Violence in Richard Wright’s Black Boy Essay

In Richard Wright’s novel, Black Boy, Richard is struggling to survive in a racist environment in the South. In his youth, Richard is vaguely aware of the differences between blacks and whites. He scarcely notices if a person is black or white, and views all people equally. As Richard grows older, he becomes more and more aware of how whites treat blacks, the social differences between the races, and how he is expected to act when in the presence of white people. Richard, with a rebellious nature, finds that he is torn between his need to be treated respectfully, with dignity and as an individual with value and his need to conform to the white rules of society for survival and acceptance.

His resolve to rise above his broken beginnings persisted while many other black people essentially ceded power to the dominant white population. He was never afraid to question what shaped his life, despite opposition, and he started with his lack of sustenance. Physical hunger was a critical factor in Wright’s existence that underscored his actions and gave weight to Black Boy.

Richard Wright was born after the Civil War but before the Civil Right Era. If he were writing an autobiography titled Black Boy today (2016) about a black boy growing up in the United States, he would write about racial profiling against African Americans, the wide education gap between black and white, and the unequal job opportunity for African American.

In his autobiographical work, Black Boy, Richard Wright wrote about his battles with hunger, abuse, and racism in the south during the early 1900's. Wright was a gifted author with a passion for writing that refused to be squelched, even when he was a young boy. To convey his attitude toward the importance of language as a key to identity and social acceptance, Wright used rhetorical techniques such as rhetorical appeals and diction.

Black Boy is an autobiography of Richard Wright who grew up in the backwoods of Mississippi. He lived in poverty, hunger, fear, and hatred. He lied, stole, and had rage towards those around him; at six he was a "drunkard," hanging about in taverns. He was surrounded on one side by whites who were either indifferent to him, pitying, or cruel, and on the other by blacks who resented anyone trying to rise above the common people who were slaves or struggling.

According to Frederick Douglass, “it was the blood-stained gate, the entrance to the hell of slavery, through which I was about to pass. It was a most terrible spectacle. I wish I could commit to paper the feelings with which I beheld it (p.4).” Frederick Douglass and Toni Morrison literatures examine the stigma of slavery, and the perceptions of its dangers. They illustrate what life was like and the mental as well social impact it had on enslaved African-Americans and their life after gaining freedom. Richard Wright convinces his audience in Black Boy that he was tired of the limitations and outcries in the South “I was not leaving the South to forget the South, but so that some day I might understand it, might come to know what its rigors had done to me, its children (284).” Alice Walker obtains her readers attention by transforming young women into their own characters with a voice using spiritual guidance. In Native Son, Bigger has achieved is lost after being apprehended and brought into captivity, as he transitions back into silence and passivity and begins to recover only in his final confrontation, whereas Douglass in the same prevailing convention, only heals after the regaining of his freedom. Through these literatures, and many others, African-Americans find multiple ways to alleviate and recover from the intensity of undesired bondage and bigotry.

In Black Boy, Wright expressed his childhood memories even though they were not very good. The critic, Adams, argues that Richard Wright shared his misrepresentation of his personality, rae, and family in his childhood by explaining that they did not help him. He believed that everyone prevented him from hearing or speaking the truth. The only time someone listened to him was when he lied (Adams). Wright was independent from his family early on in his childhood because he knew that they would not support his views and dreams in life. In addition, Robert J. Butler exclaims, “ … ‘red circle’ of flame which consume the curtains can be seen as a revealing symbol of Wright’s early life- a trap of spreading violence which can easily destroy him…” (Butler 62). If Richard Wright grew up to be who his parents taught him to be, he would never understand the danger of his childhood years. However, he did which let him leave it behind as soon as he could.

The story Black Boy, written by Richard Wright, is a story about a boy’s struggle with himself and the world around him. A large part of this struggle comes from Richard’s loss of innocence as a young child. Throughout the story Richard shows he must be independent to continue living in his abstract life. Richard loss of innocence is shown consistently throughout the book and other articles relating to the book. Four different situations that portray this loss of innocence are as follows; separation of blacks and whites, burning a house down, killing a kitten, and the cruel experiences he had in his childhood.

Growing up in Mississippi in 1908, a southern state with extreme discrimination and segregation, Richard Wright went through many tough times living there as a young, black man. He was constantly insulted, looked down upon, beaten, and was threaten many times simply due to the color of his skin. However, through the darkest days of his life, he read books and obtained knowledge on the controversial topics of racism. As he grew older, he was determined to become a writer no matter what people say. He wrote his own autobiography, Black Boy, to express his life struggles and hopefully influence the minds of his readers, who went through extreme discrimination, to speak up for themselves. Even though that racism was harsh and intense in the mid 1900s, through the Civil Rights movements, racism was softened and many barriers, that prevented blacks from doing what they wanted have been removed. If Wright was to write a book in 2018, he would write about the violence of police brutality, black’s unemployment rate, and the first black president that marked a huge victory against racism.

Richard Wright’s autobiographical novel, Black Boy, illustrates his character development. He encounters a lot of hardships which he eventually grows from. Throughout the course of the story, Richard develops from an oblivious young boy to a responsible young adult.

     Richard Wright's novel Black Boy is not only a story about one man's struggle to find freedom and intellectual happiness, it is a story about his discovery of language's inherent strengths and weaknesses. And the ways in which its power can separate one soul from another and one class from another. Throughout the novel, he moves from fear to respect, to abuse, to fear of language in a cycle of education which might be likened to a tumultuous love affair.

   In the early twentieth century black American writers started employing modernist ways of argumentation to come up with possible answers to the race question. Two of the most outstanding figures of them on both, the literary and the political level, were Richard Wright, the "most important voice in black American literature for the first half of the twentieth century" (Norton, 548) and his contemporary Ralph Ellison, "one of the most footnoted writers in American literary history" (Norton, 700). In this paper I want to compare Wright's autobiography "Black Boy" with Ellison's novel "Invisible Man" and, in doing so, assess the effectiveness of their conclusions.

Throughout the book Black Boy by Richard Wright sheds light on the interesting life of the writers personal memories. Richard is living in a community coming out of slavery as a first generation feeling freedom. His life starts off at a young age and spans through till his days as a successful writer. Many motifs throughout his life repeats in his writing topics. During his years fire is a common perspection expressed in many metaphorical ways and physical, this expression extends to his educational, religious, and psychological mindsets.

The African-American literary period of Realism, Naturalism, and Modernism, also referred to as the Age of Wright, was when the writers and artist would expose the realities and identities of living in America and the harshness of society. This African-American literary period would begin around the time the Great Depression ends and would end the year in the death of Richard Wright, which was 1960. One of the most notable writers of this period was, of course, Richard Wright. By his way of thinking and the way he wrote literature, “Wright [had] effectively executed his own blueprint by rejecting what Locke termed the ‘decadent aestheticism’ of Harlem Renaissance writers and by drawing on the presumably more ‘nourishing’ elixir of Marxism and social protest” (Gates, 97). Richard Wright’s Blueprint for Negro Writing appeared in the journal New Challenge that he and other African-American writers had published in 1937. Although Richard Wright’s Blueprint for Negro Writing was written before 1940, this literature work makes an excellent representation of Urban Realism. This text represents this literary period because it tells about the reality, but also the promotion of success in African-American literature by criticizing black culture and nationalism in literary works.

Black Boy is a denunciation of racism and his conservative, austere family. As a child growing up in the South, Richard Wright faced constant pressure to submit to white authority, as well as to his family’s violence. However, even from an early age, Richard had a spirit of rebellion. His refusal of punishments earned him harder beatings. Had he been weaker amidst the racist South, he would not have succeeded as a writer.