Vietnam War Film Analysis

Of crucial importance is the different attitudes between Nguyen and Quang has towards the Vietnam War. Nguyen represents the traditional view that the Vietnam War was a failure on the part of the Americans, a mistake and pointless war that ruined the lives of many. What is surprising is Quang’s view. With an immediate and loud retort to Nguyen’s negative feelings towards the Vietnam war, Seol’s portrayal of Quang immediately grabs the audience’s attention. Quang is grateful for the Vietnam war, and “thankful for the American soldiers that gave up their lives so [he] could live.” Actor Seol aptly captures the spirit and sentiments of an actual Vietnamese refugee, and in doing so provides a refreshing and different perspective about the Vietnam War. Faced with these differing perspectives, the audience must come to realize that America is not a monolith, but instead composed of people from many different backgrounds with varying experiences, attitudes, thoughts, and

The rambunctious behavior of the soldier’s triumphant victory is a strong message visually for the viewer. These soldiers struggle to find their identity and once the war ends, the identity they’ve build at war vanishes, (McCutcheon, 2007). As a result, they essentially lose a part of them selves, (McCutcheon, 2007). When they return home, many soldiers struggle with psychological issues that prevent them from resuming their once regular lives, (McCutcheon, 2007). The images of soldiers celebrating at the end of war give the viewer a taste of this problem. This also allows the viewer insight to the deeper issues surrounding an American soldier’s mental stability and mentality. Through this image, along with many others throughout the film, the viewer is able to dig deeper and truly analyze what they are seeing.

Wars are a difficult place to be. “THE VIETNAM WAR transformed a generation” (Roberts 1). With all that happened during the war such as exposure to

The Vietnam war was an absolutely brutal time in American history. The war lasted for the majority of the 1960s and left many young men dead. The short story “The Things They Carried” by Tim O’Brien and the film Dear America: Letters Home from Vietnam give us just a glance into the war by giving using the three themes of fear, pressures, and blame/guilt to embody the concept of war and how it absolutely changes a person. War not only destroys countries, but it destroys people.

Vietnam was an entirely new type of war for the United States. It still remains morally and historically problematic in today’s society. The Vietnam War had a tremendous impact on American society and culture, primarily because it was the first war to be televised. The American press played a significant

The war in Vietnam was a war against communism that tore apart the US. The United States of America plunged together with its allies and played a tremendous role as far as fight against communism is concerned. A huge number of American soldiers were deployed in Vietnam a practice that coupled with much unpreparedness. The soldiers were not aware what exactly they were up to in Vietnam. Most Americans at the time were very much against the act. It was one of the most deliberating wars America plunged herself into and the only one to have been lost. Most intriguing is the amount of publicity and media buzz created by the film industry. Vietnam War was the topic of many television networks, music and Hollywood. Journalist and veterans and scholar were never left behind and went ahead to produce tones of literature on the legacies and lessons to be learnt from the war (Hochgesang, Lawyer, and Stevenson). The exploitation of the soldiers and rejection of the veterans created just as much interest as the war had created. One such commentary came from George Kennan, who depicted the war as one of the most disastrous mission The United States has ever undertaken (Westheider 155-159).. This essay will establish the effects the war had to the US soldiers.

In the 1960s, America found itself divided among various social matters. Conformity, civil rights, and the Vietnam war. While the older generations viewed fighting in the war as a civic duty and a true testament to what it meant to be an “American”, the counterculture did not share this belief. Regardless of how anyone felt about the war, it had escalated to epic proportions and as one citizen put it, “It was on our mind every single hour of the day” (PBS CITE). Vietnam was the first war ever to be televised, and with that came constant coverage and a growing concern from young Americans. In addition, the military draft made matters worse by forced the youth America to fight. “By 1968, the war in Vietnam had claimed over 15,000 American lives”(CITE PBS). Between the draft and the growing American casualties, greater tension in the US was created. Young Americans had to ask themselves if the war was worth fighting.

The Viet Nam War has been the most reviled conflict in United States history for many reasons, but it has produced some great literature. For some reason the emotion and depredation of war kindle in some people the ability to express themselves in a way that they may not have been able to do otherwise. Movies of the time period are great, but they are not able to elicit, seeing the extremely limited time crunch, the same images and charge that a well-written book can. In writing of this war, Tim O'Brien put himself and his memories in the forefront of the experiences his characters go through, and his writing is better for it. He produced a great work of art not only because he experienced the war first hand, but because he is able to convey the lives around him in such vivid detail. He writes a group of fictional works that have a great deal of truth mixed in with them. This style of writing and certain aspects of the book are the topics of this reflective paper.

Hundreds of bodies littered the ground. Sounds of explosions and endless gunfire filled the air. Soldiers, with their uniforms splashed in crimson, fought viciously and ruthlessly. Their main objective, which was to win the battle, took a backseat to their newfound desperation to stay alive. After all, war is not a game, especially one such as the Vietnam War. The Vietnam War claimed hundreds of thousands of lives, and left its survivors haunted by a multitude of atrocious events. Terry Erickson’s father and George Robinson, who were two fictional characters from the short stories “Stop the Sun” and “Dear America”, respectively, were veterans of the Vietnam War. The differences and similarities between Terry’s father and George Robinson are striking, and they merit rigorous scrutiny.

This paper will be discussing the two movies The Green Berets (1968) and Apocalypse Now (1978), and argue how The Green Berets is a propagandist pro-war film depicting the unrealities of the Vietnam War while Apocalypse Now is an ambiguous anti-war film that shows the social and political absurdities of the Vietnam War.

A quarter of a century after the Fall of Saigon, Vietnam continues to exercise a powerful hold of the American psyche. No deployment of American troops abroad is considered without the infusion of the Vietnam question. No formulation of strategic policy can be completed without weighing the possibility of Vietnanization. Even the politics of a person cannot be discussed without taking into account his opinion on the Vietnam Ware. This national obsession with Vietnam is perfectly national when viewed from a far. It was the only war that the United States has ever lost. It defined an era of American history that must rank with the depression as one of this nation’s most traumatic. It concluded with Watergate and led many to believe that the

Since 1968, there have been at least 25 films made that portray the events of the Vietnam War. Historians have to ask themselves when watching these films, "Did the fictional character represent historical figures accurately? Is this how a soldier would react in this situation?" The point of view of the director of the film can change with simple alterations in camera angles. For example, a view from the ground of a battle seen can show how the innocent people had the war in their own backyards. The view from a helicopter can show Viet Cong firing rounds at American troops and the troops can't tell the difference between the innocent and the enemy. The audience feels empathy and sympathy for the person from whose point of view the

It can be hard to fully comprehend the effects the Vietnam War had on not just the veterans, but the nation as a whole. The violent battles and acts of war became all too common during the long years of the conflict. The war warped the soldiers and civilians characters and desensitized their mentalities to the cruelty seen on the battlefield. Bao Ninh and Tim O’Brien, both veterans of the war, narrate their experiences of the war and use the loss of love as a metaphor for the detrimental effects of the years of fighting.

The Vietnam film is a specific sub-genre of the conventional Hollywood war film that arose as a result of the 1960s counter culture. According to Elliot Stegall’s article Ideological, Dystopic, and Antimythopoetic Formations of Masculinity in the Vietnam War Film many American war films depicted the glorification of war and emphasized the concept of American masculinity (Stegall). Previous to the Vietnam period, Hollywood war films stuck to contemporary tropes. These films often re-enact the idea of good versus evil in which the male hero of the film triumphantly fights for their country against a vilified enemy; thus reinforcing the American ideology of conquering the frontier (Schweitzer 67). The hollywood war films are often enjoyable

After nearly fifteen years of troops committed to the conflict beginning in 1959 and withdrawal in 1975, a number of films were made about Vietnam (Goldfield, 2014). The Green Berets, the sole movie produced during the conflict, featured an image presented by John Wayne consistent with the heroic battles in Europe during World War II. Filmmakers emerged in greater numbers in the late 1970s and 1980s after considering that rather than focusing on the perception of losing the war, there were more important stories to tell about the conflict. Some of the notorious films about the Vietnam War are Born on the Fourth of July, Platoon, Apocalypse Now, We Were Soldiers, Rambo, Deer Hunter, Full Metal Jacket, and Hamburger Hill. Vast differences between how and why the films were made and the background and inspiration for the directors who made the film were apparent. Within each director lay a unique interpretation of the conflict based on personal experience (Toplin, 1991). There were some films that attempted to counter the feeling that the U.S. had lost the war and explored a hypothetical favorable American outcome in unifying North and South Vietnam under democracy (Siskel, 1985). Movies like Full Metal Jacket explored new concepts such as how the press’ presence in Vietnam influenced public support for the war. Many of these films were popular because of their violent imagery. Scenes depicting