Essay on Victorian Women in Dracula

Victorian Sexuality in Stoker’s Dracula, LeFanu’s Carmilla, and Polidori’s Vampyre Literature is representative of the time in which it is produced. Literature can reflect societal views, attitudes, and fears.Vampire literature, in particular, often represents the fears of a society.In the Victorian Era, a time of intense sexual repression, it was common for vampire stories to reflect the fear of sexuality that was rampant in society. Bram Stoker’s Dracula illustrated fears about sexual…

or died trying to revolt. Women held no rights. They were forced to be robots, performing only for the men they had to seek marriage to. The only jobs that women were allowed to hold was that of motherhood, they were not allowed to speak unless spoken to and certainly were not expected to have personal opinion. It was not until the start of the Women's Liberation Movement in the late 1960's and early 1970's that the whole outlook on women changed. If it wasn't for women such as: Susan B. Anthony…

Bram Stoker wrote the infamous novel, Dracula. This novel was composed in the style of letters, journal entries, newspaper articles and telegrams in order to convey to the reader a realistic story. The story of Dracula is about an ancient vampire who moves to London from his native country of Transylvania. In London, Dracula seduces and bites a young woman by the name of Lucy Westenra. When Lucy falls sick, no one knows how to help her because while Dracula has bitten her many times she has always…

five children in her family. George Eliot, actually, was the masculine pen name of the writer Mary Anne Evans, one of Victorian England’s influential novelists. She changed her name 1819-1880 because writing by women’s name, especially which was of a vague nature, was not accepted in the Victorian society in which she lived. Eliot herself lived a controversial and unconventional life: she has been the subject of much…

The Treatment of Women in Bram Stoker's Dracula In reading Bram Stoker's Dracula, I find the treatment of the two main female characters-- Lucy Westenra and Mina Harker-- especially intriguing. These two women are two opposite archetypes created by a society of threatened men trying to protect themselves. Lucy is the Medusa archetype. She is physically attractive, and wins the heart of any man who comes near her (e.g. Arthur, Quincey, Jack, and Van Helsing). Her chief quality is sensual…

Similar to almost every piece of literature ever created, Dracula by Bram Stoker has been interpreted many different ways, being torn at from every angle possible. Just as one might find interest in interpreting novels differently, he or she might also find interest in the plot, prose, or theme, all of which ultimately lead to the novels overall tone. Throughout the novel, it becomes blatant that the novel contains an underlying theme of female incompetence and inferiority. Through a true feminist’s…

The Victorian men and women conveyed in Bram Stoker's Dracula are pure and virtuous members of the upper and middle class. However, hiding behind this composed and civilized conception of England lies a dark and turbulent underbelly. This underbelly is the lumpenproletariat, whom Karl Marx defined as "the lowest and most degraded section of the proletariat; the ‘down and outs’ who make no contribution to the workers cause". Victorian culture discriminated against these vagrants, who were seen not…

on the earth by dedicating herself to others; through deliberate self-effacement, duty and sacrifice she will discover the identity and raison d'être of which, by herself, she is deprived" (Basch 5). Surrounded by such popular belief, the women of the Victorian age had to surrender their valuable possessions simply to avoid the wrath of the male dominated society. The female characters in A Dollhouse, by Henrik Ibsen, project that a woman was merely a self-sacrificing entity of society. Nora…

The Victorian men and women conveyed in Bram Stoker's Dracula are pure and virtuous members of the upper and middle class. However, hiding behind this composed and civilized conception of England lies a dark and turbulent underbelly. This underbelly is the lumpenproletariat, whom Karl Marx defined as "the lowest and most degraded section of the proletariat; the ‘down and outs' who make no contribution to the workers cause". Victorian culture discriminated against these vagrants, who were seen…

During the Victorian era, women were viewed as the very opposite of what a man ought to be. In the words of John Stuart Mill, who published a criticism of the way society differentiated between males and females "The female sex was brought up to believe that its ‘ideal of character’ was the very opposite to that of men’s ‘not self-will , and government by self-control, but submission, and yielding to the control of others" to live for others; to make complete abnegation of themselves, and to have…