Venus Of The Rags Essay

Therefore, this introduction and analysis of fifteenth-century Italian painting arises from looking at social relations. Through the institutional authorization, Baxandall examines the integration of social, cultural and visual evaluations. The author explores visual art not only from a social construction, but also looks at the major role it plays in social orders such as interactions between individuals or between larger social groups.

The style of the Venus of Willendorf is appropriate for her time period because most early pre-historic art consists of small figurines of nude women with little or no emphasis on facial features, which are exactly the characteristics of the Venus of Willendorf.

The article also acknowledges how the sculpture is a unique find in art especially in terms of how well the sculpture has been preserved and how the damage to the sculpture were minimal as compared to other similar discovered Venus sculptures. Arenas acknowledges how there are also numerous interpretations and explanations on how the arms of the Venus de Milo actually look like or what they are actually doing. The article also presents sultrier take on Venus de Milo, seeing her in all her seductive glory. Through the eyes of Arenas, there is more human, yet otherworldly perspective of Venus de Milo, one which matches romanticized women in mythology. Arenas also envisions the sculpture in relation to feminine charm and how it and the sculpture represents a severed phallus come to life. This represents social and carnal anxiety as well as longing, potency and also impotence.

Italy can be looked at as the home of the renaissance and consequently the immergence of great art. Artists such as Michelangelo, Botticelli, Da Vinci, and Raphael are some of the greats and are looked at for standards. But what about the artists whose lives are mysteries, and their works that were influenced by the greats? These artists hold just as much importance in the history of art as do the artist’s whose names can be recalled off the top of an average person’s head. During the sixteenth century things began to change in the art world, and that change was the Baroque. This new style of art brought a revolution to how subject matter was painted, it brought upon “… a radical reconsideration of art and its purposes…” (249) and how artists of all ranks could learn to paint the up and coming style of Baroque.

The Venus of Willendorf was found in 1908 by a workman named “Johann Veran” (Selen). It was found by archeologists at a Paleolithic site. Here at the Naturhistorisches Museum in Vienna, Austria, we have the only authentic Venus Figurine (Naturhistorisches Museum Wien). The artifact’s purpose is still being speculated by many. But from what I can infer, the figurine was used a a maternal figure, and it shows the richness of female fertility.

The statue is a Roman reproduction of a Greek work. It shows Venus, the goddess of love, standing bare-breasted and clutching a piece of cloth draped around her hips. At her feet, there is a dolphin that, practically, adds support to the piece and artistically makes an allusion to Venus's birth from the sea. As the notes from the Getty Museum explain, the statue is derived from a very popular Greek statue created by the sculptor Praxiteles around 350 B.C. The statue was so popular that it was copied by many artists.

The play Venus, by Suzan-Lori Parks, is a fictional life-story of an African woman named Sarah Baartman. Sarah was taken from her home by bribery of prosperity and fortune; unfortunately this was never going to become true. She was put on display in a traveling freak show. Sarah was displayed due to her different body figure and large buttocks. The audience poked her and treated her like she was a different type of human or just a freak. The play informs us about the struggles both minorities and women have had to deal with in the past. This lady was looked at being less of a woman and not as superior as other just by her looks alone.

Venus is a term that has long been associated with artwork, most specifically the classical forms of beautiful women. The term Venus has also come to represent female sculptures of the Paleolithic era. The most notable of these female sculptures is the Venus of Willendorf, 24,000-22,000 BCE. The age of the figurine has been changed several times. Originally when found the date was estimated to be 15,000 to 10,000 BCE. During the 1970's the time period was adjusted to 25,000 to 20,000 BCE; the date was again recalculated in the 1980's to 30,000 to 25,000 BCE;

In many ways Venus is found to be similar to Earth. However their similarities do not extend further than their physical properties, for instance, their atmospheres differ greatly from each other. Venus is said to have atmospheric pressure of 92.1 barometers (Adams, D. Et al., 1994 p.126) which it is evidently 92 times greater than Earth’s that is 1.01 barometers (Adams, D. Et al., 1994 p.126) at sea-level. In spite of this comparison to Earth’s atmospheric pressure, Venus owns an out of the ordinary atmospheric composition.

Florence, Italy. He left Florence in 1480 to help decorate the Sistine Chapel in Rome with some of his art which only the most famous painters of that time were invited to do. In 1482, Botticelli returned to Florence and shortly

Many of us today have things in our culture that we appreciate without thinking about where they have come from. The things we enjoy so much could be from another culture, and even another place in time. This document will explore the influence of Italian Renaissance art on today's civilization, which has greatly changed the art of today.

Venus in Botticelli's painting is a Renaissance beauty. During the Renaissance women were believed to look more attractive if they had some weight to them. It

The Birth of Venus the audience sees the Goddess Venus the moment she is born from the sea

This unique blending of fresh ideas and rejuvenating classical ideas defined Masaccio’s artwork and more importantly the art of the early renaissance.

The Venus of Willendorf is said to be the first masterpiece of world sculptures. It belongs to a series of Venus figurines of the Paleolithic period or “Old Stone Age.” This period was characterized by crude stone and bone weapons, cave paintings, and sculptures. The Venus was found in a small village of Austria called Willendorf, hence the name of the Venus. This groundbreaking discovery was made in 1908 by the archaeologist Josef Szombathy. However, it was not until 1990 when we were able to predict the time when the sculpture was carved. It is believed to have been made between 25,000 B.C.E and 20,000 B.C.E. The sculpture is only 4,4 inches tall and it is made of oolitic limestone, which is a carbonate rock commonly found in India, around the Caribbean and Pacific Ocean Islands, but not Austria. Therefore, archeologists believe that this sculpture was moved from its original place of creation. Continuing with that idea, because of the fact that the sculpture does not have defined feet so it is not able to stand and that it is small and malleable, historians believe that it was originally made to be carried around as a talisman or a sign of good luck, especially for fertility purposes. It is important to notice how the structure of this sculpture highlights some human features (breasts, belly, hips, vulva) while minimizing others, such as arms and legs. The Venus represents the first aesthetic ideas of our early history, which has