Venus And Adonis, By Tiziano Vecellio And Dates

Peter Paul Rubens’ masterpiece, Venus and Adonis, is not only a significant artwork of the baroque-period in Europe during the seventeenth century, but it also tells the mythological story that begins with love, and ends in tragedy. Displayed in the Metropolitan Museum of Art, this painting is admired for representing the unique baroque-style of this era, as well as Rubens’ particular use of the medium and how it reaches those who are viewing it. His attention to detail and crafty use of symbolism within the painting assist viewers in deciphering the story, along with the values of the period in which Rubens was living. In studying the composition of the work and noting the historical context from which it came, one can ultimately

Inspite of looking at it from detail to detail in order to make sense of it as a complete painting, we end up viewing it as a fragmented world and eroticism of a blunt fact. Whereas, Venus, makes us wander around the beautiful painting and enhance the feeling of love and ecstasy, conveying the role of ideal women after marriage. Manet seems to have replaced the details- Venus’s sleeping loyal dog becomes Olympia’s startled black cat; Venus’s braided hair becomes Olympia’s tied hair. Just where everything is warm and soft in Titian’s painting, everything is cold and hard in Manet’s

The two works of art that I have chosen is the painting The Birth of Venus by Sandro Botticelli and the poem Stanze per la Giostra by Angelo Poliziano. The Birth of Venus was created between 1484 and 1486 by Sandro Botticelli. It was created in the early Renaissance period and is currently located in the Uffizi Gallery in Florence, Italy. Stanze per la Giostra was written between 1475 and 1478 by the Renaissance poet Angelo Poliziano. Its current location is the Metropolitan Museum of Art in New York, although it is currently not on display. The Birth of Venus and Stanze per la Giostra share many similarities as Stanze per la Giostra was Botticelli’s inspiration for creating The Birth of Venus. In The Birth of Venus, Botticelli has transformed Poliziano’s words into a beautiful work of art. These works of art share the theme of beauty. While Angelo Poliziano describes the beauty of the goddess Venus in his prose, Botticelli has captured her beauty with his delicate brush strokes. I will be comparing the theme of beauty between The Birth of Venus and Stanze per la Giostra as well as connecting it to contemporary standards of beauty.

The style of the Venus of Willendorf is appropriate for her time period because most early pre-historic art consists of small figurines of nude women with little or no emphasis on facial features, which are exactly the characteristics of the Venus of Willendorf.

The article also acknowledges how the sculpture is a unique find in art especially in terms of how well the sculpture has been preserved and how the damage to the sculpture were minimal as compared to other similar discovered Venus sculptures. Arenas acknowledges how there are also numerous interpretations and explanations on how the arms of the Venus de Milo actually look like or what they are actually doing. The article also presents sultrier take on Venus de Milo, seeing her in all her seductive glory. Through the eyes of Arenas, there is more human, yet otherworldly perspective of Venus de Milo, one which matches romanticized women in mythology. Arenas also envisions the sculpture in relation to feminine charm and how it and the sculpture represents a severed phallus come to life. This represents social and carnal anxiety as well as longing, potency and also impotence.

The main focus of the painting intended by Titian is a nude woman, Venus, looking straightforwardly at the audience. The young woman’s nipples are erect; with her left hand covers her pubic area, the sexuality of this painting is unquestionable. She is completely naked except for the ring on her little finger and the bracelet around her wrist. It is clear that the intention of this painting is to evoke sensual feelings in its audience.

In 1538, the Venus of Urbino was commissioned by the Duke of Urbino Guidobaldo II Della Rovere, to his bride as a wedding gift. Titian referenced his teacher’s work, which is Giorgione’s Sleeping Venus , It described Venus sleeping on the ground, in nature, nude. Her gesture is almost same as Titian’s Venus of Urbino, distinguished by the position of her right arm. Titian used the “Velatura” as known as “glazing” technique, which is a technique of applying multiple layers of transparent thin paint to create the final piece, the charm of this technique is the painting is as smooth as glass and the

According to Pacheco, Velazquez's father-in-law, Rubens copied all of Tiziano's paintings during his stay in Madrid. Among the mythological scenes Rubens copied in Madrid is Venus and Adonis, which today houses the Prado Museum. The copy unfortunately has disappeared, but we can get a rough idea of how it was thanks to this version painted years later. Taking as a source the Ovid's “Metamorphoses” tells the story of Adonis: Venus and Persephone were fascinated by his beauty and it had to be Zeus who settled the matter, deciding that Adonis lived a third of the year with Aphrodite, the other with Persephone and the third where he wished. However, two-thirds of the year was spent by Adonis in the company of Aphrodite. For reasons unknown, Artemisia was angry with the young boy and during a hunt sent a wild boar against him, which mortally wounded him. In this way, Persephone, goddess of the Hells, would enjoy exclusively the young

In his later career, Titian focused more on religious and mythological works. For Spain's Philip II, he painted "Venus and Adonis" (c. 1554), a piece inspired by Ovid's "Metamorphoses" that shows the goddess Venus trying in vain to hold on to her beloved Adonis. Titian again explored his fascination with the Roman goddess of love in "Venus and the Lute Player"

The visual work I have chosen is the Bith of Venus and is one of the world’s most famous works of art. Painted by Sandro Botticelli between 1482 and 1485, it is the first example of painting on canvas. The written work I have chosen is the Stanze per la Giostra. It was written by Angelo Poliziano, written between 1475-8. Both works are examples from the Italian Renaissance era, during the Medici rule, and share the theme of beauty and humanism. The works I've selected share the same subject matter, Venus, and is the perfect example of beauty and humanism. She is the epitome of beauty and her birth from the sea is an example of her metamorphosis of humanism. For this paper, I will compare both works then discuss how the shared theme is seen in contemporary works. How does Venus and her beautiful metamorphosis fit into contemporary forms of beauty and humanism?

But because they are so old anthropologists and historians cannot say for sure what the purpose of the Venus figures was. Without any doubt, the symbols, values, or social positions represented and expressed by the figures were important due to the fact that the figures were found in the regions situated far from each other. I think that Venus of Willendorf represented the prehistoric matriarchic civilization of humanity when existence of our species was constantly in danger and child birth was considered a sacred

Venus of Urbino demonstrates a beautiful, young woman, Venus, lying nude on what appears to be a reclined couch or bed. However, the woman illustrated means much more than merely a nude woman. There have been many interpretations of this beautiful woman over the years but many art historians agree that the Venus of Urbino has to do unambiguously with the male sexual desire for the female nude body.

Artist in the prehistoric and medieval periods used art to illustrate ideas and concepts affecting their prehistoric societies. Most of the artistic works of this time and their presentation had a cultural and stylistic significance. The arts portrayed a particular ideas concepts and themes. An example of this works includes, Birth of Venus by Botticelli and Child Enthroned with Saints by Duccio. The paper seeks to compare and contrast these two works basing on the differences in artistic styles and cultural contexts used.

Also known by the titles "Venus, Cupid, Folly, and Time" and "A Triumph of Venus", this painting was on purpose designed as a complex, erotic allegory that includes an extent of iconographic symbols from the ancient world of mythology. It was a present from Cosimo de Medici to King Francis I of France. Being rich and vivid in symbolism relating to the constituting ideas of the High Renaissance, the painting gives Bronzino the opportunity to establish his maestro figure painting and portrait art. Through personification of qualities and varying contrast and brightness, Bronzino is able to justify that personal gains outweigh anything and everything that is moral.

The fixation is set on her in the center of the painting due to the triangle of light used to create a focal point for the viewer. Surrounding her on both sides are the linear equivelants of past and future. From the left we see her creators helping her along with strength and the force of the wind. To the right we see her handmaiden ready to usher her into the world, where she will be clothed and no longer represent innocence. Both exhibit two very different forms of love and caring to Venus.