Video Games : An Ideal Conduit For Feminist Discourse

Author A.B. Harris declares a call to action in his article “Average Gamers Please Step Forward” published in 2012 as he talks about the how gamers shouldn’t settle for how the Entertainment Software Association put the average gamer into a box, Harris (2017) declares that the average gamers are far more credible and intelligent than the perceived demographics suggest (pg.503). He starts to build a bond between himself and the reader by connecting himself with the audience and asserting himself as one of them who all want the same thing, to “change the mainstream” (Harris, 2012, p.506) and show non-gamers they are more than over-sexed male adolescents with a penchant for violence (Harris, 2012, p.504). Harris uses his personal values and experiences

A more in-depth study may look at video games from a Marxist point of view, characterizing the games as a modern day “opiate of the masses” with multi-billion dollar corporations publishing the games to keep the proletariat occupied and oblivious to their plights. A feminist may cite the standard role of female video game characters as being the “damsel in distress” and even strong female characters usually being relegated to sex symbol status.

New Executive Director believes more female business owners will expand Texas’ economy Texas Woman’s University today appointed a serial entrepreneur and former Fortune 50 executive, Tina Mims, to lead the state’s first university center designed to position Texas as No. 1 in America for entrepreneurial women. This new strategic venture is called “The Business Hub for Entrepreneurial Women, Powered by TWU.” Mims, who holds multiple business administration degrees and a doctorate in marketing, has taught the past decade at TWU’s School of Management. Senator Nelson added, “Dr. Mims is an excellent choice to lead this new center. Not only is she well qualified academically, but she spent more than 20 years in the private sector and knows what

Video games have become a massive icon that has spanned decades, technology and even cultural boundaries. Whether you play on a computer, tablet, phone, or console: at some point in your life, video games have been a part of what you do. Strike up a conversation about games and you can make lasting friendships or bitter enemies. Even if they might not know the specific game, everyone knows what the genre is, and because of this, video games have taken their lasting place in our pop

In chapter 2, The Lost Mariner, Oliver Sacks had a patient named Jimmie G, who was a World War II veteran. He knew his name, ,hometown, and birthdate. He could tell Sacks about his early life and how he was serving in World War II. Jimmie G. suffered from Korsakov’s Syndrome, a rare condition, often brought on by alcohol, which failing the parts of the brain associated with memory. Sacks found a doctor’s report from 1971, pointed out that Jimmie was suffering from brain disease due to alcohol.

Hamlet was one of two inspirations for Rosencrantz and Guildenstern Are Dead. I believe the play Hamlet was a little absurd, especially in the extreme role vengeance played, and how almost every character died in the end. Nothing was really accomplished in the play Hamlet, except how Fortinbras reclaimed his land.

Video games have been a part of the American popular culture since the 1970s, when Pong was first invented. They have affected our society in many ways, some good, and some bad. An analysis of video game trends in our society will reveal their evolution over time, the affects they have on society, and the consequences they have on society.

As soon as the video game world pressed the start button on their business, they never stopped playing. Like any video game, they hit major checkpoints and beat levels. From Pac-Man with joysticks to Angry Birds on iPads, the video game industry has a consistent history of success. Today, everyone knows someone who plays or has played a video game. New games and gaming consoles are constantly being advertised and released. They are even an entertaining method of keeping people up with the growth of technology. According to Melissa Terlecki, a psychology professor, “Involvement and experience with current computerized technologies…is important to provide both men and women…Because computer video games are a seamless lead-in to the

When you think of the average gamer who comes to mind? On television you probably see some over-weight and unemployed guy who is living in the basement of his parents’ house. The visual discourse in this is that only males are gaming “nerds” and that there is no place in the field for women. The group called The Fine Young Capitalists (TFYC) try to change that narrative with a contest of their own allowing women to create their own ideas for games. Some disturbing contradictions came out of their mission, and it was criticized by game developer Zoë Quinn.

Video games are a profound art form, incorporating trades and mediums that span the artistic spectrum and beyond. To refute this is to ignore decades of rich history, disregard hours of artful labor, and discredit the immeasurable devotion of many whom worked to perfect this art form. Although video games may not suit every individual’s tastes, one cannot claim with credibility they possess no artistic merit.

I decided to approach the topic of gendered spaces online by focusing on video game culture, the “gamer” identity, and the Gamergate controversy, using videos of Anita Sarkeesian, an online harassment victim, to support it.

Sadly, the gaming industry has been criticized for lacking complex characterization, especially when it comes to female characters. While this complaint is valid, and it cannot be denied that there is a surplus of overly sexualized one dimensional female characters in gaming, the industry has begun moving away from

All people of all colors, ages and gender are represented in a similar way within the games, or do anyone stands out in all this? Someone is under-represented? How important to be represented in the media?

Gender disparity in video games is a topic that both scholars and major gaming icons have discussed before. However, the topic recently resurfaced with the upsurging population of female gamers. The integration of females was a spectacle that caused a massive culture shock. Many members of the gaming community were unsure how to handle the change and took to discriminating females. While discrimination may seem unimportant, many scholars and icons believe it is a prominent factor of gender disparity: an environment which typically favors males, a hostile or “toxic” atmosphere, and repeated stereotypes all manifest certain behaviors of both genders that can cause a disparity to grow. Although some sources claim gender disparity is evident in gaming as a whole, others insist the novelty of female discrimination in video games is less prominent due to a more leveled percentage of male-to-females in gaming. However, both agreed that the competitive gaming community is a different story. Time and time again the competitive gaming community was mentioned for its exclusion of women due to biased and misogynistic members who sexualize and degrade females. These members believe women are inferiors that encroach on their territory with unskilled and seductive natures. Therefore, for the females in the gaming community, their actions will shape the future of women in the competitive gaming community. The change in female treatment is detrimental to gender disparity. Not only because

As a point of comparison, let’s consider Broken Age, a game that has a split narrative between Vella, a young girl, and Shay, a young boy, both living in different sorts of dystopias. Unlike BioShock, I consider Broken Age to be a feminist dystopian video game because Vella is a main character, possesses meaningful subjectivity, and can save herself.