Vampires And Vampires : The Dangers Of Vampires

Humans for centuries have been drawn to vampires. From sitting around the fire in the time before the industrial revolution, to sitting around the table and in modern times watching it on the big screen. The folk tales of the undead that hunt at night, sucking the blood of the innocent has haunted and intrigued the human psyche for as long folklore has been in existence. Being afraid of what is being told to them, yet being unable to pull away. The pull and push affect that these mystical monsters have on the human aura is undeniable. Modern day vampires have a cult like following. When the Twilight series came out, the people where divided between team Jacob and team Edward. Teenage girls would swoon over these monsters, dangerous yet alluring.

Vampires have been around for centuries, they represent the fear of many things such as sexuality, race, gender, etc. and above all, they stand for the fear of diseases. Vampires have once been the symbol of horror due to their terrific depictions and were described as a threat to the humanity. Throughout time, the image of vampire has changed dramatically from a monstrous, inhumanely creature that doesn’t belong to human society to such an attractive and adaptive figure that expresses more of the human side than the evil. They developed human feelings, senses, and live within our society. Modern vampire movies are often more romantic and “sympathetic” comparing to the past. Vampires have abandoned their horror and evolved to a more

Literary vampires have similar traits: an attractive old man preys on young, unmarried women. He corrupts their innocence, and he draws life from them

Bram Stoker's Dracula has been reviewed and reflected upon in the literary world for it engaging plot and characters as well as it's hidden undertones. As a modern society, pop culture has reshaped the image of vampires and the image of monsters in general. Today media alters the once threatening figure of blood-sucking overpowering beings into personable, even heroic at times with human flaws that make them more relatable to the average person. Movies and TV have make celebrities out of these fearful creatures. However, the classical tropes of vampirism comes from Bram Stoker’s classic horror novel, Dracula (1897).

Charismatic. Charming. Sensual. Beautiful. Would you ever use these adjectives to describe a vampire? The common theme in portraying vampires in literature has always involved depictions of great violence, ugliness, and fear. Novels involving vampires never portrayed the vampire as a heroic character, but rather as the villain who was then destroyed in the end. Stereotypical vampires terrorized towns, lived in grim, dark, towering castles and turned into bats when in trouble. Authors were simply not inspired to build a tale around the life of a vampire, his shortcomings, his doubts, his fears. Rather, authors used the vampire as a metaphor for evil that resides in humanity.

Fear can be a pleasurable experience such as riding a roller coaster, watching a horror movie or climbing treacherous mountains. Roller coasters use fear for pleasure by using the senses of falling and traveling at uncontrollable speeds to produce a rush of adrenaline. People use horror movies to stimulate fear which in turn creates pleasure due to the fact that the fear is in the confines of safety, typically only producing goose bumps or a slightly increased heart rate. Mountain climbing differs from

To be a vampire, you have to take something from someone else to benefit yourself, whether that be anything from blood to money. Vampires weren’t always what we see today in “Twilight. Vampirism does not always have to do with vampires but selfishness, exploitation, and refusal to respect.

What makes people seek for experiences that make them feel scared? Fear is the expectation or the anticipation of possible harm, so why do people like it? There is a hormone called dopamine, that is released during scary and thrilling activities, according to David Zald, some individuals may get more of a kick of this hormone than others. Lots of people enjoy scary experiences, because of the feeling that they have after these situations. As reported by ABC News, in “Spooky Business American Economy”, people spend about 7 million dollars in Halloween, looking for costumes, decoration objects, and also in haunted houses. People enjoy scary movies, roller coasters, and haunted houses. Similarly, people enjoy thrilling literature, as Edgar Allan Poe and Louise Erdrich poems, “The Raven” and “The windigo” respectively. Both of these authors write and explore death and the ambiguity of what will happen after death, by using concrete examples of imagery and symbols, structured paragraphs, and a certain type of diction.

The most powerful part of the vampire is their sexuality. According to Eric Yu, the dread of the vampire "needs to do with sexual hazard or the appalling view of sexual perversity. It "threatens through subverting proper gender definitions and behavioral expectations which keep the imperial subject in place” (147-8). Vampirism is fear-inciting, therefore is powerful, because it disfigures the sexual standard. This is apparent in Harker's experience with the three female vampires in Dracula's Castle.

Vampires in the past are known as an undead and a scary monster. They are called scary monster for a number of reasons. Vampires are depicted as human corpses that revive their lives from the graves, harm living people, and seduce women. They are bloodthirsty, animated monsters that created in the folklore. According to the article “Vampire Gentlemen and Zombie Beasts” Angela Tenga and Elizabeth Zimmerman demonstrate that, “Today’s vampire is ‘a lonely immortal longing for love, family, and approval” (76). To be more specific, this monster was first created as vampire with the horror look that comes back from death, he harms human by biting and draining blood. Vampires often target lust in women's sexuality. He represents fears and desires that humans are so hesitating to approach but also attracting to vampires. Over time, vampires have evolved differently and tremendously from the day that they were born till today.

Why do people enjoy being afraid? When were scared it can bring people closer to one another and it can be fun. But some people go even further, seeking out horror movies and complex haunted houses that are made to scare the daylights out of them.What possesses people to seek out experiences that make them tremble with fear? Experts say Enjoyment likely comes not from the fear itself, but from the physical and emotional toll it has on us,this is the allure of fear,the reason some people like being scared such as people that love the adrenaline rush,things to kinda get them pumped,like roller coasters and bunjee jumping ,or people could love this feeling simply because of a chemical released from our brain called dopamine,its like our pleasure factor.these are the reasons we like to read the books of stephen king or edgar allen poe,these authors use our fears in their stories with descriptive language to draw us in, and we’ll read them to feel more alive,to use as a form of escapism from our reality and

Vampires are the ultimate bad boys, powerful, persuasive, loners and tortured souls. They search forever to find “her”, the fantasy of hot endless love. Which is why these females in vampire literature are willing to risk their lives for a vampire, they want something more. The darkness and mystery pulls these women closer and closer to what can be the greatest love of all time. For example Bella Swan from “Twilight” was a regular mortal who wanted nothing more to be with Edward Cullen the vampire. Elena from “Vampire Diaries” found love with a human who turned out to be a vampire. Even in “Vampire in the Lemon Grove Fila” didn’t not run away knowing Clyde was a thirsty vampire. All these women knew the risk of surrounding themselves around these vampires. But not one of them was willing to walk away.

The generalization for vampires has been displayed in films and literature for hundreds of years. The stereotypical versions of vampires are that they have long fangs, sleep in coffins during the day, and suck the blood out of humans. Both novels contradict those stereotypes in different ways. To understand the diversity of the vampires described in both novels, one must examine the characteristics that the vampires display and the meaning and purpose behind them. David D. Gilmore’s book “Monsters” analyzes monsters and other mythical creatures. Gilmore describes why humanity invented the idea of

As stated above, the early fictional literature and film portrayals of vampires made them fear-inducing creatures; henceforth, they grew more sophisticated, attractive and humane with time. Claudia from the movie Interview with the Vampire, for example, wants to grow up into a woman, but her body remains that of a six- year- old. Louis, cares for her tenderly and dotingly, horrified that Lestat has turned a child into a vampire and becoming increasingly repulsed by what he perceives as Lestat's total lack of compassion for the humans he victimized (Jordan, Interview with the vampire). Vampires have transformed into the ones that have compassion and desire to become like a human.

The movie establishes that these teenage vampires are merely workers for the head vampire, Max. In Cohen’s article, he makes the statement that “The monster is transgressive, too sexual, perversely erotic, and a lawbreaker” (24). In Schumacher’s The Lost