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Wag The Dog Analysis

Decent Essays

1. Glenn Greenwald’s feature article ‘Edward Snowden: the whistleblower behind the NSA surveillance revelations’ reveals the power of representation to influence a responder’s perception of political events. Greenwald’s article appeared in The Guardian and first exposed Snowden as responsible for the 2013 NSA leak of classified information. A study of the acts of representation employed by Greenwald and Levinson in his satirical black comedy film Wag the Dog, exposes the extent to which those who craft narratives may manipulate the public’s understanding and urge them to accept their individual political perspective as truth. Thus, both composers represent ideas in explored in Module C. 2. An analysis of the acts of representation Greenwald …show more content…

Moreover, Greenwald shapes his audience’s understanding of Snowden’s political actions by including pull quotes and subheadings, including “A matter of principle” and “‘You can't wait around for someone else to act’”, which present him as a principled individual driven by a moral obligation to expose government misconduct, rather than a desire for fame or profit. Greenwald’s rhetorical questions, “Why did he do it? Giving up his freedom and a privileged lifestyle?”, reveal his intent to portray Snowden as a saintly freedom fighter whose actions are motivated by conscientious objection, rather than monetary …show more content…

Levinson’s inclusion of a montage of shots of shoes being thrown into trees, doctored monochrome photograph of William Schumann spelling “Courage, Mom” in Morse Code in his sweater and the contrived folksong ‘Good Ole Shoe’ reveal the power representations to manipulate the public’s perception of political events. Thus, both works expose the extent to which the public’s understanding of political events relies on representations, which may be subject or bias or manipulation.

6. Similarly, by utilising acts of representation which elicit the audience’s sympathy for Snowden’s plight, Greenwald reveals the capacity for composers to powerfully influence a responder’s understanding of political situations. Greenwald employs superlatives to evoke the responder’s sympathy for Snowden’s plight, describing him as a powerless, bereft of resources and hunted by “biggest and most secretive surveillance organisation in America” and the “the most powerful government on the

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