain of dying is what worries me, not the act. After all, nobody gets out of life alive.” The themes of death and desire are central in the play “A Streetcar Named Desire”. When the play was released in 1948 it caused a storm, its sexual content was controversial to say the least, but also it was, virtually unique as a stage piece that is both personal and social and wholly a product of our life today. The play tells of the visit of the main character, Blanche DuBois, a supposedly typical Southern Belle, to her estranged sister Stella Kowalski, and her husband Stanley Kowalski who she finds living in modesty in New Orleans. Tensions between the educated, condescending Blanche and the cruel, overly masculine Stanley escalate, and though Stella sympathizes with her sister at the beginning, she's intoxicated by Stanley's sexuality and takes his side. Blanche briefly finds comfort in Stanley's friend Mitch, who's attracted to her and presents her with the possibility of a better life. He quickly loses interest in her, however, and she's left to face Stanley alone. During the climax, Stanley rapes Blanche in the heat of an argument. Blanche has a breakdown due to this and is taken to a mental institution in the final scene. The play and film include crucial

The Greek tragedian Aeschylus once wrote that “a god implants in mortal guilt whenever he wants utterly to confound a house,” and as the creator of A Streetcar Named Desire, Tennessee Williams is no exception. The guilt of Blanche DuBois makes the emotional, tragic, and often extreme circumstances of the play possible. Williams creates Blanche’s vulnerabilities, including her dependence on others and her inability to face reality, so that her guilt over Allan’s death becomes the primary cause of her promiscuity, neurasthenic behavior and ultimate downfall.

Based on Tennessee William’s A Streetcar Named Desire, Elia Kazan creates an award winning movie that helps readers visualize Stanley’s primal masculinity, the inner torments of the Kowalski women and the clash of the other characters’ problems which create a chaotic mess. Using stage directions in the play, William hints that Blanche is not who she appears to be while the movie subtly sheds light on Blanche’s strange little habits that suggests a bigger issue. The movie also censors many of the main themes in Williams’ play but makes up for it by having its actors flawlessly portray the characters’ emotions, allowing the readers to see the

   The two important female characters in the "poetic tragedy"(Adler 12), A Streetcar Named Desire, are Stella and Blanche. The most obvious comparison between Stella and Blanche is that they are sisters, but this blood relationship suggests other similarities between the two women. They are both part of the final generation of a once aristocratic but now moribund family. Both manifest a great deal of culture and sensitivity, and because of this, both seem out of place in Elysian Fields. "Beauty is shipwrecked on the rock of the world's vulgarity" (Miller 45).  Blanche, of course, is much more of an anachronism than Stella, who has for the most part adapted to the

Tennessee Williams’ ‘A Streetcar Named Desire’ is set in the ‘Roaring Twenties’ when America was going through a great deal of change in the order of society. The three main characters; Blanche DuBois, Stella Kowalski and Stanley Kowalski jostle claustrophobically in a small apartment, set in Elysian Fields in New Orleans, Elysian Fields is an ironic name as it evokes the sense that the apartment is heaven, when in reality it is very much the opposite. Stella and Blanche are sisters, but during the course of the play, we notice very clearly that Blanche is stuck in the in the Old World of plantations and inequality, with very large social divides. In contrast, Stella has almost seamlessly evolved to live in the New

“Stella has embraced him with both arms, fiercely, and full in the view of Blanche. He laughs and clasps her head to him. Over her head he grins through the curtains at Blanche.” (Williams 73) A Streetcar Named Desire written by Tennessee Williams exemplifies the theme of a struggle to attain happiness. The play not only portrays this theme in its characters and setting, but through the literary devices of Foil, Imagery, and Intertextuality. Williams took great care in applying each of these literary device techniques to the theme as he presents an intriguing contrast between Blanche and Stanley, vivid images both animalistic and broken, and imploring the use of the Odyssey to further

In Tennessee Williams’ play A Streetcar Named Desire, Blanche’s character believes that the opposite of death is desire. Throughout the play Blanche fills her desires in order to escape from the death of people and things that surround her. Williams uses Blanche to further develop the theme because she copes with death by filling her desires, which slowly results in the self-destruction of her character. Although the theme is mostly developed from Blanche’s character, Stella, Stanley, and Blanche’s husband all suffer from desire.

Authors use irony in literature in order to give double meanings and make it more interesting to the reader. In the play “ The Death of a Salesman” Arthur Miller uses irony as a strong writing technique in order to express the character's behavior. In “The Death of a Salesman” by Arthur Miller moments of situational and dramatic irony helps to illustrate the story's theme in which Willy is a man trying yo achieve the American dream, however he have created a world of illusion.

     In Tennessee William’s masterful play, A Streetcar Named Desire, the reader meets a middle – aged woman by the name of Blanche DuBois. Blanche lives in her own faerie tale world, one of a young, beautiful debutante, surrounded by admirers, and loved by all whom she encounters. In reality, Blanche is an aging woman who cannot cope with the actualities of life. She makes up wild stories, and when Stanley Kowalski, her brother – in – law, rapes her, the realities of life cause her to drift into absolute lunacy.

The play A Streetcar Named Desire revolves around Blanche DuBois; therefore, the main theme of the drama concerns her directly. In Blanche is seen the tragedy of an individual caught between two worlds-the world of the past and the world of the present-unwilling to let go of the past and unable, because of her character, to come to any sort of terms with the present. The final result is her destruction. This process began long before her clash with Stanley Kowalski. It started with the death of her young husband, a weak and perverted boy who committed suicide when she taunted him with her disgust at the discovery of his perversion. In retrospect, she knows that he was the only man she had ever loved, and from this early catastrophe

“Symbols are nothing but the natural speech of drama…the purest language of plays.” Once, quoted as having said this, Tennessee Williams has certainly used symbolism and colour extremely effectively in his play, ‘A Streetcar Named Desire’. A moving story about fading Southern belle Blanche DuBois and her lapse into insanity, ‘A Streetcar Named Desire’ contains much symbolism and clever use of colour. This helps the audience to link certain scenes and events to the themes and issues that Williams presents within the play, such as desire and death, and the conflict between the old America and the new.

In the book Hamlet by Shakespeare, irony is used numerous times in order to give the reader insight on what is going on. As stated in the Merriam-Webster dictionary, irony is an action that is understood by the audience but not by the characters in the play. If this strategy were not included in this drama, it would take away the whole purpose. This play would consist of no suspense and would be extremely boring to the reader because the characters would know as much as the readers know. This allows for incite to what can happen in the future or what has happened in the past. The irony in this play ultimately revolves around Hamlet and his plan to achieve revenge with Claudius. From the play that Hamlet organizes

     This essay will discuss the issue of irony in Hamlet by dealing with the problems that arise as a result of Hamlet's attempt to avenge his father's death. One of the central problems is the clash between Hamlet's overpowering need to believe in the ghost of his father, who is the authoritative figure in his life, and the awareness that he lacks empirical knowledge of the truth. In trying to achieve this knowledge, Hamlet sets out on a mixed mission of accusation, revenge and the search for truth, finally causing the upset of the original revenge plot when it ricochets off Polonius' dead body and hits Hamlet in the name of Laertes.

        Tennessee Williams was once quoted as saying "Symbols are nothing but the natural speech of drama...the purest language of plays" (Adler 30). This is clearly evident in A Streetcar Named Desire, one of Williams's many plays. In analyzing the main character of the story, Blanche DuBois, it is crucial to use both the literal text as well as the symbols of the story to get a complete and thorough understanding of her.