Van Gogh In The Yale Art Gallery

Vincent van Gogh is one of the world’s most well-known artists. He was the son of a pastor and was brought up in a religious atmosphere. He thought his true calling was to preach the gospel like his father. He became a preacher in a small coal mining town. This is when he starting becoming very interested in the people and things that surrounded him. He became an artist at the age of 27.

Vincent Van Gogh is one of the most infamous and influential artists of all time. When I saw that Van Gogh’s painting “Olive Trees With Yellow Sky and Sun” was on display at the Minneapolis Institute of Art, I knew I had to choose it for this paper. Before doing the research for this assignment, I didn’t know much about Vincent Van Gogh, but the fact that pretty much everyone knows his name and recognizes him as a huge part of art history, it made me naturally really curious about him.

Color is highly evident in this painting, and helps to draw the viewer’s eye to certain places in the painting. The café is yellow, and adds a boisterous feeling to that section of the piece. The yellow light spills onto the street and walls of the town, creating bright colors and drawing the eye. The sky and town use dark colors to illustrate nighttime, although the bright spots of the stars cause the viewer to look to the sky.

Another main focal point in this canvas was subject matter. This is where the objects or events are described. The artist gives us different objects such as the old couple seems displayed as depressing. Or you can observe it as normal couple, walking across the river, enjoying the night. He also gives us a boat which could possibly be giving us a correlation because the boat looks like it’s broken or about to sink. There is also another interpretation with the object that Van Gogh displays which is, the stars. Depending upon which way you want to take it, they look like flowers or fireworks. Also, there is a sense of false appearance with the houses. If you stare at just the bank you will notice that it is just a bunch of bright lights but if you pay attention to the water close to the bank, you will acknowledge the darkness or shadow of the houses.

Café Terrace at Night was the first painting that Van Gogh painted where he used a nocturnal background. Using contrasting colors and tones, unlike Nighthawk which used complementary colors, Van Gogh was able to achieve a luminous surface with an interior light. Because of the brightness of the luminous surface Van Gogh manage to brighten up the painting with bright yellow stars that appear to make the sky glow, alongside the lights that pour out of the cafe making it attention-grabbing. Likewise with Nighthawks with its illuminate diner which shows similarities in their lighting. The lines of composition is also different from Nighthawk which its lines were very straight and rectangular, the composition in this piece points to the center of the work drawing the viewer's eye along the pavement as if it were strolling the streets. Van Gogh was able to recreated the setting directly from his observation, again similar to Hopper when he used the Greenwich Village diner as inspiration for his work.

Perhaps illness so influenced the artistic style of Van Gogh, but the picture turned out completely different to all that the artist wrote so far. This is not a Van Gogh, who was known. In the canvas, there is tension, anxiety, dense colors and warm shades of olive-mustard. On the contrary, here there is some kind of lightness, airiness, and transparent weightlessness. On the manner of execution, the pattern resembles Japanese prints: iris field full of peace, a lightness, and transparency. "Irises" are simple and unique, they are striking in their serenity and the ability to remove the internal stress of everyone who saw at least reproduction. Painting simply breathes watercolor, translucency and make to look at it more than one hour.

I image him creating this amazing painting while sitting in his room and looking out his window early in the morning, or late at night. I think the rich blue colors make the painting seem less depressing and actually makes the photo have a much more charming feel to it. I think this is interesting because you would think van Gogh would draw something darker since he was basically locked up and couldn’t

The Whitney Museum of American Art has often been referred to a citadel of American Art, partially due to the museums façade, a striking granite building (Figure 1), designed by Bauhaus trained architect Marcel Breuer. The museum perpetuates this reference through its biennial review of contemporary American Art, which the Whitney has become most famous for. The biennial has become since its inception a measure of the state of contemporary art in America today.

“The Nighthawks”, by Edward Hopper is a unique form of art for the time period (1942) that it is based in because it is a very natural oil painting. Along with this piece of art, there is another significant oil painting done by the artist Edouard Manet called, “Corner Of A Cafe-Concert” (1880). These paintings both symbolize a restaurant setting during the time in which they were created but in doing this they have different structures based on what was happening around them during their time periods.

A great artist once wrote, “If you hear a voice within you say 'you cannot paint,' then by all means paint, and that voice will be silenced”. This artist was Vincent van Gogh, soon to be an appraised artist known all around the world for his works, such as Starry Night. He is one of the very first artists of the post-impressionist style than is now adored in every continent. However, there is much more to the man than one painting. Creating a full timeline that stretches beyond Gogh’s life, this paper will discuss the life of Vincent van Gogh and the impression he made on the world.

Perhaps he had come to Arles for the sun and for him, it was an immense joy to live in such bright bedroom, bursting with colors. What is also fascinating about this piece of art is how the painter highlights the simplicity of his bedroom through the medium of color: « the pale lilac walls, the floor of an old brown, the chairs and bed chrome yellow, the blood red cover, the orange little table and the blue basin”, as the painter describes it. Van Gogh asserted that he wanted to express a complete rest by handling all these different shades2. The color black, which could be evocating a certain form of anguish, is almost nonexistent in this painting. Only the frame of the mirror and windows is black. We wonder if this could mean that Van Gogh was afraid of his future and afraid to face up to reality.

Vincent Van Gogh is one of the most recognized artists in the world. Van Gogh was born on March 30, 1853 in Groot-Zundert, Netherlands. Van Gogh was born into a family of six children in which his father was a pastor and his mother was an artist. He was named after his stillborn brother who died exactly one year before he was born.

     Van Gogh's use of line really gives depth and character to the piece. The first line that caught my eye was the line outlining the bottom of the bed. The strong stroke really gives you a sense of distance between the bottom of the frame and the floor. Had it been a thin line like those to depict the floorboards, it would look like the bed was sitting directly on the floor. His use of brush strokes and the thickness of them vary immensely in the painting to create depth. The strong strokes of

The people back in the 19th century really didn’t accept Van Gaogh’s truthful and emotionally morbid way of expressing the way of art is to himself. It finally was seen as art through the people’s eyes. This set a stage of art that is now known as Expressionism. It is best characterized by the use of symbols and a style that expresses the artist’s inner feelings about his subject. His style of painting is exemplified by a projection of the painter’s inner experience onto the canvas he paints on. Van Gogh’s paintings are done with his feelings that goes on in his life. (Mark Harden’s Artchive)

The Yale University Art Gallery was founded in 1833 when John Trumbull donated to the University a collection of over 100 paintings of the American Revolution. The original building was raised in 1901. Currently the gallery, considered to be the oldest in the western hemisphere houses a huge collection of art occupying several buildings of the University. The Main building of the Gallery was built in 1953, and was among the very first designs of Louis Kahn who taught architecture at Yale. Kahn sought to give the modern post WWII architecture a monumentality, when designing the gallery. His choice of materials such as heavily textured bricks and bare concrete contrasts with the much more delicate and refined surfaces inside the build as well as the huge glass windows lined by steel. On the outside the buildings ' simple, plain deprived of any architectural detail walls sharply contrast against the other Neo-gothic buildings of the University. The entrance is hidden in a niche on the side of the building, surrounded by multitude of glass fenestrations. After stepping through the door, the visitor finds himself in an large, open space surrounded with loft like areas. In the background visible are the core circulation elements such as the main stair case, which also acts as a sculpture, the elevator and the mechanical core. The ceiling in some of the rooms looks like a cement waffle. Along with the elements of concrete and steel, the hollow- tetrahedral space frames give the