Voodoo Religion In Popular Culture

When most western people think about Native American or African religions there is a certain stigma that comes with the topic. This is in part because there is a lot of misinformation in the world about Native American and African religions. When most westerners think of African religions they think of voodoo and black magic. Likewise, the view of Native American religions is still looked at through the lens of the pilgrims who wrote about Native Americans as being savages and less than human. These stereotypes were all formed from a lack of accurate information. African and Native American religions are very similar. It is difficult to find a lot of accurate information on African and Native American indigenous religions because of the lack of written history but there is a lot of oral history that has been passed down from generation to generation. From this information, it is clear that Native American and African religions have many more similarities than they do differences. Three of these similarities will be discussed in this paper. The first topic of discussion is the similarity between African and Native American people when it comes to their perception of the spirit world. Following this topic are the similarities between Native American and African views on the afterlife and finally, the diversity of beliefs within African and Native American religions.

In Zora Neale Hurtson’s ethnography, Tell My Horse (1938), she uses her research and field notes from her year in the Caribbean islands to study how the political atmosphere and culture tie into the religion of Vodoun. Being one of the first in her field to study this religion, Hurston hoped to expand research upon the subtle nuances within the African diaspora and increase the people of Caribbean’s acceptance of their African identity. In doing so, Hurtson found her research discouraged the idea of Pancaribbeanism and diminished stereotypes of Vodoun being a religion based upon only evil possession and pagan sacrifice.

Choose one of the main lwa discussed by Karen McCarthy Brown and discuss its Vodou theology – that is, its sacred persona, mythic biography, special powers, specific characteristics, ritual practice, and so forth. Situate this lwa in relation to his or her Black Atlantic history in Haiti and beyond. In what ways does the imagery associated with this lwa reflect the confluence of both history and mythology – in other words, what is this law’s mythistory? Then examine the place of this lwa within Mama Lola’s religious practice: what role does it play in her life? How does she relate to and serve this lwa? Has the role of the lwa changed in her experience over time, and if so, how?

Voodoo is an old religion that finds its roots in west Africa. Remnants of its physical history can be found throughout the West African Coast where major slave trading markets were located. An Example of this are locations contain trees of forgetting in which slaves were “Zombified” by administering herbs to make them more compliant. Today these historical sites draw tourist learning about the horrors of the slave trade Voodoo beliefs originated from African animist religions that predate Islam and Christian influences and were not understood by the European slave owners who forbid its practice. It created a fear in the Europeans and is misunderstood even today. Its travel to the Caribbean, Haiti and America had a lasting impact and is still practiced.

Like in any religion the people have certain beliefs. In the african religions there is no single religion. Researchers try to identify similarities in world views and ritual processes across the african boundaries. African Religions are polytheistic; which means they believe in more than one god. They believe in one overall god, but also ancestral spirits. Most African religion’s creation story reveal the creation of humans more than

For instance, the principles of Hoodoo are based almost solely on the betterment of one’s own life whereas the main goals of Voodoo are to improve one’s life but to also uphold withstanding connections within the realm of spirits and with other Voodooists (Haas, 2011). Not to mention in a sense of irony, it is Hoodoo culture that finds more use in voodoo dolls and doll magic to curse specific people or influence minds and hearts of individuals as opposed to Voodoo (Raven, n.d.). Furthermore, Voodooism is a mixture of monotheism and polytheism and requires official priests or priestesses to ordain rituals (Haas, 2011). Correspondingly, Voodoo is much akin to other religions in the sense that there are deviations of the practice; indeed, just as there are Protestants, Baptists, and Catholics when referring to the Christian faith, there are variants made in Voodoo, such as Haitian Voudon or Louisiana Voodoo (Voodoo, 2015). Hoodooism’s emphasis on individual power makes it a practice that is available to persons of any faith as it does not require a “formally designated minister” (Hoodoo (folk magic),

One of the most important aspects of Voodoo is the summoning of the Lwa, or spirits. This is done in a service and drumming is an essential part of this service because it provides music. Dancing is also a very important part of the service. These services involve nearly everyone through either the drumming or the dancing.

The culture of Haiti is a various mix of African and European elements due to the French colonization of Saint Dominguez. I chose to research this culture for two reason one reason being that I have a friend who is Haitian and I never understood why she did what she did, or even her mother. The second reason is because many people in Haiti is associated with voodoo, and that’s something I personally wouldn’t get to involved with due to my religious views. Throughout this essay we will see in detail the differences in culture from ours to theirs. We will learn about their primary language, religion, their different values and beliefs and last but not least their social practices. While reading on Haiti I started to appreciate their culture more due to the fact that know.

It has been almost 6 months now that my girlfriend and I came back from a trip to New Orleans. This is a town rich in history, amazing food, the locals were some of the friendliest people and the music of the city truly seemed to act as a heartbeat that gave the city life. However, something that truly caught my eye, were all the voodoo shops. One of their oldest cemeteries is home to the tomb of the “Voodoo Queen” Marie Laveau. Unfortunately when we went, they weren’t giving tours. When most in modern society most hear the word Voodoo; they probably think about what they’ve seen on movies… witch doctors, dolls that are used to curse Indiana Jones in the Temple of Doom or evil possession of people’s bodies through spirits. However, that really isn’t the case, for a religion that a lot of people really don’t know a lot about, the religion of Voodoo or Vodun. “The name was derived from the god Vodun of the West African Yoruba people who lived in 18th and 19th century Dahomey.” The African people were shipped as slaves to Haiti and other islands. Slaves practiced this religion but were also forced by the masters who owned them to practice Christianity. Which if you fast-forward to modern times, you will see that most adults in Haiti and some cities in the Southern States of North America not only still practice Voodoo but are also Roman Catholic.

First and foremost, voodoo is not just black magic, spells, and voodoo dolls that everyone associates with what has been portrayed in the movies and television shows. For example, the movie Serpent and the Rainbow, directed by Wes Craven

This is a traditional Brazil religion practiced by the Africans communities living there . The dance was performed to appease their gods. It is done in traditional styles derived from the Yoruba and Bantu traditions. The songs and dances were developed by African priests who were traded as slaves. The priests had strong African beliefs and had gained great experience on the task thus they could easily influence more followers. The religion had no formal scripture and the priests used the word of mouth to pass their message to their congregations. The believers were followers of a god by the name Oludumaré who they asserted was their creator. The oludumare has his servants called the Orishas. The Orishas are in every person and every Orisha is assigned an individual to offer protection. The believers organize a number of ceremonies each year to commemorate some important events. In the ceremonies, Candomblé songs fill the air. The believers also offer offerings to their

Many Haitians also still practice their native religion of voudou (“voodoo” in the west). So, while it is clear that European religions have persisted since the time of colonization, it is interesting that Haitians have also maintained their native beliefs. Some estimates of Haitians that practice voudou are as high as 90 percent.

     The Voodoo religion is one of the most, if not the most misconceived religions of our time. Often when Voodoo is mentioned, it is related to evil, black magic, devious sorcery, cannibalism, and harm. Although the Voodoo religion appears to the outsider as an illusion or falsehood, it has been an instrumental political force because it has helped the Haitians resist domination and form an identity of their own. Since the end of the 17th century, Haitian Voodoo has overcome every challenge it has been faced with and has endured. The religion is based on a polytheistic belief system and represents a significant portion of Haiti’s 8.3 million people. The engaging religion plays an important role in both the family

Today, I'm going to be talking about the roots of voodoo and what it actually is, the two types of voodoo, voodoo rituals and superstitions, and why voodoo is perceived as a negative or controversial topic.

Voodoo is a religion rich in heritage and founded in faith and community. The religion has been villainized by western culture and has been wrongly portrayed as malignant and dangerous. The religion is not founded in any of the (known) "black magics" or fear popularized by Hollywood films, but rather it is based on balance and tradition. The religion is not something that should be encountered with inhibition or fear induced from childhood horror stories, but embraced for its strength and history.