Compare the ways in which the authors of two texts you studied this year explore the use of power.
The Handmaid’s Tale by Margaret Atwood and Blade Runner: Director’s Cut by Ridley Scott both explore the use of power albeit in similar and dissimilar ways. Power in both texts is portrayed as humankind’s power over the natural world, power over those considered inferior in society, and power over women.
In Blade Runner, the human race is seen to have abused an outstanding amount of power over the natural world, as seen by the environmental decrepitude in the 2019 Los Angeles city. There is a large amount of photochemical smog from which the constant acidic rain falls, deteriorating the large buildings. Costuming such as umbrellas
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Handmaids also suffer similar inequality and powerlessness. This is largely evident as the Aunts in the Red Centre are explained to have “scriptural precedent” to hit the handmaids. Offred communicates the power over those considered substandard in society by explaining that “Better never means better for everyone… It always means worse for someone.” Atwood and Scott both explore power over those considered inferior in order to enhance the already dystopic worlds, and to evoke a strong emotional response from their audience.
Power over women in both texts is a significant area explored by both Atwood and Scott. In Blade Runner, women are sexualised and objectified for the pleasures of men, which indicates male dominance. Zhora, who works as an exotic dancer “taking pleasures from the snake” is highly sexualised to the point of ridiculousness, for example, her see-through, impractical rain jacket – paired with knee high heeled boots. Camera techniques also illustrate her objectification as a sex toy. For example, the camera imposes on her privacy by following her into the shower, despite Deckard being the only one talking at the time. Additionally, the framing tends to focus on her body. Pris similarly is an example of men’s power over women in the Blade Runner world. Although she is
Oppression is a major fret in the contemporary world. Alluding to Ronald Raegan 's policy of supporting the oppressive apartheid in South Africa, Atwood in The Handmaid’s Tale, conveys a society where oppression is accepted through forced collaboration and a fear of consequences if not followed. Offred 's internalised oppression is evident when she describes that the Handmaids are treated as 'two-legged wombs, that 's all: sacred vessels, ambulatory chalices '. This is a metaphor manifesting how the Handmaids come to accept that their purpose is to produce children and showing Offred 's personal oppression and her willingness to comply with the regime. Gillead also manipulates the Bible as a power tool to encourage the citizens to remain content with the theocratic nature of society. This is obvious
Contrastingly, the modern, technologically driven world of Blade Runner conveys man’s usurption of nature caused through his arrogance and desire for dominance. In this contrastingly industrialized, scientifically grounded world, nature has been relentlessly exploited and commodified, as man has attempted to ‘penetrate into the recesses’. The allusion to the Promethean myth through the symbolic use of fire is seen in the opening scenes of shooting fire, intercut with close up shots of an eye, symbolically representing fire as having the potential to both nurture and destroy life. The ignorance and metaphorical blindness of man, is highlighted through the self-imposed destruction of humanity, as nature is obliterated in favour of ‘commerce (being our) goal”, symbolically representing the destruction of our natural
Margaret Atwood’s The Handmaid’s Tale is a disturbing novel that displays the presence and manipulation of power. This is displayed throughout the novel and is represented significantly in three ways. As the book takes place in the republic of Gilead, the elite in society are placed above every other individual who are not included in their level. Secondly, men are placed at the top of the chain and they significantly overpower women in the society (elite or not). Finally the individuals within the elite society also overpower each other and have their own separate roles. This can be interpreted as a chain. Men of the elite are placed at the top, the men who less elite
Paula Hawkins, a well-known British author, once said, “I have lost control over everything, even the places in my head.” In Margaret Atwood’s futuristic dystopia The Handmaid’s Tale, a woman named Offred feels she is losing control over everything in her life. Offred lives in the Republic of Gilead. A group of fundamentalists create the Republic of Gilead after they murder the President of the United States and members of Congress. The fundamentalists use the power to their advantage and restrict women’s freedom. As a result, each woman is assigned a specific duty to perform in society. Offred’s husband and child are taken away from her and she is now forced to live her life as a Handmaid. Offred’s role in society is to produce a child
The works I have studied and will be exploring in this essay are Mary Shelly’s ‘Frankenstein’ and Joseph Conrad’s ‘Heart of Darkness’. In ‘Frankenstein’ the abuse of power is most clearly exhibited by the protagonist of the story Frankenstein himself, his abuse of power results in his isolation and could serve as a warning to people, telling them not to play with forces that they can not control. In ‘Heart of Darkness’, Conrad abuses his power as the author to distance himself from the novella and in a sense absolve himself from any racist criticism the book may induce. The abuse of power is also a key theme in the novella itself. Firstly there is a sense of hypocrisy in
Rebellion of an individual occurs when there is a difference of opinion. This conventional trait among society allows diverse ideas to be suggested and added upon for a better future and eventually an all around Utopia. Rebellious attitude is depicted throughout George Orwell’s novel 1984 and Margaret Atwood’s novel The Handmaid’s Tale in a subtle, yet powerful way. The faint, disobedient remarks made by their characters suggest their hope in the future generations opposed to the present one. When a rebellious mindset comes in contact with an oppressed society with strict rules and regulations, the outcome suggests a better future through the realization of mistakes and unity for a common goal.
Even though the women who can bear children are “cherished”, the babies are not which can be seen when babies are referred to as “shredders” and “unbabies.” Furthermore, it is interesting that the babies are not “cherished”, but the women who can bear children are because it is illegal to have an abortion and can lead to the doctor being killed who performed it. If the handmaids do not get pregnant within three months then they move down in the hierarchy. It is argued who has it worst in the society, however they all share something in common, being oppressed. The handmaids are not allowed to read, go out into public on their own and even have access to everyday things such as lotion. It is seen as vain and people say, “who are they trying to impress?” when they use such items. Offred steals butter to use as a substitute for lotion because she does not have access to it. Lastly, their names perfectly symbolize their oppression: Offred is Fred’s handmaid; she is “of Fred.” Everyday liberties people take for granted and this dystopia shows what it would be like to live under these harsh laws that can lead to execution.
One of the many sad aspects of The Handmaid’s Tale is that the women who are subjected to abuse and discrimination soon comply with the roles that have been assigned to them, permitting abuse and exploitation against and amongst themselves. Atwood is not particularly hopeful about women as a means of changing the conditions in which they are living in this society. Even Offred’s eventual escape from the perverted system is more of a luck luck thing than determined will. Paying particular attention to the ending of the novel, this essay will argue that the author wants to call the reader’s attention to the problems that women suffer, but that she offers no solution or hope for change. I will be addressing three different literary devices in this essay; Repetition, Characterization, and Foreshadowing. I hope you enjoy.
As you read through the handmaid’s tale you see the relationships of the characters develop and the fight for power, however small that glimpse of power may be. The images of power can be seen through out the novel, but there are major parts that stand out to the reader from the aunt’s in the training centre to the secret meetings between the Commander and Offred.
Offred continuously recounts the advice that Aunt Lydia tells the Handmaids throughout her story. This indoctrination makes the Handmaids become so accustomed to this new way of life that it becomes normal to them: "Ordinary, said Aunt Lydia, is what you are used to. This may not seem ordinary to you now, but after a time it will. It will become ordinary" (Atwood 33). This proves that Gilead can transform the natural human response of fear into blankness. Oppression and torture become accepted because the Handmaids eventually become used to these ideas. The Aunts brainwash the Handmaids into gradually accepting this new way of life. Once the Handmaids accept this way of life, it truly shows the persuasive nature of the Aunts and the power both they and the government hold over the Handmaids. An example of the Aunts brainwashing the Handmaids is when the Aunts make them believe and accept that Janine was responsible her gang-rape. Offred describes the persuasive nature of the Aunts to the reader: "But whose fault was it? Aunt Helena says, holding up one plump finger. Her fault, her fault, her fault, we chant in unison. Who led them on? Aunt Helena beams, pleased with us. She did. She did. She did. Why did God allow such a terrible thing to happen? Teach her a lesson. Teach her a lesson. Teach her a lesson" (Atwood 72). This instruction and repetition the Aunts use demonstrates the inequality and imbalance between them and the Handmaids, who they are teaching to submit and behave. The Aunts also help to establish power and control with fear and intimidation. For instance, when Moira was caught from attempting to escape the Red Center, the Aunts tortured her by beating her feet with steel cables. Moira's punishment is a reminder that the Aunts have the power to torture the Handmaids, which creates the fear and establishes the
Within the totalitarian society created by Margaret Atwood in the Handmaid’s Tale, there are many people and regimes centred around and reliant on the manipulation of power. The laws that are in place in the republic of Gilead are designed and implemented so as to control and restrict the rights and freedom of its inhabitants.
The result is that the dystopian future becomes a realistic possibility to the audience. This has two effects, in the first it makes the events of the film more plausible. Technological development and the creation of robotic life could eventually occur in our own reality. In this regard, the film is using image as presence by setting up this believable world. However, in the second arena it makes the audience reflect on the questions of urbanity and development that exist in our current paradigm, thus inviting discussion about the way human and planning elements are being merged together in our own technology driven world. These concepts are as relevant now as they were when the film was first released two decades ago. The camera continually roves over this world creating spatial continuity that implies that there is virtually no escape from this smoky, polluted, society. The landscape provides a site for making metaphor about the socioeconomic divide that characterizes the Blade Runner universe. The skyscrapers of the wealthy are clear symbols of how the poor are at the bottom of the socio economic
It opposes the values of love, empathy and community with the innovative forms of technology and social life under advanced capitalism. The binary opposition between man and technology is represented by three characters in the plot: Deckard, apparently a human. Roy, an android who fears death and longs to be human and Rachel, who thinks she is human and who enters a relationship with a human. These replicants represent capitalism’s oppressive characteristics and also to a certain extent the rebellion against exploitation. Deckard's realization of how the Tyrell Corporation exploits him, and the rebellion of the replicants against their oppressors, is the ultimate critique of capitalism. Since both sides — killer and killed — reject their status as servants of the corporation and refuse further exploitation. (Kellner, et all) The corporation in the Blade Runner that is used to illustrate capitalism’s destructive characteristics is The Tyrell Coporation. The Tyrell Corporation invents replicants to have a controllable labor force that will perform difficult and dangerous tasks. Similarly applicable to today, where capitalism turns individuals into machines that have only the function of productivity. Ironically, the replicants form a human rebellion; while the actual human characters in the film seem to submit to corporate domination and live a life like the corporations sees them to. It seems as if the humans have become so dehumanized that the replicants form a rebellion against their oppressor instead of human beings. Capitalism has dehumanized the population to such an extent, that technology is actually more
She says the man is “as if he’s a half dead rat dragging itself across a kitchen floor”. This portrays the way Handmaids view this man because of the rape he was convicted of. The comparison to something horrible and disgusting reflects the horridness of such a vile act. However, it has a bigger impact on the Handmaids due to their job and the pressure of having a healthy baby. Thus, this man and his supposed crime have released an opportunity for Aunts to manipulate the Handmaids into believing that they have the freedom to release their emotions towards such behavior. Diction is also used to portray the hate and anger the Handmaids express towards rape. Offred claims that “there is a bloodlust” and that she wants to “tear, gouge, rend”. These three words, used to express the anger she feels, are synonyms for each other. The repetition of these words is used to emphasize the passionate anger that all the Handmaids share after being told that he had raped a woman. It also shows how even in the society where such a violent crime like rape is disgraced, such violence still tends to exist within the people. Both the similes and diction illustrate the fact that those in charge allow the manipulated society to act violently towards actions that are intolerable, even when the society itself does not tolerate violence. Thus, giving a sense of freedom to the
Despite the little dependence on women, they are still objectified and subjected to injustice because of their gender, regardless if they were a female in general or as a poor female. As something as simple as what a person is born with affects the respect that is given to them. Margaret Atwood formulates Offred’s personality much like any other handmaid in the community. Offred becomes familiar with the functionality and role of women in the community, therefore she adjusts herself in order to be up to par with the unethical standard. “I wait. I compose myself. My self is a thing I must now compose, as one composes a speech. What I must present is a made thing, not something born. (Atwood, 75). To be what is required of her, Offred must act unhuman because the expectations of females exceed the