Voice Of Reason In Tartuffe, And Swift

Swift’s proposal attempted to do so with the same logic and motivation that he considered to be the cause of the melancholy that could be observed traveling through Ireland. He aims his observations and remarks as sympathetic for the people, but more importantly empathetic because, as a prosperous traveler, one does not want to see such things while

The Irish have done nothing to halt the terrorizing nature of their domineering counterparts. Swift uses this proposal to “the wretched Irish situation” (Lockwood). By “rigorously underplaying the aspect of fantasy in his proposal,” Swift suggests the Irish have arrived at a condition in which such a plan may be seriously considered (Lockwood). Booth describes that every detail of Swift’s proposal “supports the inference that the woes of Ireland make, indeed, a ‘melancholy Object.’” In essence, the “anger against the English is used merely to heighten” Swift’s own dismay over the way Ireland has conducted itself (Booth). Swift craftily causes readers to question more than just how to fix the problems in fraught Ireland.

The Enlightenment period writers focused on reason, knowledge, and rationality as major themes. In this era the Catholic Church was still an extremely powerful institution operating throughout much of Europe; however reason was beginning to emerge as an alternative to faith and religion. As a result, Enlightenment writers began to look at the world critically and rationally. Much of the important literature of the period was satirical in nature, using humor, irony, and exaggeration to expose and criticize people's stupidity or vices, particularly in the context of contemporary politics and other significant issues. Two great Enlightenment writers, Moliere and Voltaire, use satirical approaches in their works that have various similarities and differences.

When Swift is describing the use of children as commodities, it is ironic because his intentions are to actually explain that the English view the whole Irish population as commodities. The English landlords are the ones responsible for Ireland’s poverty. The essay shows, through sarcasm, that the English have purposely took everything from the Irish because they view them as commodities. One example of sarcasm used to portray that idea is that the utilization of infants will be “proper for landlords, who, as they have already devoured most of the parents, seem to have the best title to the children” (804). It is very apparent that Swift blames the English for Ireland’s problems. He also blames the Irish Catholics that allowed English policy to break down Ireland.

The idea is so intense that it demonstrates the overall irony of the piece. It is also worth pointing out that this line comes late in the essay. Swift lulls the reader into a false sense of trust by beginning with descriptions of the position of the poor in Ireland. The reader may think at first that this is a serious essay, making the point all the more loud when it eventually appears. The idea itself comes from "a very knowing American," which is a small attack on the Americas and American colonies. Rhetorically, the first couple of quotes stated are the strongest in bringing attention to Ireland’s issues. It’s comical in the fact that he uses such a horrible idea to raise the red flags in the minds of the Irish people.

From this scene, there is clear evidence showing how Tartuffe is a hypocrite. Here, he preaches about the importance of chastity; however, in the scene that follows, he goes against this statement when he tries to pursue Elmire. Tartuffe tries to persuade Elmire to cheat on Orgon, but she comes up with a plan to expose Tartuffe's true personality to Orgon as well as to show him how Tartuffe was trying

Jonathan Swift, the writer of the satirical essay A Modest Proposal, grew up and lived in Ireland during times of famine and economic struggles (Conditions). Growing up with a single mother and no father, Swift knew what hard times and struggles were like (Jonathan Swift: Biography). His essay proposes an easy solution to the economic problems going on in Ireland for both the wealthy ruling classes and the poorer classes, although his intentions and the meaning behind his words are not what would be originally thought when initially reading the essay. Through his word choices and the description of specific events of his time, Swift uses satire to grab his audience’s attention and get his own personal ideas and opinions out about all the

Swift attracts attention to the cruel mistreatment of the impoverished class of Ireland through the use of his absurd proposal, his tone, and also his insincerity.

In addition, the rights of Irish people, under the English, were severely lowered. Laws were put in place which prevented the Irish from taking part in politics, purchasing land, even getting an education, leaving them unable to move forwards in any way, leaving them stuck under English rule. Those who choose not to flee Ireland, as many did unsurprisingly, particularly to America if they survived the gruesome lower class journey overseas, and live under the tyranny of England faced poverty, disease, starvation, prejudice and death. It is this Ireland that Jonathan Swift focuses on in “A Modest Proposal” and wanted to make known to the rich English who took the Proposal as entertainment not caring about its true meaning.

In Tartuffe, Moliere's use's plot to defend and oppose characters that symbolize and ridicule habitual behavior's that was imposed during the neo-classical time period. His work, known as a comedy of manners, consists of flat characters, with few and similar traits, and that always restore some kind of peace in the end. He down plays society as a whole by creating a microseism, where everyone in the family has to be obedient, respectful, and mindful of the head of the home, which is played by the father Orgon. Mariane shows her obedience when she replies "To please you, sir, is what delights me best." (Moliere 324,11) Shortly afterwards, Orgon commands Mariane to take Tartuffe as her husband even though she is not interested in him at all. Orgon's command shows how men are dominate

Jean-Baptiste Poquelin Moliere's Tartuffe is an epic play of hypocrisy, betrayal, and the tale of a foolish mind. Moliere's choice of protagonist in this play happens to be the most blatantly ignorant character in the play. Orgon is naive to the villain Tartuffe's hypocritical ways, makes a complete dunce of himself by uplifting Tartuffe as holy, and failing to pick up the abundance of clues of Tartuffe being fake. Analyzing this character is rather interesting and at the same time frustrating to read of someone so ignorant that they fail to see the wolf hiding under the sheep clothing. A fool is a fool unless they open their eyes to see the truth, and it took Orgon the majority of the play to realize the truth.

Swift was said to “declare at one stage in his life: ‘I am not of this vile country (Ireland), I am an Englishman’” (Hertford website). In his satire “A Modest Proposal,” he illustrates his dislike not only for the Irish, but for the English, organized religions, rich, greedy landlords, and people of power. It is obvious that Swift dislikes these people, but the reader must explore from where his loathing for the groups of people stems. I believe Swift not only wanted to attack these various types of people to defend the defenseless poor beggars, but he also had personal motives for his writings that stemmed from unconscious feelings, located in what Sigmund Freud would call the id, that Swift

The context surrounding the period in which Tartuffe was written in, the 17th Century is remembered as being a time of extreme power for the French Monarchy. King Louis XIV and Cardinal Richelieu transformed France’s feudal monarchy to an absolute monarchy. What must also be noted about this time is the fact that the Catholic Church and Politicians had a great deal of power over authors and playwrights. In this time of social and religious persecution, Molière created Tartuffe , a comedy dealing with hypocrisy and to a great extent, religion and how religion can be used in a negative way, to mask sin. The play is known to be offensive towards the Catholic Church and religion in general. When it was first performed in 1664, it was censored,

In a “Modest Proposal” Swift expresses his grief as well as irritation of Ireland’s politicians, the hypocrisy of the wealthy, the tyranny of the English, and the degradation in which he witnesses the Irish people living. While Swift explains how England continuously exploits Ireland, he also expresses the utter disgust he finds in the inability of the Irish to help themselves. Swift mourns and shows compassion for the Irish people but critiques both for the issue at hand. (Sparknotes). Through this ironic essay of surprises and shocks, swift challenges the reader consider and critically analyze policies, motivation, and moral values. Jonathan Swift states in the essay that

The Irish have done nothing to halt the terrorizing nature of their domineering counterparts. Swift uses this proposal to describe the wretched situation in Ireland. By “rigorously underplaying the aspect of fantasy in his proposal,” Swift suggests the Irish have arrived at a condition in which such a plan may actually be seriously considered (Lockwood). Ireland is in such a dismal state that “the advantages by the proposal,” which Swift presents, are of the highest importance” (Swift). Merrily pitching his own ludicrous idea, Swift is mockingly attempting to elucidate the seriousness of the state of Ireland. Every detail of the proposal reveals the terrible conditions of Ireland through the eyes of a normal citizen. Through Swift’s vividly appalling arguments, the audience is “never allowed to forget that Swift hates the evil conditions more passionately than the speaker who describes them” (Booth). In essence, the ostensible anger against the English in the proposal is used merely to heighten Swift’s own dismay over the way Ireland has conducted itself (Booth). Swift craftily causes readers to question whether he is being serious or just poking fun at the sad situation.