Vocaloid Miku Hatsune Sonnet 15 Analysis

At one minute and fifty-nine seconds we begin to hear Cassandra sing the next verse. The music drops right back to mimic the first verse. Again, the music is dissonant. The piano is loud but varies in pitch between her words from heavy keys to “tinkling” keys in a slow tempo and arpeggiated harmony. Her voice remains deep, manly, and ghostlike. The bass has a deep slow tempo as well. The “thump, thump” of the drum sounds angry.

| Fmaj /// | Gmaj / Gsus / | Cmaj /// | Fmaj / Amin(F bass) / | Dmin /// | //// | Cmaj / Fmaj(c bass) / | //// | Fmaj7 /// | //// |

Caitlin loves Billy’s character even though he is homeless. Caitlin is fascinated with Billy’s character rather than what he has and his status. Caitlin is engrossed in Billy because he is clean. Billy keeps his clothes clean, himself clean and his carriage clean. In the passage Billy’s cave (p. 62).Caitlin says that his carriage is clean and warm. Caitlin is also attracted to billy’s character because he is not a normal hobo. Billy is smart, clean, polite and calm. In the passage Caitlin and mopping (p. 35).Caitlin says that Billy as ‘so calm’ when he exited McDonalds. This shows that Caitlin enjoys Billy’s company despite Billy not having any

He is able to use these parts to manipulate the audience’s emotions. The music playing from the car is an on-screen sound. As the man gets attacked, the volume increases. The sound helps intensify the scene that has been created by the film’s visual elements. The audience then subconsciously forms ideas, opinions, and feelings about what they are seeing. The viewers develop scared feelings as the scene intensifies to the happy upbeat tune. The increasing volume of the cheery song reflects the violence and the sinisterness of the scene. The song stops with the slamming of the car’s driver-side door as the man is abducted. There is a moment of silence and then a new song abruptly entered the silent scene. The music is non-diegetic and is an offscreen sound. The song is screechy, high pitched, and jagged sounding at first, continuing the anxious and scared mood. The song shifts into a sort of soulful hymn. The tone shifts along with the song. The audience begins to feel relieved and relaxes to the peaceful song.

about his dealings with Candy. In doing so, the nurse is able to get Billy to turn on the other

The song incorporates a slow-mid tempo, complex harmonies, appropriate use of legato and staccato, slightly swinging rhythm, warm and thin timbre, minimal vibrato, smooth melody, and a calm dynamic performance. The instrumentation of this song is composed of mainly R&B instruments such as: electric guitars, acoustic guitar, bass guitar, organ, electric pad, keyboard, strings, and a drum set with auxiliary percussion. The song is comprised of mostly minor notes and high pitches, making the vocals vary in range. The use of these musical elements makes the song delightful to listen.

“I think you are a liar. You want to kill me. You’ve killed every breathing specimen that has ever walked into the house. You have killed Gregory Temple, Chris Mulholland, animals, heck you have probably even killed the poor post man,” Billy says loudly. At this point Billy knew that he had to find a way to get out of here before she added him to her kill

When the other patients sense that McMurphy is weakening, they urge him to escape. He tells them he will leave early in the morning after Billy has his date. He arranges a going away party for himself. While Billy finally enjoys the pleasure of sex with Candy, McMurphy and the

7. Billy is emotional. He cries many times throughout the book, especially when his dogs die.

During this time his young friend rejoins him, and is welcomed back with open arms by bubbles. However, his young friend has become addicted to drugs, and when the robber fails to steal the drugs from Bubbles as bubbles planned, bubbles meets back up with his friend at there home. However, in the morning Bubbles realized that his friend was dead taking the poisoned drugs in the middle of the night. Moreover, this causes Bubbles to turn himself in to the homicide police for the murder, but when the officers and captain leave the room he tries to hang himself. However, the police save his life and in a moment of decency the Captain refuses to press charges for the murder and instead leaves him at the hospital in a psychiatric/drug unit. In the last scene with bubbles we see him break down in when the detective and his friend or sponcer come to the hospital and his friend or sponcer enters the

A quiet piano playing only in bass clef enters with low strings (violoncello, contrabass, etc). The piano plays whole notes while the strings play barely audible pulsing eighth notes. During these first 30 seconds white light (symbolizing the piano) surrounds the set to display that the piano is what holds the theme. The white light syncs with the whole notes, lasting for four beats before it fades out and fades back in again. Beneath the white light is a deep purple, symbolizing the low strings. The dark purple is faded so one can barely see it, just like how one must listen for the pulsating eighth notes. Like the white light, the

When Billy goes to sign the book and relizes

“This scene not only expresses Billy’s rage, it visually represents his childhood. Billy is blocked by barriers of gender, class, and

every step James takes there is a beat of a drum. As they enter the

He uses music subliminally to create the mood and affect the activities of the characters. For example, in Act 1 Scene 2, Ariel lures Ferdinand to Miranda with the song, ‘Come unto these yellow sands.’ In this same scene Ariel attempts to console Ferdinand (who thinks that his father has been killed by the shipwreck) with a soothing song: ‘Full fathom five thy father lies…’ In Act 3 Scene 3, he torments Antonio, Sebastian and Alonso with a banquet. At the beginning of the scene he produces a banquet, accompanied by ‘solemn and strange music.’