How Does Alba Present Ideas About Life And Death

Prior to and throughout the late middle ages, women have been portrayed in literature as vile and corrupt. During this time, Christine de Pizan became a well educated woman and counteracted the previous notions of men’s slander against women. With her literary works, Pizan illustrated to her readers and women that though education they can aspire to be something greater than what is written in history. Through the use of real historical examples, Christine de Pizan’s, The Book of the City of Ladies, acts as a defense against the commonly perceived notions of women as immoral.

Robert Frost and William Shakespeare have been celebrated by many people because of their ability to express themselves through the written word. Here we are years after their deaths analyzing these fascinating poems about life and death. It’s clear they had similar thoughts about this subject at the time of these writings, even though their characters could not have been more opposite. For both poets, life is too

Theatre is a complex art that attempts to weave stories of varying degrees of intricacies with the hope that feelings will be elicited from the audience. Samuel Beckett’s most famous work in the theatre world, however, is Waiting for Godot, the play in which, according to well-known Irish critic Vivian Mercier, “nothing happens, twice.” Beckett pioneered many different levels of groundbreaking and avant-garde theatre and had a large influence on the section of the modern idea of presentational theatre as opposed to the representational. His career seemingly marks the end of modernism in theatre and the creation of what is known as the “Theatre of the Absurd.”

The theme death has always played a crucial role in literature. Death surrounds us and our everyday life, something that we must adapt and accept. Whether its on television or newpaper, you'll probobly hear about the death of an individual or even a group. Most people have their own ideas and attitude towards it, but many consider this to be a tragic event due to many reasons. For those who suffered greatly from despair, living their life miserably and hopelessly, it could actually be a relief to them. Death effects not only you, but also those around you, while some people may stay unaffected depending on how they perceive it.

In act 3 scene 1 of William Shakespeare “Hamlet” the main protagonist, Hamlet, recites a soliloquy “To be, or not to be.” Throughout his lines Hamlet explains the concept of suicide and why people choose to live long lives instead of ending their suffering. The main point he speaks on is the mystery of one’s afterlife, they never know for sure what happens when they die. For this reason, his speech does a good job highlighting the plays underlying themes of pervasiveness of death, and tragic dilemma, and tragic flaws.

The Book of the City of Ladies During the renaissance many different views of leadership surfaced. Christine de Pizan’s The Book of the City of Ladies, Niccolo Machiavelli’s The Prince, and William Shakespeare’s Richard III each present distinct views of what would make a good leader during the renaissance period. Shakespeare and Christine de Pizan’s views align most closely with Plato’s.

Why do many immigrants make the long and usually costly move to America? Is it the largely idolized notion that Americans are wealthier with better opportunities? Moreover, is the price some pay worth the risk? In Willa Cather’s My Ántonia, Ántonia faces struggles as a young child, including language barriers, poverty, harsh living conditions, and her beloved father’s death. However, as Ántonia grows into a woman, she must face struggles of a social nature, such as the division of social and economic classes, as well as social opprobrium. While immigration to America may open many doors for immigrants, it is equally fraught with obstacles. Likewise, Ántonia must face many adversities after her emigration from Bohemia to Nebraska, which

An unlikely candidate to dispute the unfair, misogynistic treatment of women by men and society, Christine de Pizan successfully challenged the accepted negative views that were being expressed about women by the all-male literary world of her era. Part of Christine’s uniqueness stems from the time in which she lived, the middle to late 1300’s. The lack of a positive female role model to pattern herself after made Christine a true visionary in the fight for the equal rights of women. Her original ideas and insight provided a new and more intelligent way to view females. Pizan’s work, The Book of the City of Ladies, provided women much needed guidance in how to survive without the support of a man.

After reading both the poem “Aubade” by Phillip Larkin and the play Waiting for Godot by Samuel Becket, I notice common themes of waiting and suffering, however in “Aubade” the man is alone thinking about his life and in Waiting for Godot the two main characters wait together and encounter a couple other people. In both stories I think that the characters are just waiting to die. They both mention the fact that death is an option and inevitable. In Waiting for Godot the two main characters Vladimir and Estragon even contemplate committing suicide more than once. Whereas in “Aubade” the man fear’s dying and reflect on the fact that everyday that we wake up we are one day closer to our death.

Federico Garcia Lorca was born in 1898 and died in 1936, he lived through one of the most troubling times of Spain's history. He grew up in Granada, Spain, and enjoyed the lifestyle and countryside of Spain. His father was a wealthy farmer and his mother was a school teacher and encouraged his love of literature, art, and music. He was an extremely talented man. A respectable painter, a fine pianist, and an accomplished writer. He was close friends with some of Spain's most talented people, including musician Manuel de Falla, and painter Salvador Dali. Lorca was a very liberal man who lived un dictatorship for most of his life. However, in 1931 Spain turned into more of a democracy, and was called "The

Waiting for Godot, Samuel Beckett's existential masterpiece, for some odd reason has captured the minds of millions of readers, artists, and critics worldwide, joining them all in an attempt to interpret the play. Beckett has told them not to read anything into his work, yet he does not stop them. Perhaps he recognizes the human quality of bringing personal experiences and such to the piece of art, and interpreting it through such colored lenses. Hundreds of theories are expounded, all of them right and none of them wrong. A play is only what you bring to it, in a subconscious connection between you and the playwright.

Saints are always different from everyday people, thus no one understands them in their lives, only a lot of years after their death. Joan of Arc was a saint like this as well, she was too far ahead of her times and was killed by her fellow men, because they didn’t know what else to do. She was canonized in 1920, after 489 years of her death. In my opinion, she was not only a saint, but meant to be an angel and showed a good example to all of us, how to behave ourselves in the name of honour, honesty, and glory.

     My first reaction to Egalia’s Daughters, by Gerd Brantenberg, was something like "WHAT is this". I was immediately very confused, and had no idea what this author was writing about. In fact, I felt as though I opened the book to the middle of a story, and became turned off by the whole experience. It took about three chapters, and someone’s help, until I started to read the book understandably, with ease, and began to enjoy the world I was entering. It became very apparent that I would have to detach myself from all that I thought I knew about gender, and simply allow myself to take in the message Brantenberg was trying to

Modernist fiction is incredibly dense and abstract. Writers from the twentieth century also seem to carry with them the weight of the world, and thus their fiction has been filled with realistic misery and pain. Still, these writers often add to this element with existentialist thematic structures, which construct a very unique and experimental viewpoint on a modern existence. This is what is occurring in both Samuel Beckett's Waiting for Godot as well as Albert Camus' The Stranger. The two a very different in format, yet both play upon the modernist idea of abandonment by God and the idea that there is an underlying sense of nothingness that guides modern life. Each focuses on the notion of free will and how it determines our lives in a world devoid of God. Together, these great works of contemporary fiction are a telling testament to the changing nature of sentiments regarding both religion and the meaning of life in a tumultuous twentieth century paradigm.

In Waiting for Godot, Beckett often focused on the idea of "the suffering of being." Most of the play deals with the fact that Estragon and Vladimir are waiting for something to relieve them from their boredom. Godot can be understood as one of the many things in life that people wait for. Waiting for Godot is part of the ‘Theater of the Absurd’. This implies that it is meant to be irrational and meaningless. Absurd theater does not have the concepts of drama, chronological plot, logical language, themes, and recognizable settings. There is also a split between the intellect and the body within the work. Vladimir represents the intellect and Estragon the body, both cannot exist without the other.