Video Games And Its Impact On Society Essay

There is much knowledge within video games today. Being able to do things in a video game that some people can’t do in real life is important and I like that about video games. Some people may want to be a doctor, a NBA player, and a race car driver all at the same time and can do that with video games. Gaming can be based on real life situations and some can be based on fantasy situations which can let yourself have an

Video games have become as pervasive an aspect of our society as television, with many people spending more time playing video games than watching television. There are many perspectives with which to gauge videos games’ effect on society, from a functionalist, conflict or interactionist perspective. (Schaefer, 2011) Each of these sociological theories can provide a different view of video games, how they affect society and the subcultures that develop around them.

All in all, you can’t say that every video game is the same. You got to look at the type of game it is and how it feels to play it. I mean you can find some similarities but mostly the differences are pretty obvious. Moat people who don’t play video games are always saying things like, oh it isn’t realistic, and what not but they just say that cause those are the people who aren’t very good at them

Digital graphics are in their own way an art form, digitally constructed to create phenomenal images. However, you need to have some sort of artistic ability combined with a suitable computer system before you can design the perfect graphic.

In the article “Art Form For The Digital Age,” by Henry Jenkins, Jenkins elaborates on the ever expanding video game industry and cites that it is now being considered a digital art. The gaming industry is also said to be the form of art in today’s economy that has grown the most.

However, computer artists now see the importance of these works as they started a “new technologically-grounded aesthetic,”3 that would be an integral part of the development of art through computers.

Main Point III: For this reason, this has been the focal point of the “video games are art” debate. At the same time, the debate as a whole has had some opposition.

disbelief about video games not being considered art. In the article by Nick Gillespie, Are Video

“Art Form For The Digital Age,” by Henry Jenkins is about gaming expanding and how it's being considered a digital art. The growing game industry is said to be the most growing form of art in the economy today.

and art are just alike. videogames and art take time to plan, they both take time to develope, they both

Everything is done so ingeniously, that the mesmerized reader can only sit back and watch this spectacle of gargantuan proportions unfolding right in front of his/her mind's eyes.

Both objects are a identified as art or their own meaning. Without it, we wouldn’t have anything to enjoy other lives with or a sensation for playing people creations for looking at them at the same time. Do you think video games are identified as a art? Overall, I think the argument presented in “Video games can never be art by Roger Ebert is not partially effective on the target audience of people who believe in his opinion. As we explore Ebert’s argument’s that video games can’t be art, we will examine the strongest out of the argument (Ethos), followed by the middle pathos, and finally the weakest of them all would be

Martin explains how “videogames may only be regarded as an art form if movies are considered art. Is the Wizard of Oz art? Strong arguments indicate it is” (Clarke, 351). A similarity between movies and videogames is movies rely on special effects, unique acting, concepts, sketches, and much more, as do videogames. Martin continues “games continually strive to become interactive movies” (Clarke, 352). Through their unique stories and the way they tell them, videogames and movies are now extremely identical. “Videogame creators utilize many of the same processes that painters and movie producers employ. Concepts must be sketched out, characters modelled…. Landscapes rendered…. Narratives produced…. Music composed. In doing this, videogames compile all of the art world’s tools into one medium; drawing, painting, sculpting, design, architecture, creative writing…. acting all come together to create videogames” (Clarke, 350).

Games don’t have to be just for entertainment; they can make a statement, they could have a hidden message or theme, or, most commonly, they could be works of art in it of themselves. The original The Legend of Zelda, released in 1986 by Nintendo, was inspired by game designer Shigeru Miyamoto’s love of exploring caves and forests near his him as a child. This translated into an open-ended adventure game where practically the sole goal is to explore the world in search of treasure. Similarly, world-renowned franchise Pokemon was inspired by Satoshi Tajiri's childhood hobby of catching bugs and pitting them against bugs his friends caught. However, as game consoles have become more powerful, cutscenes that depict more complicated stories have become more commonplace, allowing for deep storytelling. For example, Konami’s 2001 video game Metal Gear Solid 2: Sons of Liberty is described in The Art of Video Games by Chris Melissinos and Patrick O’Rourke as “the first example of a postmodern game.” The game features dark subjects like terrorism, child soldiers, and corrupt governments, as well as a heaping of political satire and existentialism. In more recent memory, the 2015 independent game Undertale,by Toby Fox, received near universal acclaim for its unique gameplay, humor, and dissection of video game tropes, as well as its handling of mature topics like death and loss. But don’t think that you need a deep

The video game industry demonstrates infinite variety. Each game belongs to a genre and consists of a theme. The genre is the form of presentation of the game content, for