Essay on Vision of Heaven in the Poetry of Dickinson

biblical teachings, however they may have been inspired by the story of Eden in the Bible. In

     Ralph Waldo Emerson and Emily Dickinson were two of America’s most intriguing poets. They were both drawn to the transcendentalist movement which taught “unison of creation, the righteousness of humanity, and the preeminence of insight over logic and reason” (Woodberry 113). This movement also taught them to reject “religious authority” (Sherwood 66). By this declination of authority, they were able to express their individuality. It is through their acceptance of this individuality that will illustrate their ambiguities in their faith in God.

Emily Dickinson lived most of her time on this earth, from 1830-1886, in the small New England town of Amherst. New England was where the seeds of Puritanism took hold, and the Dickinson

“When I Heard the Learn’d Astronomer” by Walt Whitman is the recollection of a speaker that attended an astronomer’s lecture only to be bored and leaves the room to enjoy the stars without scientific analyzation hindering their natural beauty. On the other hand, “324” by Emily Dickinson demonstrates the role of nature in the speaker’s personal connection to religion and God instead of attending Church and sermons. Although their topics seem so unlike, the poetic devices within them have both similarities and differences. Whitman’s and Dickinson’s poems bear many differences, including structure, meter, and rhyme, while remaining alike in their use of imagery to convey like attitudes towards traditionalism and nature.

The narrator believes you do not have to attend church to be spiritual and that common practice can be done in a peaceful place such as the orchard in her yard. The last two lines of the poem state, “So instead of getting to Heaven, at last- / I’m going, all along” (Dickinson 639). I interpreted this as the long journey to heaven has become a huge part of her life. It is not just a look into the future, but a continuous look in the present. The symbols Dickinson uses in this poem are by far the highlight of this short piece of poetry. In the first stanza, a bobolink and orchard are used to replace things that modern churches value as sacred and holy. Those natural occurrences are used by Dickinson to show her love for nature. More examples of this are shown in the second stanza. The narrator uses her own “sexton” to call her holly time instead of a brass bell to call church service. This is important to analyze as yet another natural occurrence that highly defines the authors writing style.

She, growing up in a religious family, determined that religion was not the pathway for her and she would instead be the only influence on her life (Emily, no pag.). To the rest of New England, God was loving, caring, and a Father; however, her poetry reveals that to her, He was a mystical figure in the sky who oscillated back and forth from loving to harsh. Dickinson’s poetry often mocks the Bible, God, prayer, and church attendance. Her poetry’s is commonly irreverent, calling the Bible “an antique Volume – Written by faded Men At the suggestion of Holy Spectres - ” (F1577). Dickinson repeatedly mocks God calling Him “Burglar! Banker!” and sarcastically “Father!” (F39). In a short, three-lined poem, Dickinson jeers at the traditional, Christian phrase “In the name of the Father, and of the Son, and of the Holy Ghost—Amen.” Dickinson instead worships nature “In the name of the Bee – And of the Butterfly – And of the Breeze – Amen!” (F23). Although subtle, it reveals that she knows enough about religious ways to parody it in a satirical fashion. Dickinson again belittles the effectiveness and importance of prayer. “Of Course – I prayed – And did God Care? He cared as much as on the Air A Bird – had stamped her foot – And cried ‘Give Me’ - ” (F581). To “remain true to herself,” Dickinson belittled the importance of faithful church attendance ( Emily, no pag.). “Some keep the Sabbath going to

In “The Savior must have been a docile Gentleman,” Dickinson shows her faith by discussing her interpretation of one of Jesus Christ’s trait based on his actions that are presented in the Bible. Dickinson does so in two stanzas, with an inconsistent rhyme scheme. This poem is influenced by her religious belief. In it, she uses various literary and poetic elements.

She appears to be irritated with the fact that she was labeled as something without having a choice; also, she was “[b]aptized, before, without the choice. . . [u]nto supremest name” (8,10). In poem 1732, she states that her life had already closed twice before it was close, but she is waiting to see if there is a third event ready to happen; however, “[p]arting is all we know of heaven,/ [a]nd all we need of hell (1,4,7-8). Dickinson mentions in Poem 324 how [s]ome keep the Sabbath going to church”, but she “keep[s] it, staying at [h]ome”; she talks about “[s]ome keep[ing] the Sabbath in Surplice. . . [but she] just wear[s her w]ings”, as well (1-2,5-6). She believes “instead of getting to Heaven, at last -/ [she’s] going, all along”, even without keeping the sabbath at church and without wearing surplice (11-12). Dickinson mentions in Poem 49 about how “[t]wice. . . [she] stood a beggar/ [b]efore the door of God” (3-4). Dickinson doesn’t necessarily put down religion, however, she doesn’t quite agree with parents who enforce religion upon their children due to the fact that she was once a child raised similar to that kind of lifestyle.

Dickinson’s poem 1545 contains multiple meanings and interpretations. It is a criticism of Christianity, however, she criticizes in a rather witty way. Throughout this piece of literature, she uses words that have many meanings to dig at the bible and people’s narrow-minded beliefs within the sacred text. Dickenson also uses repetition to draw attention to certain words. Perhaps the ultimate gibe is that she takes seemingly long, complicated, and popular biblical stories and shortens them to four words or less. By doing this she gives off the impression that the “faded men” who wrote the bible are not as clever as they think; but rather they’re stories are simple and transparent.

Emily Dickinson is a passionate poet and a major figure in American Literature. Her poems tell a great deal about her lifestyle. By her early twenties, she seldom leaves her home and begins to live a life of seclusion. Dickinson’s unique style in writing poetry makes her one of America’s greatest poets. She writes about the subject of death in many of her poems. She is drawn to the mystery of the afterlife. Dickinson expresses her concern on immortality and whether the soul survives death in the poems “Because I could not stop for death-,” “Just lost, when I was saved!,” and “I heard, as if I had no Ear.”

Michael Salvucci Mrs. Comeau English 10 Honors Death, Pain, and the Pursuit of Peace Although Emily Dickinson’s poetry is profoundly insightful, her poems have a very confinedpan of subjects and themes. Most likely due to her early life and social reclusion, Dickinson’s poetry is limited to three major subjects: death, pain, and on a somewhat lighter note, nature. Dickinson’s poetry is greatly influenced by her early life as she led an extremely secluded and pessimisticlife. In her early adult years the poet spent one year studying at female seminary, from 1847 to 1848. Dickinson’s blunt pessimistic attitude is shown in a letter, written to a friend, as she says “I am not happy…Christ is calling everyone here, all my companions have

Emily Dickinson is perhaps one of the most intriguing American poets studied. The remote look in her eyes mirror her life, which she mostly spent secluded in her home in Amherst, Massachusetts. While leading an outwardly reclusive life, she unleashes the faculties of her mind in her powerful poetry. She addresses compelling themes such as death, depression, human despair, individual capability, and the art of poetry. Her feelings on these subjects emerge in her poems, but her exact thoughts are difficult to uncover since her poetry is so highly enigmatic. Likewise, the subject matter of Christianity in her poetry remains one of the most inconsistent of Dickinson’s recurring themes. Emily Dickinson posses an uncanny ability to wrestle down the perfect diction, thus creating worlds of hope, despair, faith, and endless questioning.Through her use of imagery, Dickinson displays her linguistic prowess and the intricacies of language.

     Emily Dickinson is one of the most famous authors in American History, and a good amount of that can be attributed to her uniqueness in writing. In Emily Dickinson's poem 'Because I could not stop for Death,' she characterizes her overarching theme of Death differently than it is usually described through the poetic devices of irony, imagery, symbolism, and word choice.

A major factor of Emily Dickinson’s style of poetry is the time period in which she lived. Emily Dickinson was alive from 1830 to 1886 (Mackowiak and Batten, 1159), during which the Second Great Awakening, Romanticism, and the United States Civil War took place. When Dickinson was a teenager, the Second Great Awakening took hold, encouraging people to take hold of their religion and practice once more. Thomas Ford discusses this in his book Heaven Beguiles the Tired: Death in the Poetry of Emily Dickinson, reviewed by Jack Capps. Capps points out that Ford “repeatedly asserts that poetry, for Emily Dickinson, was but a substitute for the religious conversion that would have allayed her fears of death and obviated her poetic utterance” (227). Dickinson did not blindly accept what religion told her to believe about death. Christianity depicts the idea of dying in a peaceful way, then spending the rest of eternity in a mystical place. Instead, Emily Dickinson wanted

Emily Dickinson a modern romantic writer, whose poems considered imaginative and natural, but also dark as she uses death as the main theme many times in her writings. She made the death look natural and painless since she wanted the reader to look for what after death and not be stuck in that single moment. In her poems imagination play a big role as it sets the ground for everything to unfold in a magical way. The speakers in Dickinson’s poetry, are sharp-sighted observers who see the inescapable limitations of their societies as well as their imagined and imaginable escapes. To make the abstract tangible, to define meaning without confining it, to inhabit a house that never became a prison, Dickinson created in her writing a distinctively elliptical language for expressing what was possible but not yet realized. She turned increasingly to this style that came to define her writing. The poems are rich in aphorism and dense