Von Franz Summary

|Author: Franz Kafka |The entirety of the novel takes place within the confines of the |

In The Interlopers the theme is based on a feud between two families. The feud is based on an argument over a strip of forestland. The hatred that has developed because of this feud has become quite serious with both Ulrich von Gradwitz and Georg Znaeym having murderous thoughts

The book starts out with an intricate explanation of the analytical mind. As that is our introduction; it floats into our narrator recounting his acquaintance with another named: C. Auguste Dupin, whom our narrator recalls was very fond of books; having met him at an obscure library in the Rue Montmartre, they were searching for the same unique text. This accidental meeting brought them closer together, seeing each other frequently. Our narrator is fascinated with his new friend 's’ family history, which he was told many times. And is enthralled by Dupin’s love of literature. It is then detailed how our narrator gives himself up to Dupin’s ‘flights of fancy,’ letting himself be sucked into a vortex of fey dreams. Prone to prowling the streets at night, conversing amongst themselves. He then praises his friend’s analytical inclination, his skills of observation proved by a little chat about a play and a fruiterer.

Automatically, the reader knows that serious issues are about to be discussed and that the outcome may not be positive. This novel challenges the material ideology discussed above. It does this by bringing the issues to the forefront and reporting on them in a fictitious yet realistic manner. The reader is not led to believe that the ending will be happy, he is supposed to expect the consider the harsh realities of the world throughout the piece.

The night drew closer around the individuals who, some in dreams, some in panic, seemed to react to impending danger and turned, some to nightmares, some to an eerie calm, as those on death row that accepted their demise for what it was, an abrupt shattering of their existence. Be that as it may, however, some did not wish to go so simply. While some wished for a calm ending, but embraced nevertheless a less subtle end, that of fire and mutilation, others feared it for what it was, or what it could be. Some feared being lost, trapped in a dungeon of previously sound architecture, to watch the edges of their vision turn to the blackness of

“THERE WAS NO PEACE for me that night, no escape. My nightmares were more intense than usual. It seemed like I was jerked awake every few minutes, terrorized by things only I could see but couldn't explain. Things like the windshield wipers going so fast they were almost invisible. A weight pinning me down so I couldn’t move no matter how hard I fought. Screams - I thought they were my own. But there were other screams too. And faces, they felt familiar, though I wasn’t totally sure. From nowhere, an unknown face, an old face. Noises so loud they made my heart stop” (Harrington 44).

The switching points of view help form the world and breadth of the novel. Every chapter guarantees a new point of view and a new central character as parts of the methods of Egan’s madness. The opening chapter “…began the usual way…” (Egan, 1), with the character Sasha in third-person point of view like a typical novel. It exposes Sasha’s vulnerability and weakness, defined by her kleptomania, in an encounter with the character of Alex: “…the mix of feelings she’d had, standing there with Alex: the pride she took in these objects, a tenderness that was only heightened by the shame of their acquisition. She’d risked everything, and here was the result: the raw, warped core of her life” (15). Then, the novel closes with an older, reflective Alex and a glimpse into Sasha’s newfound strength and happiness. The end of the novel “…was

Kurt Vonnegut’s basic concern in these two novels is based on the complexities of human situation. Kurt Vonnegut mainly focuses on the disordered cycle of life and death to which all human beings are inseparably bound. His works represent the purely existential horrors faced by men due to the uncontrollable growth in the technical

Kurt Vonnegut’s Mother Night explores the life of an American Spy, Howard W. Campbell Jr., living the life of a Nazi propagandist during the Second World War. Campbell grows distant throughout the novel and is unable to make decisions on his own. Vonnegut displays that tragedy has extensive and long lasting effects on an individual. This idea is shown through Campbell’s loss of his writings, the death of his wife and the actions of the war he witnessed.

It is easy to get caught up in one’s own world when life picks up the pace and everything seems hectic; along the way decisions are made unconsciously to let go of people who were once held dear. It is easy to be torn between what appears to be important and what is trivial. Amidst the mess that is life, various things contend for one’s attention, and what really matters might not be so clear. In “The Last Rung on the Ladder” the guilt that consumes the narrator over his sister’s suicide becomes an essential part of his identity even as he tries to adjust to her loss. In “Sanctuary” Jim Hammer is in the very first stages of realizing he is guilty of his friend’s death, and the responsibility has not yet taken its toll on him. The history and experiences of one’s identity affect the way an individual reacts to guilt, if one has never understood the impact that relationships have upon past and present selves then it is difficult to fully digest the impact of his/her actions.

The author uses various examples and evidences to support his ideas almost every chapter in the book. Based on his evidences, creative breakthroughs tend to be imagined as a light bulb flashing inside the brain whenever people think about it. He also gives us an idea of the connecting of creativity between people in deferring areas of study to our understanding of the brain and how it works. For example, in the beginning of the book Lehrer starts by stressing on the fact that every creative journey begins with a problem, then out of nowhere and when we least expect it, comes insight (Lehrer 6-7). Another example found in chapter two, Lehrer mentions that the color blue actually helps test-takers relax and do better job than the color red, explaining

The point of view of which Freud interprets and examines the manifest of dreams content to obtain their latent meaning is of a professional psychologist and clinical observer who looked for a way to explain how our minds work and how the individual psychology functions. He based his work on clinical experiences and clinical neurosis of the matter of his own interpretations to be able to confirm his theories as a proven fact. The result Freud gets from the patients he observes and interpretation of their dreams are stereotyped to the complete human condition.

Tobias Wolff’s short story, “That Room” is a very suspenseful story that has the reader on the edge of their seat while reading it. Suspense and excitement is created through the plot and theme of the story which are both developed through four main literary devices. In the story, the narrator is put into what is potentially a life or death situation and it is at this point that he becomes aware that one is never really in full control of his or her own life. Throughout this literary analysis I will discuss the plot and theme of the story in terms of how Wolff uses setting, tone, characterization, and symbolism to enhance both the theme and the plot.

After a friend told me about some weird dreams he had been having I decided to research the meaning of dreams. I will focus on Sigmund Freud’s idea that understanding our dreams can help us to understand ourselves, and live a much happier and fulfilled life. Freud was known as “the father of psychoanalysis” and in 1899 he wrote his most famous work, The Interpretation of Dreams, and

In his book, Modern Man In Search Of A Soul, C.G. Jung gives a layperson insight into his ideas on dream analysis. Jung's primary objective in this book is to educate the reader as to what a psychoanalyst does when analyzing a patient's dreams. The principal message in the section of the book centered on dream analysis is that dreams should never stand alone. Dreams are meaningless in a vacuum, but on the other hand when put against a strict set of rules, they are oftentimes misunderstood. The unconscious is a fluid entity and cannot be handled either in isolation or with a static set of guidelines. Dreams are reflections of the unconscious and can represent many different things inside of