Vincent Van Gogh And Pablo Picasso

Vincent van Gogh is one of the world’s most well-known artists. He was the son of a pastor and was brought up in a religious atmosphere. He thought his true calling was to preach the gospel like his father. He became a preacher in a small coal mining town. This is when he starting becoming very interested in the people and things that surrounded him. He became an artist at the age of 27.

I image him creating this amazing painting while sitting in his room and looking out his window early in the morning, or late at night. I think the rich blue colors make the painting seem less depressing and actually makes the photo have a much more charming feel to it. I think this is interesting because you would think van Gogh would draw something darker since he was basically locked up and couldn’t

There have been different art forms that have come and go over the course of time. Hence I will discuss, two significant movements like Post-impressionism and Pop art. Two important artists from these movements are, Vincent Van Gogh and Andy Warhol. There are many differences and very few similarities between these two movements and artists, although more differences. Van Gogh is one of the most captivating artists of post-impressionism. . Throughout his career Van Gogh has painted many works. One of those magnificent paintings is “Starry Night” by Vincent Van Gogh. In the other hand we will discuss one of the popular paintings “ Gold Marilyn” by Andy Warhol. Warhol is also the most famous of the Pop Artists and played a major role in making the art movement popular.

While the painters after the Impressionism period were collectively called the “Post-Impressionists,” the label is quite reductive. Each artist had their own unique style, from Seurat’s pointillism to Signac’s mosaic-like divisionism, Cezanne, Émile Bernard, and others. These artists were all connected in that they were reacting to the aesthetics of Impressionism. Two of the more influential painters from this movement were Vincent van Gogh and Paul Gauguin, who aimed to connect with viewers on a deeper level by access Nature’s mystery and meaning beyond its superficial, observable level. However, each artist’s approach to achieving this goal was different. In close examination of Vincent van Gogh’s Self-Portrait (Dedicated to Paul Gauguin) and Paul Gauguin’s Self-Portrait with Portrait of Émile Bernard (Les misérables), one may clearly see the two artists’ contrasting styles on display.

Van Gogh achieved the mood of sadness depression and despair in his piece of art through lines. The use of lines in his piece of art represents depression, sadness or dark times. By how the artist created his main characters-prisoners. Van Gogh created them all curved and created their poses look despair and doomed. Besides poses the artist created some of the faces of prisoners. Their facial expressions look tired of jail and their countless

Although Vincent van Gogh and Sol Lewitt share a similarity in their use of lines, overall, they have very different approaches in how they use these lines. Vincent van Gogh uses his lines in a loose, chaotic, free way. The way he uses the lines almost creates a mood within his artwork; it allows his pieces of art to show emotion and tell more of a story. As shown in Vincent van Gogh’s painting, The Sower, his use of different line types allows the painting to “…posses its own direction and flow”. Also, with van Gogh’s artwork, he seems to place the lines in groups, allowing them to create a more distinct picture.

In this essay, I will be discussing how two famous artists from different times and cultures have created aesthetic qualities in artworks, communicated ideas and developed styles. Frida Kahlo and Pablo Picasso have been chosen to express two very different art styles and how both artists use elements and principles to create a distinct quality artwork. Although Frida Kahlo and Pablo Picasso come from different parts of the world and have different cultural backgrounds, both artists have practiced and explored portraiture as a way of making art.

In my research / readings of my chosen Artist, I found a lot of information about them that I will descibe individually. Based on the biography, It has been stated that Vincent “was a most well known post-impressionism Artist, for whom color was the chief symbol of expression, he was highly emotional, lacked self-confidence and struggled with his identity and with direction.” (Templeton Reid) In the late 1800’s is when Vincent basically made the decision to become an Artist, in which he wanted to provide some type of Happiness because he was able to create beauty (Templeton Reid). As you review the art chosen above by Vincent Van Gogh, you will notice the colors used were dark i.e. Greens, Oranges, Blues, with splashes of yellow to create the sun, which led me to believe that maybe this was when he was in the dark place of his life. In the Van Gogh painting, I see big trees with the nice bright sun shining over the blue water, while looking at the trees it makes me feel safe because of the openness of the surrounding space, also the brightness of the sun and the coolness of the water makes me calm and relaxed, it’s just something about being in nature that gives me a sense of peace and direction, nothing to distract or disturb me.

On the other hand, Vincent van Gogh did not do any cubism work during his time as an artist, however, had more of an interest in drawing. Pablo Picasso had an interest in drawing too, but unlike his work, Vincent van Gogh’s drawings are appreciated without the need for bright colours, drawings such as his depiction of figures, light and landscape. Van Gogh drew using a lot of different media, such as chalks, red pen and charcoal, although he often mixed mediums as well when it came to drawing. He drew on not just paper, but a variety of paper types, and materials. However, Van Gogh’s methods of ‘drawing’ are very different to Pablo Picasso’s.

“Primitivism” was a cultural attitude that arose in Europe during the late 19th and 20th century in opposition to the increasingly decadent and materialistic European culture. Rather than an artistic movement, “primitivism” is a European conception of foreign civilizations and lands as “simple”, less developed, and naive. This is an important distinction to make, because “primitivism” was defined in the eyes of the Europeans who saw foreign civilizations as unsophisticated, indicating that the concept of “primitivism” is heavily biased in the view of the Europeans. Paul Gauguin and Henri Matisse were two artists that were highly influenced by the concept of “primitivism,” and some similarity can be depicted in their works such as the use of female nudes, vivid colors, and artistic techniques. However, their definition and methods of achieving “primitivism” differ heavily, due to the fact that the vagueness of “primitivism” allows it to be a self-defined concept. These similarities and differences can be seen through the two works of art The Spirit of the Dead Watching by Paul Gauguin, and The Blue Nude by Henri Matisse, and the way they depict women in each of the pieces.

Ever wonder what opposition to cultural trends can lead someone? Ever question what kind of success can erupt from dislocating and distorting one’s work into a brand unique to no one but yourself? Pablo Picasso and Zaha Hadid were two of the most successful artists within the modernist movement. Both Picasso and Hadid laid the foundation to their success with a strong educational background. While each artist knew that their sheer talent and works would not contribute to their succession alone. Picasso and Hadid sought the importance of defining one’s brand on a global scale. Building a connection between a consumer and their product, both Picasso and Hadid knew that their talent and business practices would allow them to convey

Vincent Van Gogh was born on March 30, 1853 at the Zundart Netherlands. Vincent Van Gogh was a post impressionist. Van Gogh's paintings stand out from other artists of his time. The colors he used most were lemon yellow and blue. His self-portraits are wet with blue background, coat, and eyes, and with a yellow face, beard, and hair. Stars and books, which were his passion, were painted yellow.

Colors are around us and can describe different meanings. When colors are part of an image, painting or sculpture, however, why do certain colors use and others are not. Monet chose certain colors to portray different feelings, mood and makes one think. In Patricia Stokes’s article “Variability, Constraints, and Creativity” explained during her investigation, she decides to investigate Monet’s creativity and separate them into three phases. In phase one, it involved value and wrote: “The wheel, which broke up the light into the four primary hues and their intermediaries, prompted Monet’s initial and initially ill-defined goal constraint.” In his earlier painting called Mouth of the Seine at Honfleur (1865), he used earth colors, raw umber, burnt sienna, and blacks. After he stopped using browns and earth color and later black as well. For Sunrise (1873), he used the colors yellow, orange, blue, green and brown. What I found interesting is that he muted the colors so the painting looks dull. Even so orange pops with the muted blue because they are complementary colors that perceive soothing or balance in the painting.

Each artist is an individual with a unique style, and although these styles can be similar in practice – the individuality of the artist often proves the discriminating factor for a successful artwork. Self-portraits are beneficial when looking at the individuality of the artist as there are two aspects to look at – the artist’s style, and the artist’s view of him/herself. The latter can provide a brief insight into the mental situation of the artist as well as any apparent influencing factors of the artwork. This view can often also include fragmental insights into the society and culture of the time. Rembrandt van Rijn and Vincent van Gogh are 2 artists of whom are well represented by this statement.

Sunflowers, 1888. When he was more miserable he used darker, mysterious colours i.e. Starry Night 1889; and when he was straight to the point, Self-Portrait if Bandaged Ear, 1889. He conveyed his emotional life in his art. He never tried to hide his depression, yet instead highlighting this in his paintings, and this is what makes him so individual.