Vaudeville: Sacrifice In American Entertainment

Vaudeville was a theatrical paradigm in the United States and Canada from the early 1880s until the early 1930s. Each performance consisted of separate, unrelated acts grouped together on a common bill. Types of acts included popular and classical musicians, dancers, comedians, trained animals, magicians, female

The wage-earning class was the debtors, debtors who owed money and had to work to make a living for creditors, most of whom made up what would be known as the middle class. The tradition of fathers passing their land on down to their sons was slowly dying such as with Mayo Greenleaf Patch and his sons. Mayo Patch’s life was riddled with owing debts to the middle

The two stories I'm comparing are Crossroads: A Sad Vaudeville by Carlos Solorzano, and Nobody is Ever Missing (NIEM) , by Catherine Lacey. In Crossroads, the main character, a woman, hides her age by doctoring photos of herself before posting them online, where she meets men, and wears a physical veil when meeting them. Unsurprisingly, none of the men she meets recognize her (at least not after seeing her true face), and so she suffers for her lies. The main character in NIEM, Elyria, is a woman who struggles to maintain a mask of normalcy while around her husband, while her interior life rapidly deteriorates. When her mental breakdown becomes too much for her to handle while maintaining her traditional lifestyle with her husband, she disappears,

Before vaudeville even got its name it was called variety shows in previous years. Variety shows had been around for a long time but as years progressed it became more diverse and had more acts included in it. Tony Pastor (known as the father of vaudeville) was one of the men credited for these variety shows. In 1881 Pastor established a variety theater in New York (“Vaudeville”). He had many different acts performed in his theaters, especially for family entertainment. He focused on very high standards of

The 19th century was a time period full of disagreements and wishful thinking. During this time, African Americans were trying to become free from slavery. This led to a Civil War. The 1800’s were a hard time for African Americans, after the Civil War many expressed their thoughts and feelings through plays like Minstrel Shows and other forms of theatre.

* The middle class lay in the middle and was the group of people in society that had bigger better houses on their own block of land and were quite well off when it came to money and resources.

At the start of the 20th century, the popular vaudeville shows that crossed the nation became

In Vaudeville shows there is no book or story plot as opposed to musical theatre. There may be a common theme between the acts but there is no formal plot. Also in Vaudeville there is change of content between shows. Depending on popularity of the performer an act can be cut or added. In contrast musical theatre productions are final cuts in terms of the content of the show. The addition of Vaudeville acts into the show brings about the purpose of the show. Sassy entertainment!

It is clear that our country 's criminal justice system is the new Jim Crow; with a huge majority of felons being African American, it is obvious that people of color have it harder when it comes to crime sentences. We must acknowledge that mass incarceration and the Jim Crow era are greatly similar. Minstrel shows, which showed black men to be lazy, dumb, and clownish, once justified the oppression of african americans. Many now believe that gangsta rap does just the same and is the modern day minstrel show, by portraying blacks to be drug dealers, angry, and violent men. Though many people believe that gangsta rap reinforces these stereotypes, it’s important for one to realize that this form of expression is not a modern day version of blackface performances.

Although vaudeville seemed to be a long standing staple in our society, like all good things, it must come to an end. the decline and death of vaudeville appears certain, clear and inevitable. From the performers point of view, there was no perspective other than the "here and now" of their lives. Each day seemed to differ little from the previous, and speculation about the future was, as ever, informed by hear say and past experience. As an array of specialty acts, vaudeville was an enterprise without name that, over many years, could be found in the marketplaces of Asia and Europe. It eventually spread around the world to the farthest corners of Australia and Africa. Performers worked when and where they could, quite often in undesired locations. A certain cliché attached to performing in bed and breakfast's, saloons and public houses after their owners added stages and audience pits set apart from the tavern. It soon became quite taxing for performers to not only live the same shows everyday, but to move on and find other work after they were no longer needed in vaudeville shows. Still, this was not the only reason for the demise of vaudeville, although it played a large part. The largest contributing factor was the invention of the motion picture in the 1930's. There was no longer a need for people to be entertained by a comical, musical, circus style side show. Now they found a more intimate and fascinating way of enjoying a performance. The first

One of the main magic’s of the theatre is for the audience to go into it unaware of what they will see, and exit with a whole new view in mind. This is still possible in jukebox musicals even if the audience member is familiar with some of the songs. Songs, text, and all literature can be interpreted in different ways based on the individual. Theatre is meant for all different people to enjoy. Some may like going to a show featuring songs that their favorite artists wrote or that speak to a memorable time of their life. It becomes a discussion about how the audience can relate to the characters.

Staging Race is a book that focuses on black performers between 1890 and World War I. During this time period blacks were dealing with many social events which included: the Jim Crow segregation, the Niagara Movement, and heightened racial tension. The goal of this book is to show the way that black performers were able to use public entertainment to present their political ideas and use them to appeal to the white audience and at the same time entertain and educate the black people in the balcony seats.

The national black theater was founded by was founded in 1968 by Dr. Barbara Ann Teer, an award winning, visionary artist and entrepreneur. She passed away when she was 46 years, July 21, 2008 in Harlem NY. She was a teacher to many young and old actors and actresses. Barbara Ann stared in 3 films during the 1960's to the 1970's and was known for her acting during that time. One of her many goals was to build cultural centers where Africans American can enjoy being free, open and black.

Vaudeville was very popular from the late 1800s to the early 1900s in North America. Vaudeville shows were made up of many random acts that were placed together in a common play bill. Some acts were, for example, plays, clowns, jugglers, comedians, etc. Once the radio was introduced, vaudeville’s started to become less popular as the radio’s popularity started to increase. The radio started out with maximum five programs but as the demand for radios increased so did the amount of programs, which went up to almost 500. Radios was the place families and friends gathered to hear the news, sporting events, music, entertainment, etc. One show millions of people listened to was The Burns and Allen Show, starring George Burns and Gracie Allen.

Two great writers of American musical theatre, Richard Rodgers and Oscar Hammerstein II, had one idea in common. They wanted to present to the American public a new and revolutionary musical that would stand out above the rest. They wanted to make an impact on the societies of the era. They wanted to be creative and do something that was considered rebellious. When they finally combined their ideas together they created an American masterpiece in musical theatre: Oklahoma!. It was the first Rodgers and Hammerstein collaboration, starting the most successful creative partnership in the history of American musical theatre.