Visit Eatonville

Dubois, W.E.B. The Souls of Black Folk. UMDrive. The University of Memphis. N.d. Web. 22 Feb. 2014.

Beneath the lies a hidden history of unorganized, everyday conflict waged by African-American working people. Once we explore in greater detail those daily conflicts and the social and cultural spaces where ordinary people felt free to articulate their opposition and power in African-American "folk" communities. Folklore's function as an everyday form of resistance in the Jim Crow South. Zora Hurston, narrative frame is far more supple than has previously been acknowledged. She gave the title Mules and Men a depiction of comparison of African Americans in the South(niggers) to mules. The mule is a work horse that is not used for speed, but known for eats weak minds and strong back. Hurston

Society has always thought of racism as a war given to the lowly African American from the supposedly high class white man, but no one thought there would be prejudice within a hierarchical class system inside the black community. However within that class system, history has shown that darker colored women are at the deep trenches of the totem pole. In the novel, “Their Eyes Were Watching God,” African American women are put under harm and control exposing the racism and sexism with their community. Through the life of Janie Crawford, Zora Neale Hurston portrays the concept of a woman finding her independence in a black, hierarchical, and racist society.

Maya Angelou’s Rural Museums- Southern Romance, explores the legacy of slavery and brings much needed light to it. Angelou takes a trip to Louisiana too see it’s slave cabins exhibit in search for closure. Angelou, as a black woman, feels it is her obligation to be aware of her painful history. She quotes, “Since I am a descendent of African slaves, my baggage was frightfully overweight with trepidation anger fear and a morbid curiosity…” (Angelou, 89). She acknowledges who she is and braces herself for what is to come, instead of cowering and avoiding the past just because it might make her uncomfortable like many.

The struggle for women to have their own voice has been an ongoing battle. However, the struggle for African American women to have their own voice and independence has been an ongoing conflict. In Zora Neale Hurston’s novel Their Eyes Were Watching God Janie struggles a majority of her life discovering her own voice by challenging many traditional roles that are set by society during this time. Hongzhi Wu, the author of “Mules and Women: Identify and Rebel—Janie’s Identity Quest in ‘Their Eyes Were Watching God,’” recognizes the trend of African American women being suppressed by making a comparison between animals throughout the novel and Janie. Wu argues that there are ultimately two depictions of the mule that the reader remembers and compares both of these interpretations to Janie’s transformation throughout the novel. While Wu’s argument is sound in the fact that it recognizes certain stereotypes African American women faced during this time, Wu fails to recognize Janie’s sexuality in depth as her major push away from the animalistic pressures she has faced.

In the all black community of Eatonville, Zora felt like members of her town saw her for who she was. There were no racial barriers in the community because of everyone’s shared culture, and history. Growing up in her small community, she came to love it and she felt a strong tie to her hometown. She illustrates this by saying, “But I was their Zora nevertheless. I belonged to them, to the nearby hotels, to the county—everybody’s Zora” (Hurston 42). Zora argues that because everyone was of the same color, the community could see past racial labels. A “black Zora” could not exist in Eatonville, and it was not an indicator of who she was because describing Zora as “black” in Eatonville does not do her identity justice. Zora could be Zora, because she felt no race, because she was so comfortable in her skin she could be a part of a community of people. In Eatonville, she did not see people because of racial labels, she had no knowledge of the stereotypes associated with black people. Because of her ignorance, Zora looked deep into people’s character as a young girl.

Although Zora Neale Hurston and Jamaica Kincaid lived in different times, thematically their writing had similar themes. If they had been contemporaries, they most certainly would have discussed their common experiences as black women who faced financial challenges and the racial divide that they experienced in their daily lives. Without a doubt, their writing was personally cathartic. Although in Kincaid’s writing, she addresses her issues with her mother head on, I have no doubt that Hurston’s stories were also influenced by her early family life.

Kenny Leon’s True Color Theatre Company’s production of Spunk: Three Tales by Zora Neale Hurston at the 14th Street Playhouse on September 25, 2013, presented the audience with a very culturally embellished version of Hurston’s original three tales: “Sweat,” “Story in Harlem Slang,” and “The Gilded Six Bits.” Zora Neale Hurston strived to portray the reality of life as an African American in the early 1900s through native dialect in her short stories and novels. Her most notable production, Their Eyes Were Watching God, is a prime example of her effort to illustrate the life of the everyday Negro in search of a better life. Each of the short stories portrays a different, yet comparable view on African American culture in separate

Both Zora Neale Hurston and Langston Hughes were great writers but their attitudes towards their personal experience as an African American differed in many ways. These differences can be attributed to various reasons that range from gender to life experience but even though they had different perceptions regarding the African American experience, they both shared one common goal, racial equality through art. To accurately delve into the minds of the writers’ one must first consider authors background such as their childhood experience, education, as well their early adulthood to truly understand how it affected their writing in terms the similarities and

The story begins in Eatonville, where a group of Southern African woman gossip and tell tale while Janie walks down the street with her hip-length luscious locks. Apparently, there is much to say about her as the women swallow with relish and spew all different talks–surely out of pure spite and jealousy– about her and the men she’s been with.

The Reconstruction Era was a period of ‘repair’ and progression of African-Americans, throughout the North and South. African American figureheads of the Reconstruction Era racial uplifts focused heavily on education and practical knowledge, while Hurston offered a different perspective. Although Zora Neale Hurston is now a ‘literary genius,’ her contemporaries criticized her, saying she was hindering the advancement of Blacks. Richard Wright described her literature having “no theme, no message, no thought.”(PBS 1). In her novel ‘Jonah’s Gourd Vine,’ Hurston leads us through the life of John Pearson, a mulatto man that went from living abusive stepfather to becoming a well respected preacher. He marries three times, but could not remain faithful

Zora Neale Hurston was so proud to be from the black community that she mentioned it in her writings; she even changed it to her birthplace. Eatonville, Florida, had a massive impact on Zora’s life. It shaped her life and writing style. Hurston explains: "Anyway, the force from somewhere in Space which commands you to write in the first place, gives you no choice. You take up the pen when you are told, and write what is commanded. There is no agony like bearing an untold story inside you."

Hurston was born in Alabama and moved to Eatonville, Florida afterwards, the only incorporated black town in America. It’s also the town that affected her work somehow and the one she made as the setting of Their Eyes Were Watching God, demonstrating how African-American people lived in that area and also demonstrating some images of their situation there during the Great

Zora Neale Hurston is widely regarded as a black feminist icon. As a prominent figure during the Harlem Renaissance, Hurston’s writing provided a much needed feminist voice in a movement that was dominated by men. She grew up in Eatonville, Florida, one of the first all-black towns to incorporate in the country, and a common setting for Hurston’s stories (Reilly). Her short story “Sweat” tells the tale of Delia Jones, a washerwoman from Eatonville and her abusive marriage to her Sykes, her lazy, violent husband. Beginning with an outburst against her husband and finishing with his death, the story follows Delia through a transformation from a scared woman to a strong, defiant one.

In some of Hurston’s works she acknowledges Eatonville, which was the first all-black community in America that she moved to when she was only three years old (Kimmons, 3). Hurston viewed Eatonville as a place where blacks could ultimately be themselves without having to conform to the norms of a white society (Kimmons, 1). Hurston was protected from the realisms of judgement and disgust towards African Americans; since Eatonville was described to be somewhat safe from lynchings and other violence related to racism. After