Vermeer And Mary Astell: An Analysis

The Baroque era began in the year 1600, at the end of the Renaissance period (Kamien 99). The word Baroque has had several different meanings. Back in its time, the word Baroque has meant: Bizarre, Flamboyant, and Elaborately ornamented. Historians, however, used this word to indicate the particular style in all different forms of art that fills space; which includes canvas, stone, or sound (Kamien 99). The Baroque Period is also known as “the age of absolutism” because so many different rulers of the time used and abused their royal power to control their subjects. For example, in Germany, the duke of Weimar imprisoned the famous Johann Sebastian Bach into prison for a month just because Bach asked to leave his job as the Duke’s musician (Kamien 99). This era in time was also home to scientific discoveries by Newton and Galileo. The Baroque era has shaped the world, as they knew it, to what the people of the twenty-first century all know and love.

During the Age of Enlightenment in the late eighteenth century, Mary Wollstonecraft presented a radical essay, A Vindication of the Rights of Women, that shed light on the largest, underrepresented groups of the time, women. The essay voiced the inequalities women at the time faced and called upon Wollstonecraft’s audience to invoke a revolution for the rights of women. Through her writing, she presented a compelling argument that slowly allowed women to question their “place” in society and demand change to the British social order. While these changes did not happen quickly, her work sparked the feminist movements through its unique message and called upon women to demand equality through the Match Girls Strike and Women’s Suffrage

Baroque painting contained dramatic details, large in scale and was full of energy. This style was intentionally non-symmetrical. The painters of this time were looking to capture the real feelings of their subjects along with the movement or action taking place.

After the idealism of the Renaissance (c.1400-1530), Baroque art above all reflected the religious tensions of the age - notably the desire of the Catholic Church in Rome (as annunciated at the Council of Trent, 1545-63) to reassert itself in the wake of the Protestant Reformation. Thus it is almost synonymous with Catholic Counter-Reformation Art of the period. This period is often thought of as a period of artistic style that used exaggerated motion and clear, easily interpreted detail to produce drama, tension, exuberance, and grandeur in sculpture, painting, architecture, literature, dance, theater, and music. The style began around 1600 in Rome, Italy, and spread to most of

In Vermeer’s Hat: The seventeenth Century and the Dawn of the Global World, Timothy Brook uses Vermeer’s paintings to show the effects of trade on the world and the overall globalization occurring. Brook argues that this globalization had begun in the seventeenth century. He takes a look at Vermeer’s paintings, and uses them as windows into seventeenth century history to discuss further topics of interest. Through every painting, it leads to a door that

The impact of the Protestant Reformation changed the Northern European art in 1517 – 1648. The Protestants depicted narrative imageries from the bible that did not stray

It may at first glance appear that this painting is all cluttered, but you would be mistaken. Reuben placed each item precisely in this piece of art. This style of painting is called Baroque. The style of art Baroque means detailed and broad paintings. Reubens evades rigid lines and tedious geometric structure to establish life and

In the painting, ‘Virgin and Child’, by Rogier van der Weyden, it can be observed that the artist chose to use the medium of oil on wood. Despite the fact that Rogier van der Weyden created this painting in the Netherlands and was born in Tournai, Belgium, their primary influence appeared to stem from the Italian Renaissance, which had begun to use the technique of oil paintings with increasing frequency by turn of the 15th century. The subject of the painting itself, Madonna and her virgin child, were a common theme in the Renaissance, where religious subjects and topics were the primary choice for any prominent artist during this historical artistic period.

Have you ever looked at a piece of art and wondered how it could be based on real life, because it was just so beautiful? Well Elisabeth Vigee Le Brun was able to paint in such new and exciting ways; people were left wondering just this. Elisabeth Vigee Le Brun was a woman of many talents. In her life time she came up with new ways of painting, revolutionized fashion in France, and overcame any prejudice thinking because she was a woman. Before dying at the age of eighty-seven, she had gained the respect of women and men all across the world. Being a female artist in the eighteenth century was not easy, especially when you had to keep a career and your life together during the

The period of Baroque art was from 1600 to 1750, and relates to the style

The era known as the Baroque period includes the seventeenth and most of the eighteenth centuries in Europe. The Baroque style was a style in which the art and artists of the time focused upon details and intricate designs. Their art often appeals to the mind by way of the heart. During this time the portraits began to portray modern life, and artists turned their backs on classical tradition. Much of the art shows great energy and feeling, and a dramatic use of light, scale, and balance (Preble 302). Buildings were more elaborate and ornately decorated. These works of art created history and altered the progress of Western Civilization. Architecture such as the palace of Versailles, and artists like

Johannes Vermeer was a seventeenth century painter residing in Delft, Amsterdam, in a time which Timothy Brook considers the dawn of the global world . Recognizable for his painting Girl with a Pearl Earring, Vermeer is the subject of Brooks book Vermeer’s Hat, in which Brook explains that the beginnings of globalization can be traced back to the seventeenth century and that evidence for his thesis can be found in Vermeer’s paintings . Brook focuses on five Vermeer paintings, a decorative plate, and a painting by a man in a very similar situation to Vermeer, as mediums through which Vermeer and others displayed the world around them through their art and what they chose to paint. As an expert in Chinese history, it is understandable that Brook would recognize the unique contributions China had to the trade revolution, which he illustrates through examples of China’s connection to North American prosperity, its involvement in certain goods, and the outward allure of China to foreigners looking for their next adventure.

•The creation of the baroque style—an art style full of emotion, flamboyancy, symbolism, vigor, and subtlety—largely as a product of the Catholic Church patronage of the arts

During this assignment I will talk about three types of Work of Art from three different artists from the Baroque period through the postmodern era. 1). Michelangelo Merisi da Caravaggio; 2) Rembrandt van Rijn; and 3) Peter Paul Rubens, these three artists were known for their religious theme in their art work. The naturalism that was visibly demonstrated in each of the artist work with high contrast of lighting that noticeably appeared in these paintings. Each artist was well known and respected for their work.

It is hard to believe that what began during the Renaissance would be followed by what we refer to as the Baroque period beginning in the 1600’s and later the Rococo. The term Baroque was first used in the eighteenth-century by critics in a negative way. “To the eyes of these critics, who favored the restraint and order of Neoclassicism, the works of Bernini, Borromini, and Pietro da Cortona appeared bizarre, absurd, even diseased—in other words, misshapen, like an imperfect pearl” (Camara, E., n.d. para. 12). Stylistic style differs in the Baroque period with the use of interrupted contours, dynamism, and instability. In addition, artists were moving toward a more realistic subject matter and not the idealized portrayals we saw in the Renaissance period.