Voltaire's Use Of Distortion

            Candide is consistently being brainwashed by reason (Pangloss) saying that we live in "the best of all possible worlds", while it is quite obviously that he does not. For how can there be, in the best of all worlds, war, slavery and many more abominations. Half-way through the book it would appear that Candide has given up his optimism when he looked at the Negro slave. "Oh Pangloss... I'll have to give up your optimism at last" (73). But to the distress of the readers he has not given up his chafing optimism. "Since I found you [an Eldoradian sheep laden with stones], I'm sure I can find Cunegnde again" (79). Thus we see that he has quickly recovered his optimism. Voltaire is using Candide's blatant optimism to relate to the people of his time that also have the same type of optimism.

Voltaire's Candide is the story of how one man's adventures affect his philosophy on life. Candide begins his journey full of optimism that he lives in "the best of all possible worlds," but he learns that it is naïve to say that good will eventually come of any evil.

Voltaire was the author of the novella Candide, also known as "Optimism". The the novella, Voltaire portrays the idea of Optimism as being illogical and absurd. In Candide, Voltaire satirizes the doctrine of Optimism, an idea that was greatly used during the Enlightenment time period by philosophers. In this narrative, Candide is a young man who goes through a series of undertakings and ventures around the the globe where he experiences evil and adversity. Throughout his journeys, Candide maintained the ideas of the teachings of his tutor, Pangloss. Candide and Pangloss believed in the idea that “All is for the best in the best of all possible worlds...” (Voltaire 4). This belief is what Voltaire pointed out to be an irrational way of

Enlightenment philosophers wanted concrete, tangible proof to back their ideas. Pangloss, Candide’s friend and teacher, is a character that depicts the metaphysical side of the Old Regime. He is an optimist who believes that there is no effect without a cause and that everything is made for a reason and with a purpose. Voltaire portrays Pangloss as naive. Pangloss finds himself in trouble for studying and exploring the world before he becomes sure of himself and his ideas. Even after Pangloss’s troubles, he still refuses to stray from his thoughts and would rather believe his ideas than face reality. Another character that is depicted as naive and optimistic is Cacambo, Candide’s servant. Cacambo consoles Candide after his loss of Cunegonde. Cacambo claims that God takes care of all women and that they will never be at a loss. But Candide knows the sufferings that Cunegonde and the Old Woman have experienced. Cunegonde was bought, sold, and objectified throughout the novel, along with the Old Woman, who was beaten, raped, and treated with

In the novel Candide, Voltaire satirizes the disillusionment of optimism by depicting a multitude of hardships seen around the world. Candide, the open-minded protagonist, has been exposed to Pangloss’s optimistic philosophy for the majority of his life. However, throughout the course of the novel, it becomes increasingly difficult to see the positive side of all the catastrophe surrounding him. It is only after he starts doubting this philosophy that Candide starts to become influenced by the teachings of Martin. Although Candide resides in security at the conclusion, Voltaire draws on the disastrous events seen throughout the novel and utilizes Martin’s pessimistic point of view to claim that human nature is incomplete without suffering.

Voltaire’s satire contains a strong sense of witful irony and parodies meant to elicit disgust at the topics he is criticizing. “Candide’s” sense of satire is largely derived from the Juvenalian satire which was created by the Roman satirist Juvenal. By using absurdist and ironic images of characters, satirists intend to invoke disgust or laughter at a topic to the point where it is rejected a legitimate. Thi is the point with Voltaire’s mockery of optimism in “Candide”.

Voltaire's Candide is a novel that is interspersed with superficial characters and conceptual ideas that are critically exaggerated and satirized. The parody offers cynical themes disguised by mockeries and witticism, and the story itself presents a distinctive outlook on life narrowed to the concept of free will as opposed to blind faith driven by desire for an optimistic outcome. The crucial contrast in the story deals with irrational ideas as taught to Candide about being optimistic by Pangloss, his cheerful mentor, versus reality as viewed by the rest of the world through the eyes of the troubled character, Martin. This raises the question of whether or not the notion of free will is valid due to Candide’s peculiar timing of his

Voltaire was the French author of the novella Candide, also known as "Optimism" (Durant and Durant 724). Famous as a playwright and essayist, Voltaire’s Candide is the book where he tries to point out the fallacy of Gottfried William von Leibniz's theory of Optimism. He uses satire, and techniques of exaggeration to contrast highlight the evil and brutality of war and the world in general when men are meekly accepting of their fate. Leibniz, a German philosopher and mathematician of Voltaire's time, developed the idea that the world they were living in at that time was "the best of all possible worlds." This systematic optimism shown by Leibniz is the philosophical system that believed everything already was for the best, no matter how

In Candide Voltaire discusses the exploitation of the female race in the eighteenth century through the women in the novel. Cunegonde, Paquette, and the Old Woman suffer through rape and sexual exploitation regardless of wealth or political connections. These characters possess very little complexity or importance in Candide. With his characterization of Cunegonde, Paquette, and the Old Woman Voltaire satirizes gender roles and highlights the impotence of women in the 1800s.

In a way, Pangloss is Candide’s “father-figure”. As no physical father is present in Candide’s life, Pangloss’s teachings install order and opinion in his world. Whenever introduced to something new- terrible or grand- throughout this novel Candide’s first thought is always about Pangloss; what he would say about it or how he would react. Pangloss physically bounces in and out of this novel, infrequently, but in reference he is in the entire book. Page four in chapter one, while setting up the background for Candide, Voltaire includes an educational and philosophical speech by Pangloss in which he ends by stating, “...all is for the best.” This direct quote continues to influence Candide throughout his quest. This quote initiates an optimistic attitude in Candide which will encourage him throughout his adventures.

Throughout Candide Voltaire mercilessly satirizes and mocks many aspects of philosophical optimism. One of the most prevalent examples of this is displayed through Candide’s teacher, Pangloss. Acting as a stand-in for Leibniz in the novel, Voltaire portrays him as both ignorant and arrogant, initially introducing him as Candide’s “metaphysico-theologo-cosmoniogoly”(Voltaire 15) teacher. Pangloss’s egocentric personality

In “Candide,” Voltaire’s satiric theme is broad and varied. Although the most interesting satire is the one on religion, especially the utopia in which Candide starts off the story in, the first in importance is philosophical optimism, specifically Pangloss’s philosophy which in the novel this philosophical optimism seems to represent mankind's overall and overused optimism as means to copping with tragedy or loss. Pangloss’s philosophy is both the most important point for debate among the novel’s characters and one of the main targets of Voltaire’s satire. Pangloss is inevitably humorous “Pangloss gave instruction in metaphysico-theologico-cosmolo-nigology" his character is very predictable and superficial, his so called doctrine on optimism which is voiced out repeatedly that even great evil leads to good is opposed gross absurdity with absurdity. "It is clear, said he, that things cannot be

Candide is a reflection of the philosophical values of the Enlightenment. Voltaire’s novel is a satire of the Old Regime ideologies in which he critiques the political, social, and religious ideals of his time.

In Voltaire’s Candide, we are taken by the hand through an adventure which spanned two continents, several countries, and to a multitude of adverse characters. The protagonist, Candide, became the recipient of the horrors which would be faced by any person in the 18th century. But Candide was always accompanied with fellows sufferers, two of which our focus will lay, Pangloss and Martin. In equal respects, both are embodiments of different philosophies of the time: Pangloss the proponent of Optimism and Martin the proponent of Pessimism. Each of the two travelers is never together with Candide, until the end, but both entice him to picture the world in one of their two philosophies. Throughout the story there is an apparent ebb and flow

     Voltaire does most of his satirizing through the character of Dr. Pangloss, an unconditional follower of Leibnitz’s philosophy and Candide’s mentor. Pangloss’ ramblings are not personal attacks on Leibnitz, but in some way represent the thoughts of a typical optimist. He is a very hopeful character in the story because he refuses to accept bad. When Candide encounters Pangloss after a long period of time, Pangloss explains how he was almost hanged, then dissected, then beaten. Candide asks the philosopher if he still believes that everything is for the best, and Pangloss replies that he still held his original views. Voltaire frequently exaggerates his point on optimism; there is nobody in reality who is positive about everything all the time, especially after so many horrible experiences. One could say that Pangloss is irrational and idiotic, and Voltaire tries to depict how inexplicable his beliefs are which do not measure up to reality.