Vinegar Tom: More Than Just a History Play

Throughout this course, we learned that women’s studies originated as a concern at the time that “women and men noticed the absence, misrepresentation, and trivialization of women [in addition to] the ways women were systematically excluded from many positions of power and authority” (Shaw, Lee 1). In the past, men had more privileges than women. Women have battled for centuries against certain patterns of inadequacy that all women experience. Every culture and customs has divergent female

Women and men are born equal. However, females are receiving unequal judgement and unfair treatment in the society, and thus Marilyn Frye brings up the notion of “oppression”, claiming that women are oppressed. Throughout the essay, I will first give the definition of Frye’s oppression and then list 5 critical qualifications to be considered oppressed. After that, I will explain my appreciation on Frye’s perspective on elaborating oppression using the “bird cage” analogy. I will support Frye’s “double-bind” argument for sexism followed by flaws in the argument. Furthermore, I will point out some social group are mistakenly placed inside or outside the parameters of oppression, once the theory of oppression extends over other marginal groups.

Women have long been fighting for their right to be seen as equal to men. Even to this day, women continue to fight for their rights, things such as the right to non-gender discriminatory wages. While there may be some arguments over the state of gender equality in the modern world, it is undeniable that there have been great strides made toward recognizing the female 's worth in the workforce and as a human being. Despite these strides, however, things are still not yet ideal for women and many of the issues females face today are the very same issues that have been plaguing them for decades. While it is unfortunate the oppression of women has been so long-lived, the length of that exposure has thankfully enabled many talented writers to both lament over the fact and emphasize the need for gender equality.

The role of the patriarchal society and its impact on the oppression of female characters

The solidification of the gender hierarchy through stories cemented women into a position below men of which women were and still are unable to escape or to improve on. The gender hierarchy is commonly demonstrated through the objectification of women. This has been exemplified through these stories, which has kept women from advancing in society, due to both society’s disapproval and the views that these ideas give women of

Reading literature, at first, might seem like simple stories. However, in works like William Faulkner's “A Rose for Emily,” Katherine Mansfield's “Miss Brill,” and Kate Chopin's “The Storm,” the female protagonists are examples of how society has oppressive expectations of women simply because of their gender.

The advancement of women in society is a remarkable achievement, and the first step to true equality in the world. Despite the tremendous progress, oppression faced in the past should not be forgotten, largely because it is present modern society as well. In Margaret Atwood’s The Handmaid’s Tale and Alice Walker’s The Color Purple, both female relationships and identities are explored to determine the purpose of women. Society's historic tendency to undervalue women is seen more in The Handmaid's Tale than in The Color Purple.

“Trifles” is a perplexing drama that begins with a murder in a midwestern farmhouse. John Wright is found dead with a knot tied perfectly around his neck. In this one act play, Susan Glaspell, reveals the truth of women's suffrage during the early twentieth century. Women are restricted when it comes to individual rights. Without being able to vote, be a part of a jury, and working mostly out of their home, women have the unfair disadvantage in life. “Trifles” shows the treatment women undergo. The main theme of “Trifles” is the contrast of genders, stereotypes, and how view each other’s role.

“When Men are oppressed it’s a tragedy; when Women are oppressed, it’s a tradition” (Pogrebin). A tradition so universal that it has spawned a multitude of anthropological theories concerning its origin. Social anthropologist Gayle Rubin identifies “a systematic social apparatus which takes up females as raw materials and fashions domesticated women as products” and notes that “the exchange of women is a profound perception of a system in which women do not have full rights to themselves” (Rubin). This tradition represents such an ubiquitous phenomenon that the narrative women exists throughout the Western canon. Historically and in literature, the oppression of women, particularly the sexual repression, often results in symptoms viewed as

At this point she simply finds no other way but to accept the stereotypical view of a young innocent girl in a relationship with an experienced man, another example of women being victims of male authority. The key to the bloody chamber is the key to her selfhood and subjugation that will ultimately kill her. ‘The protagonist’s husband clearly considers her an object of exchange and plans to inscribe upon her his continuing tale of punishment for wives’ disobedience’[viii] again showing how women make themselves victims of their own behaviour, Helen Simpson’s interpretation is that ‘I really cant see what’s wrong with finding out about what the great male fantasies about women are’ [ix] The heroine fights against the victimisation, and indeed reverses role with the male in the story, as it is Marquis who dies and it is the female who leaves this chamber and finds happiness.

Women face two key forms of oppression in this world, powerlessness and exploitation. These two forms fall into Iris M. Young’s ideas of oppression in her article “Five Faces of Oppression”. The definition of cultural imperialism and exploitation used in this essay are taken from Young’s essay. Cultural imperialism is where the dominant customs and morals of a society are rendered as the norm and those who are not in the norm are considered others. Exploitation is a form of oppression where a class structure is present and this class structure includes a dominant group of people who are in power of a subordinate group. Two authors, John Stuart Mill and Simone de Beauvoir, talk about how the oppression of women is not due to nature. It is rather, in Mill’s view, due to a premodern law of force which divides men and women between the strong and the weak. Beauvoir sees this oppression of women as a result from socialization, which conformed women to become immanent. Both these authors have reasonable arguments and have a similar understanding that the inferiority of women is not from the simple nature of being women. Other factors come into play when understanding why women are oppressed, and both authors recognize the fact that society and old habits must change for the equality of women and men to become a reality.

Within the texts we have read, it is clear that women are oppressed and objectified. The city of London, and the texts Fantomina, The Beggar's Opera, and The Spectator #454, all share one thing in common, the representation of women as oppressed. ADD MORE HERE FROM THE CONCLUSION. .

Caryl Churchill is a prolific playwright whose body of work spans several decades. Current scholarship acknowledges her contributions to both feminist theatre and twentieth century British drama. Grounded in the Women’s Movement of the 1970s, Churchill’s work primarily focuses on contemporary feminist issues. In this paper, I will be discussing a selection of Churchill’s plays from the middle of her career, Vinegar Tom (1976), Cloud Nine (1979), and Top Girls (1981) through an intersectional feminist lens.

The battle for equality snowballed since the birth of feminism. At the frontline of the battle, have been women enraged at the thought of the superiority of men. However, some women believe in taking a violent approach to demolish the ideas of oppression. In the poem “The Rights of Woman,” Barbauld reveals that the oppression of women emanates from impulsive anger by showing the power of emotion in decision making, the ineffectuality of paroxysm, and the irrefutable rule of nature. Barbauld attempts to undermine the false pride of women who believe men are evil and who resort to irrationally regarding the only solution to oppression as attacking the will of men. She takes an interesting approach in arguing against feminist rage by having the narrator seemingly side with violence and later suddenly display the imprudence of acting on impulse.

The scarcity of substantial roles for actresses has long been a problem in theatre. Churchill radically alters the balance in `Top Girls' by having only women on the stage. Churchill also uses the method of doubling. This is where the same actress plays several parts. This allows for thematic links to be made between roles and asks the audience to consider the implications of role-playing in society as well as on the stage. It also allows the actresses to play radically different characters in the same play, demonstrating their range as performers. In writing substantial roles for actresses, Churchill is inviting them to make these parts memorable for the audience. The agenda of socialist feminism transforms these roles into a showcase for female performance. Thus performance in this play may be considered as important as the text.