Voltaire 's Candide By Voltaire

Voltaire is considered as one of the greatest Enlightenment writers in France for his extensive use of literary elements to convey his message. Voltaire satirizes different aspects of society to expose their absurdity in most of his writings. In Candide, Voltaire, by employing situational irony, mocks the blindness of society, magnifying the narrow-minded human nature.

    Candide on the surface is a witty story. However when inspected deeper it is a philippic writing against people of an uneducated status. Candide is an archetype of these idiocracies, for he lacks reason and has optimism that is truly irking, believing that this is the best of all possible worlds. Thus Voltaire uses a witty, bantering tale on the surface, but in depth a cruel bombast against the ignoramuses of his times.

Voltaire's Candide is the story of how one man's adventures affect his philosophy on life. Candide begins his journey full of optimism that he lives in "the best of all possible worlds," but he learns that it is naïve to say that good will eventually come of any evil.

Even though many people practiced this doctrine Voltaire did not aside with it instead, he implanted doubts on the chances of achieving true happiness and real conformism. Voltaire’s opinion was that one could not achieve true happiness in the real world but only experience it in an utopia. With the many hardships that Candide goes through ultimately leads him to abandon his attitude of optimism. Candide’s misfortunes and adversities often contrasted with his optimistic view on life. Noticeably, Voltaire uses this satirical piece as a way to criticize this exaggerated optimism. This tale as stated by William Bottiglia, “ Has had a great effect on modern writers who confront mankind’s inhumanity to fellow human beings by presenting the human condition absurdly, ironically, and humorously...” (Bottiglia 112).

Voltaire’s Candide can be understood in several ways by its audience. At a first glance it would appear to be simply a story blessed with outrageous creativity, but if you look deeper in to the novel, a more complicated and meaningful message is buried within. Voltaire uses the adventures of Candide as a representation of what he personally feels is wrong within in society. Written in the 18th century (1759), known commonly as the age of enlightenment, Voltaire forces his audience to consider the shift from tradition to freedom within society. He achieves this by exploring the reality of human suffering due to

Voltaire’s satire contains a strong sense of witful irony and parodies meant to elicit disgust at the topics he is criticizing. “Candide’s” sense of satire is largely derived from the Juvenalian satire which was created by the Roman satirist Juvenal. By using absurdist and ironic images of characters, satirists intend to invoke disgust or laughter at a topic to the point where it is rejected a legitimate. Thi is the point with Voltaire’s mockery of optimism in “Candide”.

Voltaire's Candide is a novel that is interspersed with superficial characters and conceptual ideas that are critically exaggerated and satirized. The parody offers cynical themes disguised by mockeries and witticism, and the story itself presents a distinctive outlook on life narrowed to the concept of free will as opposed to blind faith driven by desire for an optimistic outcome. The crucial contrast in the story deals with irrational ideas as taught to Candide about being optimistic by Pangloss, his cheerful mentor, versus reality as viewed by the rest of the world through the eyes of the troubled character, Martin. This raises the question of whether or not the notion of free will is valid due to Candide’s peculiar timing of his

The Enlightenment was rife with skepticism, self-reliance and discovery. Voltaire’s Candide boasts each within its three main themes; the critique of philosophical systems (optimism, pessimism, and empiricism,) along with social criticism, and utopian ideologies. Voltaire viciously attacks the Church, the Aristocracy, and the Military. This was perfectly in line with the core ideals behind the enlightenment, a time where philosophers believed in using reason and scientific experiments in lieu of Christian dogma and tradition. Voltaires Candide perfectly encapsulates the ideology behind the Enlightenment through its’ illustrious acrimony and skepticism against the church, military, and philosophical systems.

Many critics argue that Candide is not an enlightened work, but Voltaire’s satire thoroughly reflects on the philosophical morals and lessons of the Enlightenment. Voltaire’s satire comments on the political, social, and religious views of the time, emphasizing the beliefs of a majority of enlightenment thinkers and philosophers. Voltaire demonstrates three different enlightenment thoughts or views in his work: anti-feudalism, optimism, and the hypocrisy of the Christian church.

In “Candide,” Voltaire’s satiric theme is broad and varied. Although the most interesting satire is the one on religion, especially the utopia in which Candide starts off the story in, the first in importance is philosophical optimism, specifically Pangloss’s philosophy which in the novel this philosophical optimism seems to represent mankind's overall and overused optimism as means to copping with tragedy or loss. Pangloss’s philosophy is both the most important point for debate among the novel’s characters and one of the main targets of Voltaire’s satire. Pangloss is inevitably humorous “Pangloss gave instruction in metaphysico-theologico-cosmolo-nigology" his character is very predictable and superficial, his so called doctrine on optimism which is voiced out repeatedly that even great evil leads to good is opposed gross absurdity with absurdity. "It is clear, said he, that things cannot be

Candide is a reflection of the philosophical values of the Enlightenment. Voltaire’s novel is a satire of the Old Regime ideologies in which he critiques the political, social, and religious ideals of his time.

     Another example of how Voltaire ridicules Pangloss' optimistic philosophy is the mention of the Lisbon earthquake and fire. Even though the disastrous earthquake took over 30,000 lives, Pangloss still upheld his philosophical optimism by stating, "For all that is for the best...It is impossible that things should not be other than they are; for everything is right. (26)" The disaster in Lisbon affected Voltaire's life so much that he wrote the Poem

Candide, the novel, is superficially a series of tragic unfortunate events. In the early stages of the story, the reader learns of the main character, Candide, being forcefully removed from his castle which represented his oasis from the polluted world. This event also marked the beginning of his lifelong quest to marry his beloved, Cunegonde. This quest leads him on a grand tour of Europe where he encounters trials and tribulations, such war and slavery, and

Voltaire’s Candide is a satirical fiction that was meant as both an insult and a criticism to the wealthy nobility and the Catholic Church. Voltaire, major voice during the Enlightenment period, had a wide spread influence from England and France to Russia. Candide was massively circulated throughout Europe. Voltaire used Candide to offer his opinion of what was wrong with society: being that the wealthy were ungrateful, selfish people and the church was a ruthless, maniacal super power.

When François-Marie Arouet, better known by his pen-name Voltaire, secretly published Candide, ou l 'Optimisme simultaneously in five European countries in January of 1759, it was met with widespread denouncement due to its controversial content and scandalous portrayal of politics and religion. Nevertheless, the bitingly satirical novel fervently spread throughout Europe and was translated into several more languages, selling tens of thousands of copies within its first year of publication (Barnes). Despite being first categorized as dangerous blasphemy, Candide is now regarded as one of the most influential books of all time. Almost 300 years later, Candide is considered an unparalleled criticism of politics and religion during the Age of Enlightenment.