Virgil's Favoring Of Pietas Through The Character Of Aeneas

Virgil’s Aeneid is considered the greatest work in Latin and it is easy to see why. With obvious references to the works of Homer and the desire to be the greatest writer, Virgil used a large portion of his life to create a captivating tale about the founding of Rome. The Aeneid was meant to be the result of a commission by Augustus Caesar to capture his greatest exploits but Virgil refused to be limited in such a way. Instead, Virgil uses history to reference issues that were current in his time in hopes that Augustus and the Roman people could learn from their past. Due to Virgil’s desire to show Romans what it meant to be Roman he captures the values that Romans held in highest esteem. The greatest value he portrays is duty to a father and duty to the fate a person has been given. Vigil also shows the Romans value of friendship and warriorship. These insights can show how the ancient Romans valued different things in their day to day lives.

Aeneas, the central figure in the Aeneid, personifies the Roman value of pietas. Pietas is one’s “respect for the gods, and dedication to both one’s family and community” (Lecture 10/20/17). Therefore, Aeneas starts the Aeneid very much unlike the traditional Homeric hero and as a consequence, unlike Achilles. In fact, the Aeneas closely resembles the Trojan prince Hector, the defender of Troy in the Iliad. He characterizes each of the qualities of pietas in his escape from Troy. During his escape, he states “take into your hands, Father, the sacred gods / of our country” because “it would be a sacrilege” if Aeneas had with his bloodied hands (Aen. 2.844 - 845) Aeneas is

On the other hand, Virgil notes that Dido’s love for Aeneas has caused her to suffer. Dido’s emotions have caused her to act like a wounded animal, not thinking about the consequences of her own actions. By being reduced to an animal, Dido has lost all rational thought. Consequently, Dido’s lack of rational thought causes her to begin to ignore other duties she has to fulfill.

In the writing of Aeneid, Aeneas is described to exhibit pietas. Pietas refers to someone that demonstrates “selfless devotion to duty” (Lecture 2.2). We quickly realize that Aeneas is devoted to fulfilling his duties for his family, God and other individuals. In Aeneid, we see the many trials that Aeneas goes through to fulfill his mission. Throughout the story Aeneas is described to be someone that is “duty bound” (The Aeneid Line 500). One of the distractions that Aeneas is faced with is Dido, the Queen of Carthage. Aeneas remembers that “he was to be the ruler of Italy” (The Aeneid Line 297); therefore, he still continued on his mission. It was a hard decision for him to make and he was heartbroken, but he knew the decision had to be

Before Augustus’ reign began, Civil war had ravished the basic principles of the Roman people. Piety, the warning to “fulfil our duties towards our country, our parents, or others connected with us by ties of blood” was undermined by faction. The duty towards country, parents and relatives was less of a bond because faction determined duty rather that Pietas. Thus Rome, a city founded in pietas, was that foundational principle. internal faction undermined the principles of pietas and corrupted its role in the city. Rome needed a moral reform towards pietas; Rome needed a refocus on the roots of the empire, its duty towards its ancestors, and unity based in pietas. Commissioned by Augustus, Virgil constructs the Aeneid to portray the cruciality of pietas by redefining Greek epic heroism to include pietas. Each comparison of aeneas to another greek hero emphasises the pietas within him, showing how he is better because of it and combining the heroism of all the Greek heroes into Aeneas. By doing this, virgil shows that to unify Rome through pietas is to harness Rome’s power. Thus, Virgil reveals to the Romans a virtue which allows the individual Roman citizen embody and partake in the glory of Rome.

Aeneas is a man who cares more about the community than his own desires, which is an essential Roman characteristic. When Troy is falling to the Greeks, Aeneas has a “burning desire / to avenge Troy and make [Helen] pay for her sins,” (Aen. 2.673-674) but he knows that there would be “no heroic name / in killing a woman,” (Aen. 2.682-683) so he decides to restrain himself. Aeneas can contain his strong desire to kill Helen because he realizes it would not be beneficial to his community because it would only cause grief and that grief would lead to further complications. This worry for how the community would be affected by his actions conveys how pietas can restrain personal passions so that nobody is harmed at the hands of self-interest alone.

In the poem, Virgil says that all Romans ought to have two certain virtues: he must remain a pious Roman citizen, and he must remain loyal to the Roman race. In Virgil’s poem, he uses Aeneas as a portrayal of not only a roman hero, but also as the ideal Roman citizen.

Human suffering as a major theme in Virgil’s piece is also evident in a speech that Aeneas delivers to his men in lines 198- 207 in Book I. In this scene, the remaining Trojans are forced to the shores of Libya after an intense storm and unforgiving winds which push the fleet off course. In his speech, Aeneas reminds his companions of more deadly adversities that they have previously faced and the destined mission to found a new Troy towards which they strive. After ten years of siege and warfare, the Trojans lost their home and many members of their families and fellow soldiers.

Before Augustus came to power, Civil war had ravished the basic principle of the Roman people. Piety, the warning to “fulfil our duties towards our country, our parents, or others connected with us by ties of blood” was undermined by faction. The duty towards country, parents and relatives was less of a bond because faction determined duty rather that Pietas. Thus Rome, a city founded in pietas, was that foundational principle. internal faction undermined the principles of pietas and corrupted its role in the city. Rome needed a moral reform towards pietas; Rome needed a refocus on the roots of the empire, its duty towards its ancestors, and unity based in pietas. Commissioned by Augustus, Virgil constructs the Aeneid so that it portrays the cruciality of pietas by redefining Greek epic heroism to include pietas. Each comparason of aeneas to another greek hero emphasises the pietas within him, showing how he is better because of it and combining the heroism of all the Greek heroes into Aeneas. By doing this, virgil shows that to unify Rome through pietas is to harness Rome’s power. Thus, Virgil reveals to the Romans a virtue which allows the individual Roman citizen embody and partake in the glory of Rome.

In book eleven, Virgil stresses the protagonist’s views on unnecessary violence when Latin envoys are sent to Aeneas to beg for a truce so they may collect their dead to which Aeneas replies “I would wish for those that were killed to have left this battle alive and I would wish not to have come here, if the fates had not given me this place and this home. Nor do I wage war with this race. It was the King who abandoned our friendship and trusted more in the weapons of Turnus” . Here we can see clearly that Aeneas was reluctantly forced into this war, not necessarily by the Latins but rather by the fates. It is possible that Virgil wished to communicate his own opinions on war to his audience in a subtle and stylistic manner by using Aeneas as his mouthpiece. Aeneas is the hero who we have all grown to love by this point in the epic and so expressing ideas via him would be the best approach as they will be more easily accepted when suggested by a well liked character. This technique could also allow Virgil to convey his personal thoughts in such a way that it would still be in keeping with the rest of the story. Virgil further suggests that an intense desire for combat is unhealthy and not particularly admirable by portraying Turnus, the enemy, as the embodiment of such a characteristic. After being manipulated by Allecto, Virgil states that the “love of the sword raged

In every great epic, love plays a key role in bringing people together but also destroying plenty in its way. Even though Dido is characterized as this powerful leader, she slowly starts to fall as her passion for Aeneas starts to grow. As Aeneas tells his story to all the people, Dido slowly starts falling more and more in love with Aeneas. Throughout this Book you slowly start to see the demise of Queen Dido. "Towers, half-built, rose no farther; men no longer trained in arms... Projects were broken off, laid over, and the menacing huge walls with cranes unmoving stood against the sky". Virgil provides images of how Carthage is being affected by the downfall of Queen Dido. Dido is so infatuated with love that she cannot see how she is running Carthage to the ground for the love of Aeneas. The goddess Juno, the queen of gods, saw this as an opportunity to keep Aeneas from reaching Italy. Dido even broke her vow of chastity and surrenders to her desires for Aeneas. “Dido had no further qualms as to impressions given and set abroad; She thought no longer of a secret love but called it marriage”. This statement demonstrates how she is becoming

Dido has infamously been labeled the tragic literary love interest to Aeneas in Virgil's The Aeneid. Her suicide was a vital plot point in Virgil's work and he emphasizes the people who influenced her decision to eventually take her own life in order to gain sympathy for this flawed yet tragic character. There are numerous people who could in fact be held responsible for Dido's death, some of the people were completely out her control and Virgil attempts to have the reader pity her unfortunate circumstances. Dido''s suicide is classic literary trope that makes us question the way others actions fully affect the lives of others. The situations that surrounded the life of Dido appeals to the readers pathos and aids in the question as to why unseen forces can affect life so drastically in these Greek tragedies.

‘Why did she drive a man famous for his piety to such endless hardship and such suffering?’ [line 11] virgil lets us know that Aeneas is not even at fault but the queen of the gods has such hatred for him.

In book two, Aeneas remains to fight despite clear indications from the gods that it is better to escape and carry on the Trojan race. However, Aeneas is overcome by the Homeric notions of duty and honor. Virgil purposely does this to show that while Aeneas acted only with a view to the narrow Homeric concept, he grows later to fully understand his duty (Mudlo).

Virgil’s portrayal of Aeneas can arguably be based off of Augustus. His characterisation and values he is shown to possess demonstrate that of an ideal Roman citizen; the value most referenced and recognisable in the text is his piety. This refers to his religiousness and his ability to put duty before his own wants and needs. An example of this is him leaving Dido (Virgil Aen, 4.393-394). This abandoning of Dido, although tragic, shows his pietas to the will of the gods, his followers and to his son Iulus. Although a modern view of this part of the story suggests Virgil is pitying Dido and the Carthaginians and presenting Aeneas as cold and unsympathetic, to the Romans of the time Aeneas is performing his duty to the future state. Also, the Roman’s prized moderation and self control therefore Dido’s reaction to Aeneas leaving would be seen as excessive and over-dramatic which would reinforce the idea of non-Romans being barbarians and also demonstrates Virgil’s propagandistic intentions. Virgil successfully uses the Dido affair to strengthen and develop this idea of piety.