Use of Parody, Foreshadowing and Figurative Language in Jane Yolen's Fat is Not a Fairy Tale

Jane has gotten used to cruelty and biased behavior towards her average looks, and develops a miserable self-esteem that believes the only possible way to describe her exterior is “plain”. This self-esteem prevents her from even beginning to recognize that anyone could appreciate her or find her beautiful in any manner. The society’s typical reactions and judgments shaped Jane’s self-esteem, and prevented her from receiving equal treatment as that of a beautiful woman.

Barry uses exaggeration to add a sesnse of humor to the essay. He exaggerates the Barbie doll proportions giving her a height of seven feet and eighty-one pounds with fifty-three of those pounds being bosoms. He also exaggerates mens complacency with their apperance even “if their faces cause heart failure in cattle at a range of 300 yards, and when their faces sag and their noses bloat to the size of eggplants and their eyebrows grow together to form what appears to be a giant forehead-dwelling tropical caterpillar.” With these exaggerations he shows how women are willing to try and be like something that is very hard to achieve, even though they have already achieved their goals in the eyes of men and others. He shows how men are careless about their appearance, even though they may look horrendous; they care more about manly activities.

In literature, satire is the use of irony, humour and exaggeration to critique and draw attention to societal shortcomings with the hope of bringing on improvement. The Princess Bride, written by William Goldman, uses satire to criticize rigid fairy tale conventions. Posing as a “classic tale of true love and high adventure”, The Princess Bride portrays greatly exaggerated characters to mock the common fairy tale archetypes. Similarly, it utilizes irony to diverge from the ordinary storybook plotline. William Goldman's The Princess Bride is a satire that highlights the absurd portrayals of which fairy tale characters and events and the confined framework they are built on.

The Ugly Truth About Beauty by Dave Barry is a humorous essay, which uses techniques like satire including exaggeration, that gives the reader a funny yet accurate portrayal of women and their beauty standards compared to standards set for men. Barry uses satire, humor to criticize the faults of others, to connect with his audience. Although Barry loves to make funny points throughout his essay he constantly weaves in serious facts and examples of this issue. Barry will make a valid point then immediately follow it up with exaggeration. His use of satire in the essay makes the reading light and enjoyable while showing the reader the double standards of beauty.

The Princess Bride by William Goldman is a satirical story full of irony, in which the author creates a humorous and enjoyable read by having an abundance of character parodies. In the book The Princess Bride, the author satirizes fairytales and the characters through their appearance and actions. In the novel, the author portrays his characters as unfitting to the story. Goldman presents the story as a fairytale but it is the very opposite, as he constantly ridicules his characters. As a result, Goldman constructs a captivating read. Furthermore, Goldman is also obsessed with fairy tales and believes in satirizing them. He often creates characters which illustrate a fairytale but in actuality they

She had a healthy body, she was intelligent. She had an “abundant sexual drive and possessed strong arms and back,” (2, 8-9). She was herself blind to her own positive qualities as she was too busy trying to please others with her looks, “she went to and fro apologizing,” (2, 10). She apologized to everyone for her imperfections. The imagery of, “Everyone saw a fat nose on thick legs” (2, 11), portrays the indifference society felt towards her. She wanted to be appreciated, but she was only seen her for her looks and not her inner self. She had learned from the time she was a child her imperfections made her not good enough or socially

In recent generations, typical looks or ideas have dominated fashion. People write about this topic through articles, newspapers, and papers. While models style and display the most recent styles, they also represent what women should look like. Not until very recently, people have realized that not all women look like models, unless they starved themselves or worse. In the poems, “Fat is Not a Fairy Tale” and “The Pink Car”, the authors’ convey their main message of the poem as the social aspect of the world and what they believe has the characteristics of the ideal person by using imagery and personification.

In the article “Distorted Images: Western Cultures are Exporting Their Dangerous Obsession with Thinness,” author Susan McClelland’s mainly focuses on how many young women idolize the women they see on T.V. The media is making many women feel as if they need to look a certain way to fit in with the world. Also the fact the western culture is spreading to other countries is a big issue because sicknesses, like bulimia, were not an issue before. Many women in other countries are starting to look at the women in the United States and want to be just like them. In this article, the author says that television, magazines, and media show

In puberty a classmate delivers a cruel blow by telling her "you have a great big nose and thick legs" (Piercy 223). Here we see the beginning of a conflict that will plague the young girl for the rest of her life. Although a girl can be healthy and intelligent, it is not expected for her to possess the physical qualities of "strong arms and back, abundant sexual drive and manual dexterity" (Piercy 223). These traits typically being male, the young girl sees them as being unnatural and negative. The girl feels as if she owes society an apology for possessing these characteristics. Piercy drives the point home by writing, "everyone saw her fat nose on thick legs"

Fairytales, arguably some of the most historical forms of literature, have remained popular throughout the decades. Tales such as “Little Red Riding Hood,” “Beauty and the Beast,” “The Frog King” and “The Swan Maiden,” were originally written between the mid-eighteenth century and mid-nineteenth century. Whether it is the fanciful love-story or the magical transformation which attracts and has kept attention throughout the decades, fairytales, specifically those in which either the protagonist or antagonist undergoes a physical change, teach an important lesson to readers. In this day and age, the media has put so much pressure on particularly young women to look a certain way; what seems to be missing is the idea that physical beauty does not necessarily parallel inner beauty. The theme of transformation in many fairytales serves to portray certain truths about

Beauty is determined by society and their standards. Women are expected to be skinny, pretty and to be a thin size which puts pressure on women. The pressures of society persuade women to go through extreme measures to fit in with society standards. This is evident in the short stories “The Falling girl” and “They’re Not Your Husband” as the main characters are impacted by social expectations, insecurity and peer pressure.

Issues of dieting, fat, and slenderness are hot topics in our culture. Bordo addresses them from a postmodern, but historical, feminist perspective. In this essay, she attempts to explain the appeal of slenderness in our society; and also, how the ideology of normal our society holds can be mentally and physically damaging for many people.

It 's not a mystery that society 's ideals of beauty have a drastic and frightening effect on women. Popular culture frequently tells society, what is supposed to recognize and accept as beauty, and even though beauty is a concept that differs on all cultures and modifies over time, society continues to set great importance on what beautiful means and the significance of achieving it; consequently, most women aspire to achieve beauty, occasionally without measuring the consequences on their emotional or physical being. Unrealistic beauty standards are causing tremendous damage to society, a growing crisis where popular culture conveys the message that external beauty is the most significant characteristic women can have. The approval of prototypes where women are presented as a beautiful object or the winner of a beauty contest by evaluating mostly their physical attractiveness creates a faulty society, causing numerous negative effects; however, some of the most apparent consequences young and adult women encounter by beauty standards, can manifest as body dissatisfaction, eating disorders that put women’s life in danger, professional disadvantage, and economic difficulty.

The media have constructed attractiveness for a long time many sociocultural standards of beauty and. Especially women’s body images have been a primary concern because the value of women has been measured how they look like. How women have similar body traits with the modern female body images has been a significant and essential issue, historically. The sociocultural standards of beauty which have been created by the greed of the media have dire impacts on young females. The current beauty level of the female body image in the media is thinness. In fact, the preferred female body images have been changed through the media. Throughout history, sometimes skinny women’s body images were loved, and sometimes over weighted women’s body images were preferred. Whenever the media have dictated the ideal female

"Does this make me look fat?” Everyone at one time or another has experienced this iconic question in some way. Your best friend may have asked it, as she was getting ready for a date or maybe you muttered these words to yourself as you stared disapprovingly into a mirror; either way, this six-word question alludes to a standard of beauty that everyone strives to meet. A standard of beauty that is almost impossible to meet. The definition of beauty has evolved greatly over the years and it differs from culture to culture. Today, western culture idolizes the woman who is “thin, large breasted, and white (tanned, but not too brown)” (WVFV, pg. 220). This woman is one that millions of women strive to look like in