Victoria Yakusha Essay

home furnishing has caught people’s eye. The notion of kitsch: a 'kitschy' object is no longer

Furnishing is one of the most important parts of a household. I don’t think that I would be wrong if I say that furnishing is what makes a house a home. The main attraction of any household is their furnishings apart from the space and the place the house is situated and just as women wear ornaments to complete themselves, a house has its furniture to complete them. But it is quite often that we are confused on what to buy for our house and also from where to buy them. There are many places in the market which sell furniture but there are cons of most of them. Hipvan makes sure that you do not have to search the whole market for your basic needs.

While some objects are evident in all of the rooms, there are other objects that are exclusive to certain rooms for the reason that it provides comfort and contentment to a singular person only. Similar to the example that Kron provided regarding TV sets, each family member in our home has a TV set of their own in order to not be prevented from watching anything that pleases us and to avoid conflicts. In my mother’s room, the first thing that attracts attention is the big vanity with the multiple lights, makeup and expensive perfume bottles that are all set and organized. Correspondingly, it is predictable for Middle Eastern women who are disciplined by the dominant ideologies to not only strive to look beautiful, but to fall in love with that process until it becomes a part of them. According to Michel Foucault’s claims in Panopticism, women in a way become docile bodies that ensure the maintenance of that human order (207). In addition, the bookshelves and the tremendous amount of books are the central theme of my room. The classic design of my room and the fairy lights above my bed creates an almost a safe haven where I could curl myself under the blankets for hours and just read. Moreover, the treadmill in my brother’s bedroom cannot be ignored when entering his room. This depicts his choice of a healthy lifestyle in a country where it is almost

When you step out of this room to the photography room on the right your feelings within the surrounding change once again. In the first room of the museum the tile is white and thus reflects light, creating yet more light in the surrounding area. The walls go from light and colorful shades to a medium tinted of gray creating a more plain mood within the room. In the side room full of photography the flooring changes from white large stone tiles to wood panel flooring. The opening to this second room is an opening the wall rather than another doorway but instead of the opening stretching all the way up to the ceiling, there is a thinner horizontal plank at the top that is an almost metallically aluminum color. The space is divided up

In the book The Prehistory of Home Jerry Moore discusses the importance that home structures have had for humans over time in different places of the world. He says that “In addition to their basic and fundamental function of providing shelter from natural elements, dwellings are powerful and complex concentrates of human existence… our dwellings reflect and shape our lives” (Moore, 3). He believes that homes are representations of the existence of individual humans as well as their surroundings. Jerry Moore is successful in explaining the importance of home in archaeology throughout history with colorful examples as well as a comparison of the importance of the home in the past to the importance of the home in the future.

Nature is beautiful and alluring. There is an architectonic complexity in sinuous curves. Whether smooth or rough; its beauty is sleek. The structure of frivolous iron provides a trendy and exuberant touch of the bark on the branches. Utilitarian and modern. Alexandre can transition in any style setting with its mix of mid-century influences, rustic finishes and traditional qualities.

Interior design and architecture are essential, and often overlooked, aspects of everyday life. In modern society people rely on function, durability, and visual appeal when selecting designs for their homes, businesses, and places of leisure. The way that a space is designed influences such things as mood, which, in the case of a business, can impact the productivity of employees and either draw or repel customers. In residential design, the design becomes very personal and, to be considered a successful design, must properly reflect the home owner while at the same time offering some practicality that makes the space livable. An effective design, for any space, must solve some problem, be it function, flexibility, or some other criteria. Simply solving a problem would not please the customer, however, unless it offered some visual appeal. Creating function with style is the real job of any interior designer, and is essential in a content society.

(The bright white interior of Bernarda’s house. Thick walls. Arched doorways with canvas curtains edged with tassels and ruffles. Rush chairs. Paintings of

However, cultural aspects played the biggest role in forming their styles. In Belgian homes, the ground floor held a large kitchen, parlor, pantry, and few sleeping rooms. The upper floor was only sleeping areas that were arranged in separated bedrooms. This separation tells me that the Belgian people highly valued their privacy. Large kitchens space is also a custom they share.

Mutually Frankie and Kinfolk magazine set heavy presidents on everything in the home to hold an aesthetic value – particularly one that centers on the minimalist and handcrafted objects. This new popular aesthetic, which has been described as ‘approachable luxury’, is arguably a backlash against corporate America and the oversaturation of consumer based marketing . Much like Kinfolk and Frankie the style, as a Kinfolk contributor describes it; “It’s about going back our roots. People are recognizing beauty in thing made by hand.” Yet, this style is hardly approachable. The style and crafts that Frankie and Kinfolk display hold a high level of privilege that neither publication addresses. For as simplistic and clean as the minimal style looks

Fox, James J. 1993. “Inside Austronesian Houses: Perspectives on Domestic Designs for Living.” The Journal of Asian Studies 203-205.

Gehry's house is not only an object but a space for inhabitation, and the way in which it is experienced from the point of view of someone who lives in it is rarely mentioned. Lastly, the house, when it is considered first as a dwelling, clears the way for a discussion of issues which are inspired by but not limited to it. The relationship of Gehry's house to the realm of the domestic invokes questions about the meaning, responsibility and role of any house, anywhere. Gehry's house offers a segue for understanding a house primarily as a house, doing what houses

Herman Hertzberger created the inside of this building to be one social space. He created low ceiling for concentration around the work space but also created open spaces to seat between breaks or to take a breather. The building has four different entry ways that connect in the heart of the building making it the meeting place, it is also the space most open. Hertzberger made a format to arrange rooms to be social or antisocial. He creates these spaces so that people are looking at each other or away from each other. These spaces are made for up to four people creating social spaces between coworkers. The spaces are made to choose between open meeting places and hidden secluded spaces.Hertzberger created the open spaces to make it feel like you are outside, in these open spaces the building has natural light coming from above and has greenery throughout. There are also rooftop spaces created to take breaks and catch some fresh air. The rooftop spaces are larger so more people can gather in these spaces rather than chatting through the hallways. The main focus Hertzberger had was to make it feel cozy and homelike as much as possible.

* Using familiar and culturally relevant materials wherever consistent with sanitation and other functional needs. Using cheerful and varied colors and textures, keeping in mind that some colors are inappropriate and can interfere with provider assessments of patients' pallor and skin tones, disorient older or impaired patients, or agitate patients and staff, particularly some psychiatric patients (WBDG, 2010).

The second chapter overlooks a series of art movements such as De Stijl, Bauhaus, Enlightenment, CIAM, and the work of famous architect Frank Lloyd Wright. This chapter attempts to find their position on senses and the cultural memory. The authors