Victor Frankenstein Character Analysis

Literary Analysis Outline Topic: The real nature and character of the monster in Mary Shelley’s Frankenstein. Thesis: Even though the monster acts malicious and kills many people, it is not innately evil.

carried on throughout the story and can be seen in the point of the De

Friends will determine the direction and quality of your life. Loneliness is a battle that all people will once face at a certain point in their life; it is how they handle it that determines the outcome of that battle. In Mary Shelley's Frankenstein loneliness is the most significant and prevailing theme throughout the entire novel. Shelley takes her readers on a wild journey that shows how loneliness can end in tragedy.

Ambition is the foundation of success, it drives people to strive for something better, gives them the dedication to improve themselves and their circumstances. Mary Shelley’s character Victor Frankenstein in “Frankenstein” started off as a very ambitious kid yearning for knowledge. However, the line between ambition, obsession, and pride is oftentimes blurred as Victor’s was. Once ambition turns into obsession and pride, it can be a downwards spiral that leads to misfortune and isolation.

The word “knowledge” was recurring many times throughout Frankenstein novel and attracted or forced the reader to find out the true definition of it. Curiously, I decided to look up the definition of knowledge from the Webster 's Dictionary. It defines, “Knowledge: n. Understanding gained by actual experience; range of information; clear perception of truth; something learned and kept in the mind.” (Merriam-Webster Dictionary) I realized this word is very straightforward, but has many useful and different meanings to all of us. It is also powerful tool to determine and control the result of our judgment. “Knowledge consists in recognizing the difference between good and bad decisions”. (Knowledge Intellectual

   In the novel Frankenstein, written by Mary Shelley, the characters have been portrayed effectively. Much of the interactions between characters, and characteristics of the characters have been based on events which have occurred in Shelley's own life, or they represent what she believes is important. For example, Victor is portrayed as having a strong passion for science, and a poor understanding of relationships. Elizabeth is shown as a stereotypical woman of the time, who is also very powerless. The monster is depicted as being both beautiful and ugly, and someone who the reader feels sympathetic towards. Through the portrayal of her characters, Shelley has created a very effective

In Mary Shelley’s 1831 novel, Frankenstein, there are several smaller characters that help to move the plot forward. Perhaps the most influential character to Victor Frankenstein’s life is Elizabeth Lavenza, his doomed fiancé. By the end of the novel, her character serves as the final tool for Victor Frankenstein to be able to understand his creature.

A family is the most important and fundamental processes of development in childhood. There are many examples of works that deal with family. In Frankenstein by Mary Shelley, the reader sees how neglection from a family setting can invoke horrible events. In The Fifth Child by Doris Lessing, presents how Isolation and dislike can and will lead to unfortunate events. In Macbeth by Shakespeare, shows the betrayal of a family and how it affects the mind by playing with it in several different ways. Before a person can see effects of isolations, neglection, and betrayal of a family he/she must “climb into his skin and walk around in it.”

Fictionally, the greatest-written villains in history possess attributes that give them cause for their behavior, with the most universal and essential of these core traits being a deep, personal backstory behind their acts. For instance, in classic stories like Mary Shelley’s Frankenstein, the Monster presents thorough reason to its Creator in terms of why it has turned to wickedness. The Monster does not kill purely for the sake of being evil, its actions are resulted from its desire to be loved by man, yet failing at every attempt to achieve it. Motivation behind monstrous acts is necessary in works of fiction because non-fictionally, people labeled as monsters by society possesses motivation behind their actions as well, whether it be

Alienation is a product of society’s inherently discriminatory bias, catalyzed by our fear of the unknown in the realm of interpersonal conduct. Mary Shelley, in her novel, Frankenstein, dissects society’s unmerited demonization of individuals who defy—voluntarily or involuntarily—conventional norms. Furthermore, through her detailed parallel development of Frankenstein and his monster, Shelley personifies the tendency to alienate on the basis of physical deformity, thereby illustrating the role of the visual in the obfuscation of morality.

In the religion Taoism, the Yin-Yang represents all the good and evils within humans. However, it is often difficult to tell the difference as good and evil is only based on perspective. In literature, writers and authors use the technique of having morally ambiguous characters to have this effect on readers. These characters are used to discourage readers from being able to distinctly identify if the character is either purely good or purely evil as a way to allow the story become more complex and be based on the reader’s perspective. In Mary Shelley’s classic gothic novel, Frankenstein, the Monster is seen as a morally ambiguous character through Shelley’s use of identity, references to Paradise Lost, and multiple perspectives within the narrative structures to suit the overall theme of good and evil where it is based on morals and beliefs.

Like any novel, all characters all have purpose. In Mary Shelley's Frankenstein, the characters are extremely noteworthy. Robert Walton and the Creature happen to be my most loved two. They both add to what makes Victor Frankenstein, Victor Frankenstein. The three characters go as an inseparable unit. Robert and the Creature are great foil characters to Victor in the novel. Robert plays a part that is both parallel while differentiating to Victor's character. Robert is more powerful in his part of being a foil character to Victor. He instructs the most essential lesson/theme in the novel. Mary Shelley clarifies to the reader that the respect that that originates from ambition and discovery as imperative to the people you may hurt. She does

    In Frankenstein, Mary Shelley combines three separate stories involving three different characters--Walton, Victor, and Frankenstein's monster. Though the reader is hearing the stories through Walton's perspective, Walton strives for accuracy in relating the details, as he says, "I have resolved every night,...to record, as nearly as possible in his [Victor's] own words, what he has related during the day" (Shelley 37). Shelley's shift in point of view allows for direct comparison and contrast between the characters, as the reader hears their stories through the use of first person. As the reader compares the monster's circumstances to those of Victor and Walton, the reader's

Character Analysis: Give your ideas about the main characters(s). Include what you like and dislike about the characters and why they deserve praise or criticism. Does the author intend for you to like/dislike them? How do you know?

Explore the ways Mary Shelley presents the character of the monster in Frankenstein We are prepared for the arrival of the monster in many different ways, before he is created we know the monster is going to be a repulsive figure of a human being, but the reader is still intrigued into reading further, and because of Shelley's descriptive language we already feel disgust towards victors creation, and in doing so, we our-selves become just as callous as those people in the book that neglect Frankenstein's monster. Also because the monster was created by Victor using parts dug up from graves and morgues, and we associate graveyards with horror and death, there is immediately something sinister about the monster and to a