Vonnegut's Slaughterhouse-Five Essay

Many argue that Billy is completely insane. Their position may include the fact that Billy never mentioned the planet Tralfamadore before he got into the plane crash. This is a great point because an event such a plane crash could very well leave

The central conflict of this book is Billy coming to terms with the unfortunate events happening around him, and facing this character versus world scenario of everything and everyone always being against him in some way or another. Billy sees so much suffering and so much death. He is blamed for the death of Ronald Weary, which is not his fault. He witnesses the Dresden Firebombing, and has an overall uneventful blain life to begin with. Billy needs to find a way to cope with this unbearable pressure, and whether or not the Tralmalfadorians are real, their message is real to Billy. The philosophy they present is the excuse Billy needs to justify all the wrong he sees around him. The Tralmalfadorian belief being that there is no free will, and that you timeline is fact, and that you simply experience death, but continue “existing” afterwards. Essentially, you always exist and what happens to you is predetermined fate. This allows Billy to pass on all of the death and misery around him as meant to be. He can rest assured knowing that there is nothing he could about anything in the past, present, or future. There was nothing he could have done or can do to stop the death and torture, weather it is the death of his wife, the firebombing in Dresden, or even his own death. This motivation-less philosophy is his resolution to his devastating conflict, and is directly responsible for his lack of action throughout the story.

Moments in Billy's life change instantaneously, not giving Billy a clue to where he will end up next. In one moment, he is sitting in his home typing a letter to the local newspaper about his experience with the Tralfamadorians, and in the next he is a lost soldier of World War II running around behind German lines aimlessly without a coat or proper shoes. He then became a child being thrown into a pool by his father and afterwards a forty-one year old man visiting his mother in an old people's home. In the novel, changes in time are made through transitional statements such as, "Billy traveled in time, opened his eyes, found himself staring into the glass eyes of a jade green mechanical owl." p.56 In the movie there is no such thing and different moments in Billy's life happen instantaneously. Because scenes are continuous as times change, the movie better displays the author's attempt to capture in the notion of being "unstuck in time." On the other hand, the novel does help the audience follow these time changes better by setting it up for the next scene, offering a background of Billy's experiences before they begin through these transitional statements.

Many writers in history have written science fiction novels and had great success with them, but only a few have been as enduring over time as Kurt Vonnegut's Slaughterhouse-Five. Slaughterhouse-Five is a personal novel which draws upon Vonnegut's experience's as a scout in World War Two, his capture and becoming a prisoner of war, and his witnessing of the fire bombing of Dresden in February of 1945 (the greatest man-caused massacre in history). The novel is about the life and times of a World War Two veteran named Billy Pilgrim. In Slaughterhouse-Five, Kurt Vonnegut uses structure and point of view to portray the theme that time is relative.

People react differently to tragedies: some mourn, some speak up, and some avoid the sorrow. In Slaughterhouse-Five, Kurt Vonnegut suggests the danger and inhumanity of turning away from the discomfort by introducing Billy Pilgrim as someone who is badly affected by the aftermath of the Dresden bombing, and the Tralfamadorians as the aliens who provide an easy solution to Billy. It is simpler to avoid something as tragic as death, but Vonnegut stresses the importance of confronting it. Vonnegut, like many artists, expresses his ideas through his creations. The significance of art is not confined to helping and inspiring the general public; the process of creating art also becomes another form of coping mechanism for artists.

One of the most reoccurring discussions on Kurt Vonnegut’s Slaughterhouse-Five seems to be on the meaning of the book. Straight into his

They could always visit him or her with the use of time travel when he or she was alive. Because the phrase was very often repeated, it somewhat served as a tally to show how frequently death occurs and just how inevitable it is. Billy knew the exact date of his death and how it would happen, but he could not alter it and was no longer afraid of dying, so it had no effect on him because “there is no why[,]” it just “simply is” (77; ch4). He learned this from the Tralfamadorians.

But ignoring death and its suffering is exactly what Billy should not be doing, Vonnegut suggests. To do so makes him, like the Tralfamadorians, alien and inhuman. He has no sense of his own mortality, an awareness he needs in order to understand that, as Stephen Marten has observed, "life is valuable not because it is infinite but because it is so scarce" (11).

Billy’s travels with the aliens come randomly during his time-traveling spells bring about different insights and lessons that readers can get and put into their everyday lives. For example, on the night Billy is kidnapped by the Tramalfadorians, he asks a simple question that anyone in his position would ask: “Why me?” The Tramalfadorians respond to him in a way that seems bizarre for humans to think about, saying that there is no why and that the moment just is and that all of them are trapped in that moment. The aliens basically tell Billy and the readers that time does not matter in life, and that the most important thing to worry about when dealing with time is the moment that is happening right now, not the past or the future.

The phrase “so it goes” is repeated 106 times in Kurt Vonnegut’s Slaughterhouse Five. From “dead” champagne to the massacre at Dresden, every death in the book is seemingly equalized with the phrase “so it goes”. The continuation of this phrase ties in with the general theme on indifference in the story. If the Tralfamadorian view of time is correct, then everyone is continuously living every moment of their life and dying is not the end. However, if Vonnegut believed in this idea, then he wouldn’t have felt compelled to write about the firebombing of Dresden. It is clear that both Billy Pilgrim and Kurt Vonnegut are affected by the massacre they saw, but they have different ways of rationalizing it. Billy finds comfort in the Tralfamadorian view of life, whereas Vonnegut disagrees, and urges the reader to disagree too. The constant repetition of “so it goes” breaks the reader away from the Tralfamadorian point of view, and allows them to come to their own conclusion that although it would be nice to forget the bad parts of life, it is important to remember all of the past. Vonnegut helps the reader come to this conclusion by repeating the phrase after gruesome moments, and showing how meaningless life can be if the Tralfamadorian ideas are believed, as seen through Billy Pilgrim’s bland life..

While never a defeatist, Billy merely flows through his disjointed life without much heed to the event at hand. Billy realizes that he holds the power to create his own happiness and satisfaction out of life through appreciation of the present moment rather than contemplate the occurrence of past and future. Vonnegut develops Billy Pilgrim as a unique protagonist as a means of forcing the reader to question the application of free will upon society and gain a new perspective on the beauty of the present.

“All time is all time. It does not change. It does not lend itself to warnings or explanations,” (85) And Vonnegut even test this by giving Billy the ability time traveling. Although Billy travel in time, he cannot change what happened in the past. In fact he sees his death, but can’t do anything to change it. “I, Billy Pilgrim will die, have died and always die on February thirteenth, 1976” (140) This unchangeable of time shows that proceed from past to future and nothing can change the sequence of this progression. This is like the domino’s movement its movement determined by the laws of physics everything is bounded in each other if you take one domino out than the movement will stop in this case if we change the past there will be no future. Ironically even Tralfamadorians do live in time, they still struggle against constraints on their free-will and this is almost hilarious for us humans who believe that we actually have free-will and can change our future. As a conclusion Kurt Vonnegut planned to juxtapose the free-will and the Tralfamadorian belief determinism by using symbolism.

One of the more obvious and clear signs that Billy has gone insane is his claim to be have been kidnapped by extraterrestrial beings known as Tralfamadorians. Billy claims to have been taken by these beings and taken to Tralfamadore, where he spends eternity with Montana Wildhack, a famous “hollywood” actress. Also, from the film version of the story Wildhack’s image makes multiple appearances and every time Billy glances at her image he stares in awe. Taking this into consideration, it is important to note the irony- that he just happened to be kidnapped with his celebrity-crush by the Tralfamadorians. To further prove that Billy made up the story about the aliens, viewers must evaluate how he never mentions how he was captured, or how he managed to escape from Tralfamadore. Instead, Billy magically returns to Earth and then rambles on about the culture and philosophy shown on Tralfamadore. The way of life for the Tralfamadorians was stated by one of the beings which it said, “I am a Tralfamadorian, seeing all time as you might see a stretch of the

It is more convincing because Billy has no control over what he does or what happens to him. Vonnegut makes free will out to be an illusion and we think that we have it, but in all reality it’s just a figment of our imaginations. The tralfamadorians help to relay his message through their unfamiliar view of time. We can learn lessons about life from them because we can look at them and see how it works and apply it to our own lives. By telling a story Vonnegut more effective tells his readers what he believes about free will.

Vonnegut’s Slaughterhouse Five follows the story of Billy Pilgrim, a man who seems average and unremarkable in almost every aspect. Billy stumbles through his tragic experiences of World War II and arrives home to live a comfortable life until he encounters the mysterious aliens known as the Tralfamadorians. Unlike most stories, which are told in chronological order of events, Vonnegut uses an unconventional style of a fragmented plot-line. This style of writing is parallel to the chaotic and confusing nature of war, and makes more prominent the philosophical questions Vonnegut raises regarding free will and our perception of reality.