Voils In William Shakespeare's Hamlet : Laertes And Fortinbras

A foil is a minor character in a literary work that compliments the main character through similarities and differences in personality and plot. In William Shakespeare's play "Hamlet", the main character, Hamlet, has three major foils. These foils are his close friend Horatio, Fortinbras, Prince of Norway, and the brother of his love, Laertes. These three characters contradict and enhance Hamlet's major characteristics.

In Shakespeare's Hamlet, Laertes and Hamlet both lose a father by unnatural and sudden death. The unnatural death of the father is brought on by someone close to the son. When Laertes discovers that his father is dead, he is outraged. When Hamlet learns from the ghost of his father's murder, he weeps, and promises action, though he delivers none. Both Laertes and Hamlet grieve deeply for their fathers, but Laertes acts upon this grief while Hamlet carefully plots his revenge and waits for the perfect moment to avenge King Hamlet. Laertes' unplanned action causes his death by his own sword, while Hamlet's apparent inaction finally gets him the revenge that Laertes has attempted. Though Laertes' grief at his father's death causes his

In many of Shakespeare’s plays, there is a major character, and a lesser character whose character traits directly contrast those of the major character. This literary device is called a foil. One example of this exists in the play Romeo and Juliet, in which Mercutrio foils Romeo’s character with his disdain for love and belief in man making his own destiny. Another example of foil exists in William Shakespeare’s play Macbeth. The character of Lady Macduff foils Lady Macbeth in her lack ambition, her genuine love of family life and her devotion to her husband.

Laertes loses his family because of Hamlet’s actions. His father is killed by him and his sister kills herself because of her grief. Laertes and King Claudius begin to plot Hamlet’s murder, planning to poison him, by drink or wound, whichever comes first. However, the plan backfires on the both of them and Laertes dies from his own blade, but not before saying “The King, the King’s to blame.”

In Hamlet, Shakespeare uses foils to enhance the characters namely to enhance Hamlet. A foil is a minor character who with their similarities and differences reveals character traits, that of another character opposite to them. The character may also be put in place by the author to give the main character a person to talk to, through this conversation useful information can be received about either the main character or the plot in general. This can be shown through Rosencrantz and Guildenstern, also the Ghost of King Hamlet, Ophelia, and Laertes.

In Hamlet, the main character tries to get revenge on his father’s death by plotting the murder of Claudius, but it is his indecisiveness that leads to many problems. He is supported or opposed by characters who are considered foils to him. A foil is when a main character is compared to another character to better reveal the characteristics of the main character, as well as his intentions and motivations. There are many characters who can be considered foils to Hamlet. However, the characters that truly stand as foils to the protagonist are Laertes, Fortinbras, and Claudius. Hamlet and his foils are all put in a similar situation, but it is how they react and deal with their issues that makes them distinct from Hamlet.

This, in turn, exploits Hamlet’s similar flaw of ego and furthers the conflict, but what’s more, it illustrates Claudius’ sheer audacity and lack of repentance. He continues to try to cover up the sin and appease Hamlet into complacency rather than confess and ask for forgiveness. In a mark of pure arrogance, Claudius tells Hamlet to “throw to earth / This unprevailing woe and think of us / As of a father”, conceitedly requesting that Hamlet merely forget the murder and replace his father with the murderer himself (I, ii, 110-112). Similarly, instead of directly confronting Hamlet about his mental condition, the king more or less hires Rosencrantz and Guildenstern to spy on the prince, again cementing his smug mindset. The king does not believe he can be caught or, rather, that Hamlet is competent enough to figure out his plan and foil him. Claudius, too, thinks only of himself after Hamlet’s inadvertent killing of Polonius, pondering “how shall this bloody deed be answered? / It will be laid to us” instead of considering the ramifications of the murder with respect to Hamlet (4.1.17-18). The other two paper-thin traps the king hatches only reinforce his failure to see beyond the apparent; his attempt to deport Hamlet to England and have him killed reeks of treachery and, luckily, Hamlet realizes the king’s subterfuge, crushing the plot and flipping it back on him. Claudius remains steadfast in his efforts to remove Hamlet, going so far as to set up a

A foil character contrasts the personalities of another character, which particularly enlightens certain characteristics of the individual. This element portrays these characteristics in an obvious manner, as it benefits the reader or audience. By showing the characteristics of one, it directly heightens the character traits of the other, creating a foil illustration of an individual. Nowhere is this element of literature more prudent than in William Shakespeare’s Romeo and Juliet, as he effectively engages the use of foil characters. In the play, two lovers from opposing, and hateful families fall in love, but the hatred between households lead to their downfall. Characters in the immoral city of Verona are set to represent key themes and

Foil characters are defined as characters that are used to contrast another character. This character in most cases is the protagonist. Moreover, foil characters tend to be based on the protagonist’s hubris, wherein contrasting the fatal flaw shows how it has ballooned out of control. Foil characters further themes by highlighting the characteristics of certain characters that will help enhance the theme. The role of foil characters in Shakespearean tragedies is to show what could have happened if the protagonist made a different choice. Likewise, this idea is prevalent within Romeo and Juliet. Furthermore, this play portrays two children from warring families who meet and fall in love, but eventually kill themselves as their love is not

A foil is a minor character that helps the audience better understand a major character. A foil may exist as a comparison character, with similarities between the two, as well as differences that bring to light an important contrast between the foil and the main character. A foil may also just be someone for the main character to talk to, so we can know and understand their thoughts and feelings. Foils help us understand the obvious as well as the arcane. In the classic tragedy Hamlet, we see William Shakespeare employ foils to illustrate both examples. They become important literary tools that help the reader rationalize the concurrent theme of the play -

William Shakespeare’s The Tragedy of Hamlet relays Hamlet’s quest to avenge the murder of his father, the king of Denmark. The late King Hamlet was murdered by his brother, Claudius, who took the throne and Hamlet’s mother Gertrude for himself. Hamlet is beseeched by the ghost of his father to take vengeance upon Claudius; while he swears to do so, the prince inexplicably delays killing Claudius for months on end. Hamlet’s feeble attempt to first confirm his uncle’s guilt with a play that recounts the murder and his botched excuses for not killing Claudius when the opportunity arises serve as testimony to Hamlet’s true self. Hamlet is riddled with doubt towards the validity of the ghost and his own ability to carry out the act necessary to

Foil characters can teach the reader more about the novels protagonists than the protagonists themselves. Both the play Hamlet and novel Such A Long Journey demonstrate that foil characters are vital to our interpretation of and to gain a full understanding of the characters Hamlet and Gustad Noble. William Shakespeare and Rohinton Mistry use a variety of images, symbols and diction to describe Hamlet and Gustad’s emotions and ultimately give the reader a better understanding of these protagonists. In both the play and novel, the death of foil characters, the betrayal of foil characters and friendships or interactions between foil characters and Gustad Noble and Hamlet, give insight to the many character traits of Gustad and Hamlet.

Hamlet, is very private with his grief. His mourning for King Hamlet is long and drawn out, two months after his father's death, he is still observed to be wearing "...suits of solemn black."(I, ii, 82). Hamlet suspects nothing of his father's murder until the ghost of Old King Hamlet speaks to him. Laertes, however, response to the death of his father is immediate. He is suspicious about the death of his father, as is evident in his speech to Claudius. "How came he dead? I'll not be juggled with. To hell, allegiance!"(IV, v, 149-150).

    William Shakespeare wrote the classic play, Hamlet in the sixteenth century.  Hamlet would be a very difficult play to understand without the masterful use of foils.  A foil is a minor character in a literary work that compliments the main character through similarities and differences in personality.  The audience can identify similarities and differences between any of the characters and Hamlet, however, there are two characters that share so much in common with Hamlet that they have to be considered the most important foils in the play.  These two characters are Laertes and Fortinbras.  It is the great similarities between Laertes, Fortinbras, and Hamlet that make the

Hamlet’s continuous procrastination to kill the King leads to his own death. Hamlet still has not planned a tactful way to kill the King in the two months that passedsince he saw his dad’s ghost, and that gave the King ample time to plan Hamlet’s death. The King deviously uses Polonius’ death to convince Laertes, son of Polonius, to avenge his father’s death by killing Hamlet in a sword fight. Laertes says: I will