Violence In Oedipus The King

The Greek drama “Oedipus The King” evidently leads to the unveiling of a tragedy. Oedipus, the protagonist of the play uncovers his tragic birth story and the curse he had been baring his whole life. Oedipus is notorious for his personal insight that helped him defeat Sphinx, which lead him to becoming the king of Thebes. He is admired by the people of Thebes and is considered to be a mature, inelegant and a rational leader. From his birth, his story began with a prophecy that Oedipus would grow up to kill his father and marry his mother. Through out the play numerous people, who tell him of his unknown past, visit Oedipus. Blind to the truth he casts them away until a blind man named Therisis gives a sight of truth to Oedipus. As Oedipus learns the truth he realizes the great evil his life carries. After finding his wife and also mother hung in her bedroom, Oedipus blinds himself with the gold pins that held Jocasta’s robe. Oedipus blind to the truth is finally able to see when the old blind man visits him and tells him the truth about his life. Both metaphorically and physically sight plays a significant role in understanding the irony of a blind man seeing the truth while Oedipus who isn’t blind doesn’t seem to the truth that’s right in front of him.

The plot of Oedipus the King, a Greek Tragedy written by Sophocles, revolves around several prophecies. A plague has stricken Thebes, and Oedipus discovers that the plague will only end when the murder of King Laius has been caught. Additionally, another prophecy states that the son of King Laius and Queen Jocasta would kill his father and sleep with his mother. Oedipus vows to the citizens of Thebes that he will find the murderer, but as the plot develops, Oedipus comes to the realization that he himself was the murderer that he had been seeking. There are several scenes in Oedipus the King that incorporate violence, and these violent scenes are a critical aspect of the play because they contribute to the development of the plot; the use of violence, whether verbal or physical, also enhances our understanding of the characters’ personalities and/or emotions.

Greek theater encompassed many aspects that reflected the moral values and ideals of society. Their customs were tightly woven into the scripts of plays. Antigone and Oedipus the King, two renowned works of the Greek playwright Sophocles, explore these values through a plot thick with corruption, virtue, and determination. These plays reveal the burdens two Theban kings, Oedipus and Creon, as their lies and poor judgment corrode the integrity of their city, their families and themselves. Possessing a strong faith in their respective gods, the characters of these Greek plays are often led astray as they try to escape the twisted hand of fate, further warping their perception of reality. As their vain

During the time of Euripides, approximately the second half of the fifth century B.C., it was a period of immense cultural crisis and political convulsion (Arrowsmith 350). Euripides, like many other of his contemporaries, used the whole machinery of the theater as a way of thinking about their world (Arrowsmith 349). His interest in particular was the analysis of culture and relationship between culture and the individual. Euripides used his characters as a function to shape the ideas of the play (Arrowsmith 359).

While the original performance context of Greek Theatre called for the actors to use grand and hyperbolic gestures so that the entire audience (which could reach up to fourteen thousand) could see and hear the story, my piece will similarly use exaggerated movements. This will be through the use of the style of ‘In Yer Face’ Theatre, which is defined

The Greeks were known for giving offerings to their gods. They decided to build a theater where they could give their offerings. Although the main thing that they used it for was giving offerings, it was also used for some other things. This paper will be talking about Greek drama genres, why theater was so important, and how they make their voices heard.

In Oedipus's speech, it is asked that if anyone knows who the murderer(s) of Laius is/are, they should not keep quiet out of fear of being condemned. For whoever is responsible for the murder is believed to be the one responsible for the curse mentioned on the dialogue. It would be in the best interest for anyone with any knowledge to step forward.

We are all born little happy babies. Then we start to learn words and understand what surrounds us. We are taught to react to certain things negatively, and have a bias towards some things that other family members do not agree with. You get taught things that make life miserable, like doubt, fear and worry. If you were to be living life in doubt, worry, or fear, you would be unhappy. I agree with the choruses statement saying that the human condition is essentially an unhappy one because we get taught things that are supposed to sadden us during our upbringing. In Oedipus the King, Oedipus’s fate shows his sorrowful life when he went through hardships like the curse on Thebes, denial of himself, and the worry about the fulfillment of his prophecy.

Evidence: “ How i weep for you -- I cannot see you now… just thinking of all your days to come, the bitterness, the life that rough mankind will thrust upon you… such disgrace and you must bear it all! Who will marry you then? Not a man on earth. Your doom is clear: you’ll wither away to nothing, single, without a child. (Line 1625-1645)

Oedipus the King contains many different characters. The main character and protagonist is Oedipus who is also the king of Thebes. Oedipus has a wife, Jocasta, who is also his mother and Creon’s sister whom is Oedipus’s brother-in-law. Antigone and Ismene are Oedipus’s and Jocasta’s daughters which also means they are Oedipus’s sister. There is also Tiresias who is the blind soothsayer of Thebes. Oddly, the antagonist is not a person, it is actually Oedipus’ own fate. Oedipus struggles with his fate throughout the play in many ways. For example, when he is told that he is going to kill his father and sleep with his mother, Oedipus moves away to avoid

After reading the play Oedipus the King, I had various expectations related to how the movie should be performed. The stage presentation of the story fulfilled some of my expectations but failed to satisfy others. Most importantly, the performance was an accurate rendering of the play. The characters in the movie were developed effectively and were portrayed precisely as I had perceived them. I thought that the movie lacked qualities including stage design, clothing, and background music. However, these facets of the performance are insignificant because the story is so powerful that it does not need attractive costumes or ostentatious props to support it.

The theatre that you are most familiar with today generally comes via the movie version of an originally staged play. But if we go back further, we find that most of the theatre that is written and performed today can be traced back to Greek origins through various

Greek theatre and medieval drama were both very popular artistic events in their own periods of performance. However, from ancient Greece to the renaissance, time has set them apart in terms of methodology; their practitioners use a creative process based off of different mindsets. Therefore, the significant time lapse between the two genres has had an evident impact on the way theatre was perceived and presented. In comparing aspects such as religious motivations, conditions of violence and character development, the distinct theatrical natures of Greek theatre and medieval drama will be made apparent.

The harnessing of emotion in Greek theater is the most powerful tool a playwright had. To be able to manipulate the audience and their emotions is the highest

The chorus is an essential feature of Greek classical drama. Instances of various types of dance, singing, and speech are some elements of a Greek chorus. “Composed of similarly costumed men, they performed on the orchestra located beneath the stage. The chorus stayed in the orchestra for the duration of the performance from which vantage point they observed and commented on the action of the characters.” Oedipus is a play written by Sophocles, a respected playwright, and it is “generally assumed that the main function of the Sophoclean chorus is a philosophical one; that it serves above all as the spokesman for a certain view of life.” The chorus can be dramatic in the following ways: “through the personality of the group forming the chorus and the appropriateness of their relationship to the action and the characters, through the iambic lines spoken by the coryphaeus, through physical participation in the action and through the choral songs.” The chorus is an important component of the Greek Tragedy Oedipus. Aside from its responsibility to effectively represent the people of Thebes, the chorus in Oedipus has a powerful influence over audience perceptions and emotions.