Victorian Gothic Literature: Scientific vs. Medieval Thinking

Gothic literature is a style of writing that contains elements of both horror and romance. This genre allows readers to experience a mix of horror and romance intertwined. Within the gothic genre there are elements of supernatural events, beings, and gloomy day settings. This style of writing became popular in the late 18th century and early 19 century. Many give credit to it’s uprising to author Horace Walpole, who wrote The Castle of Otranto (1764). His book contains all the elements that constitute the gothic genre. Frankenstein fits perfectly into the gothic category because the gloomy and mysterious setting is placed where most readers think of it as

The Victorian Era is a remarkable time in history with the blooming industries, growing population, and a major turnaround in the fashion world. This era was named after Queen Victoria who ruled United Kingdom of Great Britain and Ireland from June 1837 until she passed away 64 years later in January 1901.When Victoria received the crown, popular respect was strikingly low. The lack of respect for the position she had just come into did not diminish her confidence. Instead she won the hearts of Britain with her modesty, grace, straightforwardness, and her want to be informed on the political matters at hand even though she had no input. She changed Britain into a flourishing country. She also impacted how women interacted

Gothic can be defined as “literature dealing with the strange, mysterious, and supernatural designed to invoke suspense and terror in the reader.” (Pickering, 2004, p. 1425) Gothic literature generally presents the same themes and motifs: love lost, hidden secrets, love and death hand in hand, beauty, youth, grotesque characters, macabre eroticism, etc. Gothic literature also explores taboo subjects such as murder, suicide and incest. “A Rose for Emily”, by William Faulkner, is representative of the Southern Gothic stories since the themes of love lost, death, and murder are present in it. There are many elements that hint at the Gothic nature of the story: Emily’s description, her house, the poison she bought, and finally the ending.

In what ways can Mary Shelley's Frankenstein Be considered as a Gothic novel? Can Gothic literature still appeal to us today? Gothic Literature was most popular from about 1764 until 1832, a period of nearly seventy years. At this time there were many successful and famous authors who wrote books which contained a somewhat 'gothic theme'.

“These scholars note that Victorians often bowed to conformity, concealing their true natures and tastes and pretending to adhere to social norms. Some Victorians passed themselves off as more pious or moral than they really were. But in reality, pornographic literature and prostitution were common phenomena during the late nineteenth century, showing that some Victorians only pretended to lead chaste lives.”(Joyce Moss)

Gothic literature has been criticized as being a dreary, dark, and death-involving subset of Romanticism (a literary movement accentuating human individuality, imagination, and subjectivity). In addition, gothic lit incorporates several themes- not all about deathly acts - but includes some emotional and surprising themes such as dreams, nightmares, or hallucinations, and grotesque or bizarre occurrences. Two short stories, both written by Edgar Allan Poe, entitled “The Raven,” and “The Black Cat,” as well as the novel The Night Circus, by Erin Morgenstern, all encompass these gothic elements, found throughout each story.

Gothic literature uses wide ranging themes and gothic elements to convey its story. Gothic literature short stories can range from romance to horror to supernatural occurrences. Horacio Quiroga’s “The Feather Pillow,” Richard Matheson’s “Prey,” and Edgar Allan Poe’s “The Black Cat” all incorporate the following gothic elements: violence, revenge, hallucinations, nightmares, and psychological issues.

An important feature of gothic is the horror and terror seen within the text. The two were differentiated by Anne Radcliffe who suggests that terror relies on subtle suggestion which results in the creation of tension and fear, whilst horror is direct and explicit and causes instant fear. A good example of terror is an example of the pathetic fallacy used at the start of chapter 5, during the creation of the monster. It is described as a ‘dreary night of November’ and that the ‘rain pattered dismally against the panes’. This slowly builds tension and helps portray a sense of foreboding. Examples of horror include the ‘yellow eye’ of the monster as it infers decay and the ‘grave worms crawling in the folds of the flannel’ in Victor’s dream about his mother. These features of gothic would have been especially effective on a Victorian audience, as they were not often confronted with this sort of imagery, whereas it can be argued overexposure has caused modern audiences to be less sensitive, or desensitized, to this kind of content.

Novel in particular and literature in general is more than just a work of fiction but in fact the hidden reflection of a specific historical era. Although, Frankenstein, Wuthering Heights and Dracula were written in different times and each leaves its readers with different emotion and contemplation stages, they all share an affinity: the presence of Gothic elements. Indeed, these novels are designed to lead their reader into thrilling journeys through spooky dark setting, suspense horrifying plot, and claustrophobic atmosphere. These elements, though appear in various forms throughout these three novels, still excellently accomplish their mission of enticing the readers to be caught up in the narrative.

Even though it is mysterious and cannot be fathomed, just like Romanticism, the mystery in Gothic Literature is horrific, while in Romanticism it is beautiful. Gothic fiction relates to prudishness (especially in the Victorian era) as it focuses on taboo subjects, such as: sex, vice, and murder. Therefore, it is, to great extent, going beyond peoples emotional limitations. To add to that, the typical feature of Gothic Literature would be expressing nature in the threat of monsters, ghosts, or in other words, supernatural forces conflicting with humanity. On the whole, a great representation of these gothic and romantic influences would be the novel Frankenstein (or The Modern Prometheus) by Mary Wollstonecraft Shelley, which was published in 1818 and written during the Romantic Period.

All too often the gothic literature genre is reduced in its interpretation to gloomy weather and archaic haunted houses. These patterns do exist, but they do not define the genre. Gothic literature found its niche in the 18th and 19th centuries, and during the Victorian era it served a more nuanced purpose than simply to scare readers. Many gothic authors used a monster as a vessel to symbolize topics that the Victorian era sensibilities would label as “monstrous.” They are the incarnation of the taboo subjects society is trying to repress. In Bram Stoker’s Dracula and Edgar Allan Poe’s “A Tell-Tale Heart”, the authors use Freudian symbolism along with literary symbolism to demonstrate the repercussions of repressing “id” desires.

The nineteenth century Victorian era woman needed wealth or position to avoid a life of drudgery.  Women were viewed as trophies or possessions men owned.  They were not permitted to develop nor expected to, and even venturing out on their own was considered inappropriate.  During the era in which Jane Eyre was published the home and family were seen as the basic unit of stability in society.  At the middle of this foundation stood a wife and mother representing the sum total of all morality - a Madonna-like image.  This image was reinforced by social institutions such as mainstream religious and political beliefs.  Women were steered away from independence, confidence, and

In the Victorian era, women were expected to fulfill specific gender roles. Women possessed feminine qualities such as being nurturing, pure and docile, while men were expected to be bold and independent.

  The span of time from the Victorian age of Literature to the Modernism of the 20th century wrought many changes in poetry style and literary thinking. While both eras contained elements of self-scrutiny, the various forms and reasoning behind such thinking were vastly different. The Victorian age, with it's new industrialization of society, brought to poetry and literature the fictional character, seeing the world from another's eyes.  It was also a time in which "Victorian authors and intellectuals found a way to reassert religious ideas" (Longman, p. 1790). Society was questioning the ideals of religion, yet people wanted to

Eagleton’s idea by underscoring the concept that “Mary Shelley’s answer [in the novel Frankenstein] does not entail the restructuring of society, the elimination of the class system; it does entail a revolution of the human spirit and of the emotions which will issue in benevolent action towards one’s fellow human beings, and in so doing, creating a better society whilst alleviating present ills” (89). In this instance, Mary Shelley’s piece of gothic literature can be defined as alive and purposeful as it strives to promote action and change by the people. Developed through imagination and creativity, it carries political weight that contrasts the rational capitalism of the time and instead is aimed at change in support of the people. Literature of the past can be defined as imaginative, creative, and soul-stirring as can literature of the present.