Vivienne Westwood Essay

There have been and still are hundreds of fashion designers in the world. But only a few of them have had any major impact on fashion industry today. And even fewer have revolutionised the fashion industry completely. One of these revolutionaries is the renowned Christian Dior. He reestablished Paris as the centre of the fashion world, and created his name as a symbol of elegance, quality, and modernity. I will be looking into how Dior’s context informed his practice, by using three of his most iconic and popular designs; The Bar Suit, Venus Dress and the Cygne Noir dress. And how these were a direct representation of 1945-1950 France.

> Directed by Garry Marshall, Pretty Woman is a romantic comedy and a modernized Cinderella. The story involves the evolution of the relationship between the two protagonists, Vivian (Julia Roberts) and Edward Lewis (Richard Gere). In the film how a business arrangement between a business magnate and a prostitute quickly becomes a genuine loving relationship. In addition to their complex business relationship, Edward’s lawyer Phil (Jason Alexander) is one of many obstacles to the desired “fairy tale ending.” Edward and Vivian are two broken individuals. Vivian is prostitute who is dealing with the vicissitudes of life and Edward is a divorced man who recently broke up with his girlfriend. Vivian and Edward bring out the

Kate Chastain is a reality star and stewardess who is known for her tenure as Chief Stewardess on the Bravo reality TV series Below Deck. She is also an American actress and film producer.

Since joining Editor Anna Wintour, she tried to improve the status and reputation of the magazine in order to be better that the

This essay will explore the effects social and political changes had on fashion in the 1980’s. This period was chosen because the new romantic fashions were so different to the punk fashions that had been before, this essay will therefore identify the changes that had taken place to influence this change. Primary evidence used to support findings will include interviews and photographs which will show a firsthand account of the period.

Fashion is very important in modern day society, and can be seen all around. Most of what people know about fashion today came from the fashion during the renaissance. From the vibrant fabrics to the spectacular jewels, renaissance fashion has been thoroughly threaded in the fashion of modern society. Modern day women often wear shorty, fun gowns, tightly fitting jeans, and lower cut tops. Popular fashion trends for men in modern society include saggy jeans, V-neck shirts, and stylish watches. “A fashion is merely a form of ugliness so unbearable that we are compelled to alter it every six months” (Oscar Wilde). Fashion in modern day society is ever changing, but most changes do not stray too far from the original product.

After the War Chanel returned to Paris in 1953 to find that Parisian women were obsessed with Christian Dior and the “New Look”, which is a very feminine

In the article “Fashion in the 1960s”, Paul Phipps describes the fashion trend and style of each year from 1960 to 1969. It mainly talks about the ‘trend’ of each year and how the ‘trend’ impacts art, music and problems. It contains how women were showing more skin than ever. They wore incredibly short skirts. The topless bathing suit also created lots of problems. A woman got arrested for wearing it in public. In the beginning of 1960s, the fashion was all bipolar. But later in the 1960s, people wore brightly colored, tie-dyed clothes. In 1950s, everyone was pressing themselves down, then they exploded in 1960s. Paul Phipps’ purpose of writing this article was to learn more about fashion in 1960s himself, but to let the readers know how fashion has evolved through the 1960s. Paul Phipps’ work is important because his article lets the readers to gain knowledge about the fashion through 1960 and 1969. Paul Phipps’ article describes how people’s fashion trend and the idea of fashion changes through time.

The fashion industry is rapidly growing and constantly generating new fashion trends almost weekly. Fashion for some may seem ridiculous and unnecessary; but fashion is not just a meaningless usage of article of clothing or farcical materials sew together for coverage. There is more to fashion than meets the eyes, fashion is precious and significant. It is a reflection of self-image, it speak the ream about who we are and how we review ourselves. Not only is fashion the reflection of self-image but also the reflection of our history as Coco Channel have said, “Fashion is not something that exist in dresses only. Fashion is in the sky, in the street, fashion has to do with ideas, the way we live, what is happening.” Fashion

Fast forward to Chanel’s young adult life, and you can see it wasn’t long off that she would set up shop in Paris, France in 1910, eventually expanding out to Deauville, and then Biarritz. She had started off with designing, and marketing hats which became a very successful hit amongst the fashionistas of that day. Chanel’s empire was growing exponentially, and in 1920 she expanded into the realms of couture now working in jersey which at the time was unheard of in the French fashion circle. Soon she was blurring the lines of what was acceptable, setting fashion trends instead of adhering to the routine, and was giving way to entire style genres such as the “chemise” and the “little boy” look. Her fashion statements were a gigantic contrast to what was socially acceptable, and of course Chanel fell under scrutiny over it, but she went on to create more casual, shorter, and idyllically “liberating” clothing for the day’s modern woman. In essence she was liberating women from the stuffy, confining fashions that they were used to, and giving way to a loose more relaxed style all together while maintaining it’s inherent feminine charm. Chanel was creating more than just a design, or an article of clothing, she was creating a movement that would change the way society viewed fashion in it’s entirety. (Lewis)

Written Case #1: Vera Bradley in 2014: Will the Company’s Strategy Reverse Its Downward Trend?

Fashion is a form of expression and with its ever changing ideas and trends it explores and creates an array of identities. As Bennett, A. (2005) states “Fashion…provides individuals with a key means through which to manage their identities in the context of everyday life”. I wish to explore how fashion has developed to which identities can be created by oneself and what is around in everyday life and culture that may influence choice in dress. Is fashion a form of agency or structure? I will continue these ideas around gender and in particular fashion photography and how in which gender is represented within the popular mainstream media. Looking at if fashion photography plays a role in challenging gender roles, and therefore creating new ideologies of identity. Or, does fashion photography intertwine with the rest of media in its representation and stereotyping of both genders? Helmut Newton will be used as a case study and the interpretation of his work. This study will also look at the theory behind androgyny and continuing by also looking at dandyism and if these concepts are being constantly played with in the fashion media.

Fashion has been around ever since ancient times, since the time of the Romans, it survived the world wars and is yet today a business with rapid changes. Fashion started off as an art form, a way for the riches to show their social status with unique and innovative designs that only they could afford. It was a way to separate the social classes of the society. In this paper I will include the creator of haute couture, and how the following designers developed couture, as well as having leading names in today’s ready-to-wear industry. The list is long, but I chose to focus on the three most important designers of the modern fashion industry.

This essay will be considering the historical development of haute couture by analysing Charles Frederick Worth’s (father of haute couture) key factors in the success of haute Couture. I will then discuss Coco Chanel’s thriving impact on haute couture as well as ready-to-wear caused by the second world war. Saint Laurent’s drift to ready-to-wear and the high street fashion system will also be discussed in order to answer if haute couture is relevant in fashion today. The books I will be analysing and referencing are ‘A Cultural History of Fashion in the 20th Century’ by Bonnie English, ‘Couture’ by Ruth Lynam, ‘How Fashion Works’ by Gavin Waddell. Which will thoroughly breakdown the evolution and historical development of fashion by cultural, economic, environmental and social changes to finally come into a conclusion.

The passageway of modernism has introduced innovative components in the development of an individual's personality. The identity character as a social construct is highlighted through the effect that fashion has brought in, experimenting, producing and changing individual identity. The style and appearance of an individual is a portion of the fashion's period and usually refers to the possibility of people to utilize fashion industry products. This takes place just like any other consumer good that can be modified with respect to the prevalent societal codes. The modifications can be made either through surpassing or through copying them. Modern fashions are part of postmodernism. This is in the view of the fact that developments and growth in the fashion industry accompany and express development of the society through embracing postmodernism. Developments in the fashion industry offer options regarding styles, image and clothing through rejecting the options presented in modernism. This paper discusses Versace designs and their relationship to postmodernism.