Vincent Price Art Museum: The Making Of Mexican Modernism

The portrayal and the representation of the Chicano Art Movements are entrenched by the Mexican-American artist who institute artistic personalities and identities in the United States. The plenteous amount of the artist is massively influenced by the immense Chicano Movement (El Movimiento) which, was established in the 1960’s. The influence of Chicano Art was due to the Mexican- Revolution philosophy, art of Pre-Columbia and indubitably European techniques of painting, cultural, social, political issues. The movement took a stand to fight against stereotypes of Mexican- Americans conducive and to resist typical social norms. The movement to concentrate on awareness of collective history, equal opportunity, grants and social mobility. Chicanos have used the movement in pursuit of expressing their cultural values. Ever since it first appeared in America the art of Chicanos has matured to illustrate common struggle and social issues in conjunction with uniting the youth of the Chicano people to their culture and history. Chicano Art is not only Mexican- American artwork; it further emphasizes and accentuates the histories of the Chicano people in a superb and sublime way of American art.

One of my favorite art works is La Molendera, or The Woman Grinding Maize, by Diego Rivera. The medium of this painting is oil paint on a horizontal canvas that measures 106.7 x 121.9 cm. When I first see this painting, the woman dressed in white with her hair split in two braids, grinding maize on a stone, is what stands out to me the most. It is traditional for women in Mexico that make tortillas to grind the maize, corn, on a rock. In the background I see three already made tortillas baking on top of a ceramic dish. The colors used in the atmosphere are cool toned, which gives you a sense of calm and a soothing sensation. The main colors used here

Her paintings represented “the cultural nationalism of [Mexico]” (Meadows). She had a strong artistic style in which she showed her Mexican patriotism and her communist ideals. In addition, she also made political statements on the U.S. and the industrialization.

Artworks have played an indelible work to the lives of humanity. The creative nature in Artists is a complex matter to define. The uncertainties in the intrinsic nature in art lay difficult aspects that can only be answered by values, themes and skills depicted in an artist artwork. Apart from playing the intricate psychological effect on humans, the artworks have been used as a tool of expression that has been revered and uniquely preserved for future generation. Among some of the most revered modern forms of artwork has included Chicano Art that had a core relationship to Las Carpas, Indigenismo, rascuachismo and other forms of performance art.

The walls vibrated with colors and the strokes of pencil danced across the pages. Twist and turns of materials displayed in tall glasses cases for all eyes to see. The exhibit for all to see especially the students interested in learning additional information about Latino background. This is how I felt as I walked through Musel del Barrio. I was quite excited to go to the Museo del Barrio because it was one of the museums in New York City that I have not been to. During this semester, my interest in the Nuyorican movement has grown. I was interested in learning more about the movements and the impact the museum had on the community.

The museum I chose to visit was the Dali Museum mainly because I have been wanting to check it out since I first moved down here to Florida three years ago. My sister has always been a huge Salvador Dali fan and even has a tattoo of his painting titled “The Elephants” on her side. I am looking forward to experiencing more of his paintings other than his most popular works of art. I am also hoping this experience will give me a greater appreciation for him as an artist by seeing the diversity of his works. What I am least looking forward to is trying to find one work of art that really stands out to me enough to write this paper about. I am sure I am going to find multiple pieces of art that I will love.

After the Mexican Revolution, which took place from 1910 - 1920, Mexican art saw a change in the type of art being created. Although the focus of creating art with an indigenous and Mexican theme continued, the country saw a shift to art presenting socialist ideals. The government saw value in working with local artist and commissioning them to create murals that would influence their political agendas. However, what these murals mostly did was strengthen the Mexican culture and bring pride to the indigenous heritage. Although this time period has come and gone, its influence over Mexican art and culture is still very apparent today and can even be seen in Mexican American communities today.

country of Mexico showcasing what Mexico has to offer. Showing how the art of the ancient people are expressed. Being taken over by the Spanish colonial towns are seen in Mexico’s capital Mexico City. Located in Mexico City a lot can be find influencing their art, shops, renowned museums and very good tasty restaurants to modern life, as well showing their ancient art of the ancient civilizations, and ancient culture. The earliest real civilization in Mexico was the Olmec culture which came from of the Gulf Coast from around 1500 BCE.

Murals are the quintessential public art embodying the spirit of the community in which they are created. They say this is who we are, this is what we think, this is where we come from, and this is what we want, reflecting most clearly any changes in the sociopolitical environment. Murals lay out a powerful visual image of the ideology of their creators or sponsors, be it the Church during the Renaissance, government funded projects, or individuals expressing opposition. In Mexico, after the Mexican Revolution of 1917, the government commissioned a vast number of mural projects to transmit its revisionist history of the country, and celebrate the empowerment of the underclass in their recent victory. Predominate themes were cultural

The reason I think Chiapas Paz Mexico mural at City Lights bookstore on Jack Kerouac alley is art because the artist communicates with the viewers by using art theory such as color theory, lines and shapes, and composition on his mural.

Hispanic art, food, and entertainment all have a common theme; they are all fun, light-hearted, yet fulfilling and rich in cultural heritage. On one side, Mexican culture in particular loves to make fun of itself. There are many depictions in song and art of lazy Mexicans in large sombreros with thick mustaches eating burritos. On the other hand artists like Diego Rivera paint large murals depicting rich historical events like the revolution, in bold colors on controversial topics (This Old, n.d.).

To begin addressing this assignment first I must define what art is throughout the weeks I have been enrolled in “Art and Architecture of Latin America.” To me what I have come to interpret is that art doesn’t necessarily have to involve paper, pencil or paint. Art is something that receives public reaction or that it can relate to someone. For example, take the drawings of Diego Rivera. One of his most famous works named “History of Mexico from the Conquest to the Future” can be found in Fresco, National Palace, Mexico City relates to his people's lives. Why you may ask? Well if you look closely to his drawings it shows the history of Mexico since the conquest of the Spaniards to the revolutions that emerged throughout Spaniard rule up until

Bright colors jumping at you asking for attention, images so real viewers can not tell the difference. These are the thoughts that came to my head as I gazed at two works of art by two Mexican artists at MoLAA museum of art . I visited two museums, Bowers Museum of cultural Art in the heart of Southern California and the Museum of Latin American Art in Long Beach for my report unfortunately I only liked the works in MoLAA and will talk about it through out my paper. I will talk about two Mexican artists Rafael Cauduro and David Alfaro Siqueros that caught my eye, and made me want to learn more of them and their approach to art. Siqueiros caught my eye and interest because according to his biography “no

     During the 1920’s, many young artists, suck as Diego Rivera, David Alfonso Siqueiros, and Jose Clemente Orozco were commissioned to decorate numerous public buildings with dramatic large scale murals. These were done to try

According to Fernando N. Winfield Reyes, author of On the Diffusion of Modernist Urban Models, “the way in which Modernist urban models are known, interpreted, and adapted to practice to meet social needs also enticed attempts to construct a cultural identity, regarded as both “modern” and “Mexican”” (2). This issue is critical in the understanding of the multiple urban projects that occurred and were developed in Mexico during the post-revolutionary era and how that led to social change and growing capitalist mentality of the country. In comparison to the outcomes of developing countries, such as France and Great Britain, who also used similar urban modernist models, by using these