Victor Frankenstein Character Analysis

Character Analysis: Give your ideas about the main characters(s). Include what you like and dislike about the characters and why they deserve praise or criticism. Does the author intend for you to like/dislike them? How do you know?

The feeling of loneliness and longing for a friendship links Walton, Frankenstein and the Creature together. Walton writes in one letter, "I desire the company of a man who could sympathize with me, whose eyes would reply to mine . . .I bitterly feel the want of a friend."` Frankenstein hears the same desperate plea for friendship from the Creature when he says "everywhere I see bliss, from which I alone am irrevocably excluded. I was benevolent and good; misery made me a fiend. Make me happy , and I shall again be virtuous." Unfortunately, Frankenstein never offers the same friendship to the creature as he does to Walton. However, Frankenstein did get a taste of the lonely friendless misery felt by Walton and the creature when he was sent to prison for the murder of Clerval.

Friends will determine the direction and quality of your life. Loneliness is a battle that all people will once face at a certain point in their life; it is how they handle it that determines the outcome of that battle. In Mary Shelley's Frankenstein loneliness is the most significant and prevailing theme throughout the entire novel. Shelley takes her readers on a wild journey that shows how loneliness can end in tragedy.

    In Frankenstein, Mary Shelley combines three separate stories involving three different characters--Walton, Victor, and Frankenstein's monster. Though the reader is hearing the stories through Walton's perspective, Walton strives for accuracy in relating the details, as he says, "I have resolved every night,...to record, as nearly as possible in his [Victor's] own words, what he has related during the day" (Shelley 37). Shelley's shift in point of view allows for direct comparison and contrast between the characters, as the reader hears their stories through the use of first person. As the reader compares the monster's circumstances to those of Victor and Walton, the reader's

In Mary Shelley’s 1831 novel, Frankenstein, there are several smaller characters that help to move the plot forward. Perhaps the most influential character to Victor Frankenstein’s life is Elizabeth Lavenza, his doomed fiancé. By the end of the novel, her character serves as the final tool for Victor Frankenstein to be able to understand his creature.

The statement that Victor Frankenstein is telling Walton deciphers an aspect of human life, which is that individuals are creatures that are not completed until another half is found, which is a friend. A friend who possesses greater attributes that makes one want to improve the qualities one possesses. The quote is significant to the story due to the fact that Victor Frankenstein was seeking his other half just as Walton since they lack that satisfaction from someone that could understand them and help them improve. The need for a companion is the beginning of Frankenstein's creation in order to fulfill that emptiness with an intellectual being. The statement connects to life as well since throughout life people seek that companion that will better them and share similar qualities, such as both men seek since one of the greatest fears of men is solidarity, which both men felt.

In the religion Taoism, the Yin-Yang represents all the good and evils within humans. However, it is often difficult to tell the difference as good and evil is only based on perspective. In literature, writers and authors use the technique of having morally ambiguous characters to have this effect on readers. These characters are used to discourage readers from being able to distinctly identify if the character is either purely good or purely evil as a way to allow the story become more complex and be based on the reader’s perspective. In Mary Shelley’s classic gothic novel, Frankenstein, the Monster is seen as a morally ambiguous character through Shelley’s use of identity, references to Paradise Lost, and multiple perspectives within the narrative structures to suit the overall theme of good and evil where it is based on morals and beliefs.

Critic Northrop Frye once commented that "Tragic heroes are so much the highest points in their human landscapes" (Frye 1). Few characters illustrate this characteristic of a tragic hero better than that of Victors Frankenstein, the protagonist of Mary Shelley's Frankenstein. His story is one of a brilliant man whose revolutionary ideas brought suffering to himself, his family and friends, and his creation. Victor is an instrument as well as a victim to this suffering throughout his story.

"I beheld those I loved spend vain sorrow upon the graves of William and Justine, the first hapless victims to my unhallowed arts" (Shelley 79).

In Frankenstein, the author depicts three different points of view. First, Robert Walton who is a captain on an artic expedition boat. Second, Victor Frankenstein who discovered the secret of life and created applied it and third, the Creature that Victor Frankenstein created. These narrators describe the creation, the life and the end of the Creature. When Victor Frankenstein first creates the Creature, he regards him as a catastrophe instead of the child (Shelley 21) that Victor wanted him to be. His creator views him as unhuman even though the Creature may be the most human person in this novel by the examples of what being human is within the book appearance-wise, education-wise, and morally.

Frankenstein was reflecting on his past when he shares his guidance of knowledge to Walton. He was thinking about his mistake and how different his life would be if he were not creating the monster. He was passing this helpful knowledge onto Walton, hoping that Walton would learn from his mistake or it would help Walton to understand the power of using knowledge unreasonably. Surely, Walton was able to learn from Frankenstein‘s advice and thus prevent his crew from enduring cruel death by turning back and leaving his ambition behind. “I cannot lead them unwillingly to danger, and must return.” (Shelly, Walton, in CONTINUATION, p. 161) Walton was a seeker who learned the limits of seeking.

Fictionally, the greatest-written villains in history possess attributes that give them cause for their behavior, with the most universal and essential of these core traits being a deep, personal backstory behind their acts. For instance, in classic stories like Mary Shelley’s Frankenstein, the Monster presents thorough reason to its Creator in terms of why it has turned to wickedness. The Monster does not kill purely for the sake of being evil, its actions are resulted from its desire to be loved by man, yet failing at every attempt to achieve it. Motivation behind monstrous acts is necessary in works of fiction because non-fictionally, people labeled as monsters by society possesses motivation behind their actions as well, whether it be

A family is the most important and fundamental processes of development in childhood. There are many examples of works that deal with family. In Frankenstein by Mary Shelley, the reader sees how neglection from a family setting can invoke horrible events. In The Fifth Child by Doris Lessing, presents how Isolation and dislike can and will lead to unfortunate events. In Macbeth by Shakespeare, shows the betrayal of a family and how it affects the mind by playing with it in several different ways. Before a person can see effects of isolations, neglection, and betrayal of a family he/she must “climb into his skin and walk around in it.”

Ambition is the foundation of success, it drives people to strive for something better, gives them the dedication to improve themselves and their circumstances. Mary Shelley’s character Victor Frankenstein in “Frankenstein” started off as a very ambitious kid yearning for knowledge. However, the line between ambition, obsession, and pride is oftentimes blurred as Victor’s was. Once ambition turns into obsession and pride, it can be a downwards spiral that leads to misfortune and isolation.

   In the novel Frankenstein, written by Mary Shelley, the characters have been portrayed effectively. Much of the interactions between characters, and characteristics of the characters have been based on events which have occurred in Shelley's own life, or they represent what she believes is important. For example, Victor is portrayed as having a strong passion for science, and a poor understanding of relationships. Elizabeth is shown as a stereotypical woman of the time, who is also very powerless. The monster is depicted as being both beautiful and ugly, and someone who the reader feels sympathetic towards. Through the portrayal of her characters, Shelley has created a very effective