Visions Of Light Analysis

The shootings of the film were considered more artistic than that of the typical styles accounted in a documentary. The lightings it presented were far beyond the usual expectations of a documentary. There were scenes where pools of light were alternating in the background of the stage as the

In my opinion, World War II was always an intriguing topic. When I was younger, my dad told me stories about historical events. I was continually fascinated by its effect on the world, especially the United States of America. It was not until a few years later that I started reading stories that took place in the World War II era. Out of all the novels that I read about World War II, All the Light We Cannot See was my favorite. It astonished me to see how two children fended for themselves during one of the worst times in world history. It also made me see different aspects of life through the messages I picked up throughout the book.

Lewis uses lighting to dramatize the opening scene of the film and characterize the protagonist of the story. The most noticeable utilization of film noir lighting is in the beginning

On what I saw, low-key lighting was the most frequent kind of light used in the movie. For example, when Ray is sleeping with Abby multiple times, it is very hard to see what is happening in the background. Many shadows were visible in the movie and this made the film have a more dramatic look. It had a very mysterious and dark atmosphere, which created more suspense.

The second way why cinematography made the film is because the camera shots during the film were very close to one other. It did become kind of confusing many times during the film. Now you would see medium shots more than any other one during the film. There were also long shots that were shot alongside the medium shots so long shots would

Throughout the crucial years of World War Two, many individuals had sacrificed themselves to liberate their countries from Germany’s dictatorship. It may have seem impossible since Adolf Hitler wanted to dominate, not just Europe, but The United States and other foreign countries. Hitler wanted to create a “perfect” race of Germany with impeccable, obedient soldiers, exceptional mothers, and resilient children. Unfortunately, the human race of Germany allowed this gruesome terror to commence by Germans eliminating anyone who was not similar to their kind. “All the Lights We Cannot See” by Anthony Doerr illustrates an orphan boy from Germany, Werner Pfennig, and a blind French girl, Marie-Laure LeBlanc. The adolescents struggle through the

A style of lighting where a scene is flooded with shadows and darkness, creating suspense or suspicion is called low key lighting. For example, in his movie Edward Scissorhands, the scenery of the mansion where Peg explores and then later discovers Edward is dark and creepy. This shows that the low key lighting gave the audience a sense that Edward is scary when he really is friendly. Another example from his movie Edward Scissorhands is when Edward and Jim argue and fight in Edward’s dark and creepy mansion. This illustrates the dim and sad lighting that Tim Burton loves to use is displayed when they are fighting.

Tim Burton again demonstrates this technique in "Big fish" he uses it in a lot of his flashbacks when he is, in reality, it is a normal or darker lighting to show the reality of life and then in his stories or even fantasy land he uses very bright lighting to show happiness and

Not to mention but,the film technique that Time Burton used was High- key-lighting. High-key-light is where the scene is Full of lighting. In Tim burton’s movie Edward scissorhand when Peg has a barbeque to introduce the neighbors to Edward the scene is full of light.

Some examples of lighting in film noir are high-key lighting, low-key lighting, high angle shots, hard lights causing hard shadows, and diffused light on the heroine or hero. The “Raw Deal” film employs light and dark to create visual ideas that serve both the artistic and thematic purposes of the film, more than any other American movies of its time causing its popularity. The use of key lighting and shadow dominates the atmosphere of the whole noir film “Out of the Past”. Both films use Chiaroscuro lighting, which means an effect of contrasting light and shadow created by light falling unevenly or from a particular direction on something. The producer used in one scene chiaroscuro lighting when Jeff Bailey met Kathie his deceiving lover, to show Kathie’s exciting and dangerous sexuality.

In Charlie and the Chocolate Factory in the tv room Burton used high-key lighting to make it seem like a futuristic world. He also uses low-key lighting when he showed Charlie’s house to show how broken and different is it from everybody elses. Throughout the whole movie Edward Scissorhands Burton uses low-key lighting to show the depressing tone and life of Edward. In the beggining when it showed Peg walking up to people’s houses he used high-key lighting to show how bright, happy, and vibrant the whole neighbor hood is. In “Vincent” Tim Burton had the film in black and white to show the creepy thoughts and dreams of a young boy.

Have you ever had a family member murdered? You probably felt extremely sad and depressed, maybe even mad. Well imagine 6 million murders. This is what we call the Holocaust. One of the first concentration camps was established in Germany. It was soon after Hitler became chancellor in 1933. After a couple weeks of Nazi’s forming into power, the SS(Protection Squad), elite guards, the police, and civilian authorities organized multiple concentration(detention) camps to follow Nazi Policy. There soon were camps all over the land of Germany. Bigger cities had bigger camps, smaller cities had smaller camps. They were all still camps, though. SS units wore skull and bones symbols on their caps to identify. Inside camps were concrete boxes, gas chambers, side by side, deadly. People disposed in each. Packed into a box, naked, rubbing with other naked people. Stepping in the mud barefoot constantly. Eating bread constantly and not very often. Dead corpse’s just lying around, being picked up as food is being handed out at the same exact time. Your toilet was also your bowl to eat out of, and to clean the feces off of it, you used your urine. Your body was constantly dirty. And then the thought of depression? It was just terrible inside these camps.

This is part of a letter from a young boy to his mother as he was about to leave for Australia circa 1850. The Otway Light was Australia's oldest working lighthouse and it was often the first sight of land after leaving Ireland for the South Atlantic en-route to the Roaring Forties and Australia.

When I work inside the light booth for the drama club’s production, the only thing that the audience could see in the booth is probably dull, gloomy shadow. However, my most recent Facebook post exhibits the antithesis of a typical stage crew. The new album of photos shows the inside of dimly lit control booth, where all the fun begins. The laptop screen brightness of only 20% is the only glow that reflects my face. Even under terrible lighting, I don’t sulk or doze off while waiting for my next cue in twenty minutes. Inside the control booth, I am the indefatigable “mother” of four wacky underclassmen.

Darkness is hardly ever seen as a positive entity. Children are taught to fear the dark, that monsters lie in the absence of light. Darkness is a powerful image that authors use to their advantage in building up the scene and mood within their writing. Arthur Miller is no exception. He uses the contrast of dark and light to build up suspense and mood. He is also able to foreshadow the upcoming events with the use of night.