Virgil's Favoring Of Pietas Through The Character Of Aeneas

On the other hand, Virgil notes that Dido’s love for Aeneas has caused her to suffer. Dido’s emotions have caused her to act like a wounded animal, not thinking about the consequences of her own actions. By being reduced to an animal, Dido has lost all rational thought. Consequently, Dido’s lack of rational thought causes her to begin to ignore other duties she has to fulfill.

Aeneas, the central figure in the Aeneid, personifies the Roman value of pietas. Pietas is one’s “respect for the gods, and dedication to both one’s family and community” (Lecture 10/20/17). Therefore, Aeneas starts the Aeneid very much unlike the traditional Homeric hero and as a consequence, unlike Achilles. In fact, the Aeneas closely resembles the Trojan prince Hector, the defender of Troy in the Iliad. He characterizes each of the qualities of pietas in his escape from Troy. During his escape, he states “take into your hands, Father, the sacred gods / of our country” because “it would be a sacrilege” if Aeneas had with his bloodied hands (Aen. 2.844 - 845) Aeneas is

In every great epic, love plays a key role in bringing people together but also destroying plenty in its way. Even though Dido is characterized as this powerful leader, she slowly starts to fall as her passion for Aeneas starts to grow. As Aeneas tells his story to all the people, Dido slowly starts falling more and more in love with Aeneas. Throughout this Book you slowly start to see the demise of Queen Dido. "Towers, half-built, rose no farther; men no longer trained in arms... Projects were broken off, laid over, and the menacing huge walls with cranes unmoving stood against the sky". Virgil provides images of how Carthage is being affected by the downfall of Queen Dido. Dido is so infatuated with love that she cannot see how she is running Carthage to the ground for the love of Aeneas. The goddess Juno, the queen of gods, saw this as an opportunity to keep Aeneas from reaching Italy. Dido even broke her vow of chastity and surrenders to her desires for Aeneas. “Dido had no further qualms as to impressions given and set abroad; She thought no longer of a secret love but called it marriage”. This statement demonstrates how she is becoming

In the poem, Virgil says that all Romans ought to have two certain virtues: he must remain a pious Roman citizen, and he must remain loyal to the Roman race. In Virgil’s poem, he uses Aeneas as a portrayal of not only a roman hero, but also as the ideal Roman citizen.

Aeneas, the titular hero of Virgil’s Aeneid, is the flawed Trojan hero sent on a divine quest to found the new Troy and establish the basis for the Roman Empire. Along this journey, he is pushed to his limits both mentally and physically. This strain shows him to be a deeply Roman hero, especially in the values that come forward in his actions and response to tragedy. He embodies two major Roman values: pietas and respect for family, both past and future.

The protagonist of the Aeneid and known hero to many, Aeneas, was a man of many virtues. His courage and obedience towards the Roman gods are clearly shown all throughout the book, as well as his passion for justice. When he leaves his lover, Dido, at the bidding of the gods, he shows obedience even when it went against his own will. The time Aeneas travels into the underworld to find his deceased father, it shows great bravery. It is even seen by the example of the crew of Aeneas that he was an incredible person, judging by how loyal they were to him. But, even with all these wonderful attributes, Aeneas wasn’t the entirely heroic person we believe him to be.

Before Augustus came to power, Civil war had ravished the basic principle of the Roman people. Piety, the warning to “fulfil our duties towards our country, our parents, or others connected with us by ties of blood” was undermined by faction. The duty towards country, parents and relatives was less of a bond because faction determined duty rather that Pietas. Thus Rome, a city founded in pietas, was that foundational principle. internal faction undermined the principles of pietas and corrupted its role in the city. Rome needed a moral reform towards pietas; Rome needed a refocus on the roots of the empire, its duty towards its ancestors, and unity based in pietas. Commissioned by Augustus, Virgil constructs the Aeneid so that it portrays the cruciality of pietas by redefining Greek epic heroism to include pietas. Each comparason of aeneas to another greek hero emphasises the pietas within him, showing how he is better because of it and combining the heroism of all the Greek heroes into Aeneas. By doing this, virgil shows that to unify Rome through pietas is to harness Rome’s power. Thus, Virgil reveals to the Romans a virtue which allows the individual Roman citizen embody and partake in the glory of Rome.

Human suffering as a major theme in Virgil’s piece is also evident in a speech that Aeneas delivers to his men in lines 198- 207 in Book I. In this scene, the remaining Trojans are forced to the shores of Libya after an intense storm and unforgiving winds which push the fleet off course. In his speech, Aeneas reminds his companions of more deadly adversities that they have previously faced and the destined mission to found a new Troy towards which they strive. After ten years of siege and warfare, the Trojans lost their home and many members of their families and fellow soldiers.

In Book Four, Virgil describes how Dido, utterly heartbroken by Aeneas’ desertion, prays to the gods to curse him (TA: 12.973-4): … let him be plagued in war by a nation proud in arms, torn from his borders, wrenched from Iulus’ embrace, let him grovel for help and watch his people die a shameful death… may he never enjoy his realm… let him die before his day, unburied on some desolate beach. In this instance, Dido’s prophecy does not come to pass in the epic although there is an anxiety created for the reader that this fate is a possibility for Aeneas. However ‘The Punic Wars’, which broke out between Rome and Carthage in the 3rd and 2nd Centuries B.C. (Lazenby, 1996: XV) would seem to be the fulfillment of the curse Dido places on Aeneas and his future when he abandons her and sails to Italy to fulfill his fate. The internal failure of Dido’s curse reminds us however that Aeneas is a slave to an altogether more important and powerful prophecy: the prophecy of Rome.

The ideal virtue in Roman culture was piety, also known as pietas. Pietas had three components: duty to your country, duty to your family, and duty to the gods. When a person followed these guidelines in Ancient Rome, they were considered to have piety. Throughout Aeneas’ journey, the three components to pietas are demonstrated by actions taken by Aeneas’ character. In the epic poem, The Aeneid, the idea of pietas is central to the epic, opposing the Greek ideal of furor, or passionate desire/senseless fury. In this essay, I will analyze the moments in the epic that demonstrate how Aeneas uses these three components of pietas, and how this epic celebrates the shift from Greek ideals to Roman ideals.

Dido has infamously been labeled the tragic literary love interest to Aeneas in Virgil's The Aeneid. Her suicide was a vital plot point in Virgil's work and he emphasizes the people who influenced her decision to eventually take her own life in order to gain sympathy for this flawed yet tragic character. There are numerous people who could in fact be held responsible for Dido's death, some of the people were completely out her control and Virgil attempts to have the reader pity her unfortunate circumstances. Dido''s suicide is classic literary trope that makes us question the way others actions fully affect the lives of others. The situations that surrounded the life of Dido appeals to the readers pathos and aids in the question as to why unseen forces can affect life so drastically in these Greek tragedies.

‘Why did she drive a man famous for his piety to such endless hardship and such suffering?’ [line 11] virgil lets us know that Aeneas is not even at fault but the queen of the gods has such hatred for him.

In book eleven, Virgil stresses the protagonist’s views on unnecessary violence when Latin envoys are sent to Aeneas to beg for a truce so they may collect their dead to which Aeneas replies “I would wish for those that were killed to have left this battle alive and I would wish not to have come here, if the fates had not given me this place and this home. Nor do I wage war with this race. It was the King who abandoned our friendship and trusted more in the weapons of Turnus” . Here we can see clearly that Aeneas was reluctantly forced into this war, not necessarily by the Latins but rather by the fates. It is possible that Virgil wished to communicate his own opinions on war to his audience in a subtle and stylistic manner by using Aeneas as his mouthpiece. Aeneas is the hero who we have all grown to love by this point in the epic and so expressing ideas via him would be the best approach as they will be more easily accepted when suggested by a well liked character. This technique could also allow Virgil to convey his personal thoughts in such a way that it would still be in keeping with the rest of the story. Virgil further suggests that an intense desire for combat is unhealthy and not particularly admirable by portraying Turnus, the enemy, as the embodiment of such a characteristic. After being manipulated by Allecto, Virgil states that the “love of the sword raged

In the discourse of literature, every tale presents a story with a hero. When it comes to culture, the author displays a heroic character as someone who demonstrates ideal characteristics that are based on the story’s historical background. These ideal attributes can include heroism, honesty, selflessness, and confidence. From Virgil’s tale of The Aeneid, Aeneas is portrayed as the protagonist and hero of the tale. Within this story, Virgil shows how the Roman culture is valued through Aeneas’s actions of heroism. His example of presenting the value of Roman culture to the reader is by illustrating the concept of romanitas. In the Roman culture, romanitas can be expressed in Latin as “roman-ness.” Though it is known to be a combination of

Homer used pride as the tragic flaw that Achilles learned to overcome, whereas Virgil used a sense of duty as Aeneas’s tragic flaw. Homer portrayed Achilles as arrogant because he allowed his men to fight a battle he knew they could not win without him. Achilles asked his mother for Zeus to favor the Trojans so that he could regain the honor that he felt Agamemnon stripped away. Aeneas’s tragic flaw unlike Achilles was his sense of duty, which in turn he encountered pitfalls during his escape from Troy. Achilles battled for personal glory and his own honor as a warrior whereas Aeneas spent his time attempting to fulfill his mission, which forced him to invade and conquer, a duty given to him by the gods. “Virgil unites and conjoins all the virtues in the formation of his hero: He gives him religion towards the gods, piety towards his country, tenderness and friendship towards his relations, and equity and justice towards all” (Rapin). On the contrary, Homer magnified the tragic flaw in Achilles, which cost him his sanity because he became obsessive with revenge. Although Aeneas’s flaw appears minor in comparison to Achilles, it led him to be an instrument of gods, which in turn destroyed innocent lives. Mercury appeared to Aeneas to remind him of his mission and told him, “Oblivious of your own world, your own kingdom…He [Zeus] and no other sent me to you…Think of the