W. H. Auden Research Paper

Anthony Greeley is my uncle. We call him “Uncle Tony”. He was born in 1962 in Boston, Massachusetts at Boston City Hospital. He is married to my Aunt Melanie, who is my father’s youngest sister. My Aunt Melanie was his second marriage before My Uncle Tony has been a FireMan for 31 years and was promoted to Fire Chief of Norwood 3 years ago. When he was a kid, He went to Norwood High School in Norwood Massachusetts. When he graduated from High School, Tony enrolled at the University Of Connecticut in Storrs, Connecticut. Tony Studied business at Uconn. Tony has two children from his first marriage, Brian and Katie. He is the stepfather to Billy and Jimmy. He and my Aunt Melanie also have a daughter, Abby. My Uncle Tony likes the New England

Literature and poetry are a reflection of society. The words are reflected in numerous feelings that we can almost touch and can be deeply felt in its reach. Most poets expressed their perception and emotion through their writings. Unfortunately the art and poetry describes one of the worst things that human can do to one another. The legalized murder called "war." Hence, this type of self-reflection called "poetry" has help create new fundamental ideas and values towards our society. In this essay, I will discuss the issue of the "War Poetry" during the "Great War" along with comparing and contrasting two talented renowned poets; Wilfred Owen (1893-1918) and Siegfried Sassoon (1886-1967).

Auden’s poem is a criticism of human perceptions and how we use them to detect, or suppress human suffering. In the first half of the poem Auden “compares versions of indifference by portraying youth and age, animals, and humans” (Shmoop, 2014). In the first few lines of the poem, Auden comments on the perceptions of the “Old Masters” and how they were never wrong in their discernment of suffering. He then compares the old masters perceptions to the perceptions of children and animals and how they are unaware of,

In Rudy Francisco’s poem “Rifle II,” the author uses diction and irony to express resentment towards both society and himself. The overall message of the poem is clear: a criticism of the glorification of violence. However, it is harder to pin down Francisco’s exact attitude about how the glorification of violence has affected him personally. A closer examination of the language and devices he uses reveals an underlying bitterness about what society has made him into, and who he has become.

War is a dreadful way to solve an issue and it affects everyone. This paper discusses poems by Wilfred Owen, John McCrae, and ee cummings. The poems names are “Dulce Et Decorum Est”, “In Flanders Fields” and “I sing of Olaf glad and big”. The purpose of this paper is how war can ruin people's lives.

George Edward Alcorn relates to Martin Luther King because he owned up to Martin’s expectations. Martin didn’t want people to be judged by the color of their skin, but the content of their character. So, George invented something that changed the world so people thought of him differently. No one judged him after that because he made almost everyone’s life better by inventing the x-ray. When I popped my hip out of place I had to get a lot of x-rays. So, it helped the doctors know what was wrong so they could fix it. That’s how it affected my life and how he improved everyone else’s life too. I interact with several different people from a ton of religions and from people that live in town from people that live on a farm. I love that I can experience

On January 5, 1931, in Rogers, Texas Alvin and Lula Elizabeth Ailey gave birth to Alvin Ailey Jr. An African American choreographer/activist who founded the Alvin Ailey American Dance Theater. When Alvin was only less than one year old, his father, a labor, left the family. Being an only child at the age of six, Alvin Jr. moved with his mother to Navasota, Texas.

Over the years, the wars throughout history have provided magical but traumatic contributions to art forms of all types. From the writings of Kurt Vonnegut's "Slaughterhouse Five", to the poetry of Rupert Brooke and Wilfred Owen, they have influenced many of the modern forms of art that we see and study today. These works have been deconstructed and analysed in many different ways, but the work of Brooke and Owen continue to be controversial due to the subject matter. Commonly, popular poets and artists stray away from the topics of death and tragedy, but Brooke and Owen confront it in a realistic, in-your-face fashion. Some of the key differences between these two unique poets is the way that they approach the subjects of war-related death

During the years between 1915 and 1970, some six million black southerners left their homelands in the South to move to the northern and western states looking for a better life.( The Reason why this i so significant to me is during this time period the great moving from one place to another was in effect and during this time period 6 million African Americans from the away from cities South to the cities of the North, Midwest and West from 1916 to 1970, affected a lot city based life in the United States. Driven from their homes by unsatisfactory money based opportunities and marsh separating people by race, religion, etc.ist laws, many blacks headed north, where they took advantage of the need for industrial workers that first rose up during

I do not agree with decision of Centenary College.The liberal arts is an important thing for our college students in America. Liberal arts will make you smarter and ready for the real world. Taking these classes will make you smart and will help you get a good job. If it were me making the decision, the college would still have liberal arts classes. Cutting liberal arts would be like cutting a history class. We need classes like this to help us be successful. Many people are not taking these classes any more. According to a professor, liberal arts colleges have dropped from two hundred and two in nineteen ninety to one hundred thirty-six in two thousand nine. The Wisconsin Lutheran College quite teaching political science after losing a three

Heaney’s attitude towards death is presented in different perspectives within Funeral Rites. A pun, based on a homonym, embedded within the title itself, suggests one’s right to have a funeral : for there to be an occasion for family and friends to mourn one’s death whilst celebrating their life. In Funeral Rites, Heaney demonstrates the beautiful serenity associated with death, while also highlighting the tragic aspect of death and dying. Funeral Rites is composed of three parts (the first of which I am going to focus on in this essay), with Heaney focusing on different attitudes towards death and dying within each section. For example, in the first section, Heaney concentrates on funerals in the past, as established by use of the past tense. The transition to present tense in the second section is confirmed by the strong adverb ‘Now’, and future tense in the third section highlights the change in customs within the change in time period. With Funeral Rites’ distinct structure, Heaney is indicating his nostalgia for the past, as well as highlighting his outlook on the situation in Ireland.

The three poems that highlight Seamus Heaney’s response to the modern world unequivocally are entitled: ‘Anything Can Happen’, ‘Helmet’, and ‘Out of Shot’. ‘Anything Can Happen’ has four quatrains with each line structured around ten syllables. Adding to this structure, the poem is constructed of eight sentences and a singular rhetorical question. In contrast, ‘Helmet’ is a poem that consists of seven tercets with a high use of enjambed lines. The poem, also, has two main sections: the first ends in the use of an ellipsis and the second with a full stop. In further contrast, ‘Out of Shot’ is a sonnet without a rhyme scheme. It is a singular sentence separated by the use of a semicolon and an em dash. As obvious in these three poems, Seamus

This poignant dichotomy is seen explicitly in two poems in Seamus Heaney’s Field Work. One poem, “The Strand at Lough Beg” is written for “Heaney’s cousin Colum McCartney (ambushed and shot in a sectarian killing)” and is rich with pastoral scenery, dark tones, and religious imagery (Vendler 60). Another poem, “A Postcard from North Antrim” is about “his friend the social worker Sean Armstrong (shot by a ‘pointblank teatime bullet’)” (Vendler 60). These two elegies, both with a strong presence of Heaney’s personal voice, are imbued with a sort of ambiguity as Heaney struggles with the death of two people who were both very close to him. In both poems, Heaney “tries to converse with and question the dead” in an attempt to rationalize, or at least display his sentiments on the untimely deaths (Parker 159). It is interesting to watch Heaney oscillate in imagery, tone and diction as he progresses through both poems. This wavering can be seen as a result of Heaney’s background.

Among his “praises,” for example: “When there was peace, he was for peace: when there was war, he went” (24). In this, it becomes clear to the reader that you do not want to be an average citizen; you do not want this to be your elegy. Some critics argue this, however, as Auden stating that there is nothing disgraceful in being unknown. The poem is, above all, a satire of the way conformity hinders the individual and leaves ridiculous and solely external distinctions between human beings.

Keats, on the other hand, uses the “Ode on a Grecian Urn” to express his perspective on art by examining the characters on the urn from either an ideal or realistic perspective. In the beginning, Keats asks questions regarding the “mad pursuit” (9, p.1847) of the people on the Grecian urn. As the Grecian urn exists outside of time, Keats creates a paradox for the human figures on the urn because they do not confront aging but neither experience time; Keats then further discusses the paradox in the preceding stanzas of the poem. In the second and third stanza, Keats examines the picture of the piper playing to his lover “beneath the trees” (15, p.1847) and expresses that their love is “far above” (28, p.1848) all human passion. Even though